Remixes E.P

Faith (The Field Remix)

DRUMS BETWEEN THE BELLS
http://brian-eno.net

New album forthcoming on Warp Records.
CD, 12″ Double Vinyl, Hardback 2CD Edition, Download

http://enoshop.co.uk
http://bleep.com/brian-eno

Drums Between The Bells

bless this space

Brian Eno and the words of Rick Holland - bless this space (taken from Drums Between The Bells)

Schlachtensee (Featuring Blixa Bargeld)

from 1st album Tristesse Contemporaine (out 12/03/2012)(dirty / pschent)
Composed by Leo Hellden, Narumi Herisson, Maik
Produced by Pilooski
Mastered by Nilesh Patel at The Exchange, London
Cover Painting (La Dance) by Marie Vidon
Sleeve Design by Laurent Fétis & Sarah Martinon
℗ 2012 Tristesse Contemporaine courtesy of Dirty under exclusive license to Pschent.


02 In The Wake

08 America

Thunder Tillman is a cosmic vagabond who travels through space and time accompanied by his personal shaman. Together, as if having fallen to Earth, their mission is to recreate the music of their estranged home, reuniting with their brothers and sisters through an exquisite form of storytelling. While Western music may have degenerated over the past 65 years, troopers such as Thunder Tillman continue to drill down toward an elusive core, searching for something holy while never bastardizing their art with insincere advents of technology or convenience—as is apparent throughout their immaculate analogue production on this ESP Institute debut, Jaguar Mirror. Comparisons to genres like Krautrock are predictable, however we feel these four songs are so heavily narrative and wildly visceral that attempting to categorize the music would be a disservice to your imagination. We implore you to lay back in a nice stereo environment and absorb the purity of Thunder Tillman’s endeavor—appreciate their command of melody, composition, spectrum, magic… and try to recall the last time you chanced upon something truly different.

[ESP038] Jaguar Mirror

Jaguar Mirror

THUNDER TILLMAN - Exact Location of the Soul

Remix of the new single by Lorelle Meets The Obsolete. Available at the band's upcoming UK and EU tour dates and from the Sonic Cathedral stall at the Independent Label Market in London on April 1.

23.03 CH - Thun - Cafe Bar Mokka
24.03 CH - St Gallen - Palace
25.03 DE - Esslingen - Komma
26.03 DE - Leipzig - Akko Bar
27.03 AT - VIenna - dasBACH
28.03 DE - Berlin - Bi Nuu
29.03 DE - Frankfurt - Dreikönigskeller
01.04 ES - Oriheula - La Gramola
03.04 FR - Marseille - Le Molotv
04.04 FR - Lyon - Sonic
05.04 FR - Paris - Supersonic
06.04 UK - London - The Brewhouse
07.04 UK - Falmouth - Beerwolf Books
08.04 UK - Manchester - Aatma
09.04 UK - Brighton - Sticky Mike’s Frog Bar

Original version from the album 'Balance':

Buy vinyl : http://smarturl.it/lmtobalancelp
Buy CD : http://smarturl.it/lmtobalancecd
Buy on iTunes : http://smarturl.it/lmtobalanceitunes

http://obsoletelorelle.tumblr.com/
https://gnoomes.bandcamp.com/

Lorelle Meets The Obsolete 'The Sound Of All Things' (Gnoomes Remix)

info text:::

There is a purpose behind ambient music: it is utility music. Brian Eno made that clear once and for all with ‘Music for Airports’ – the utilitarian nature of this music can already be found in the title. But way before that, in 1920, Erik Satie composed ‘Musique d’ameublement’ – furniture music. Satie created true background music as a reaction against the misuse of classical music as a carpet of sound. The purpose of his furniture music was also to bridge the awkward gaps in conversation in social situations. In turn, Eno’s airport music is meant to serve as background music while sounding interesting enough for listeners to become absorbed. If we go by Eno’s definition, the music on T.Raumschmiere’s new album is not ambient. Although – or in fact, because – each individual track on this album immediately and effortlessly generates atmospheres, it is impossible not to be drawn in. T.Raumschmiere sucks the listener into the perceptible endlessness of his pulsating sounds, even though the music does not actually expect anything from the listener. It is not demanding, it does not sound lofty or ethereal. It is in constant movement and evolution while sounding grounded at the same time. The tracks are not weightless; they have body.
A darkly beating pulse works like a machine through the surging pads of ‘Dampfer.’ Synths drone languidly on ‘Anker.’ T.Raumschmiere deftly manages to avoid succumbing to the kitsch that often arises from these kinds of sounds. ‘Grotznogg’ has an inner stillness within the rustling and scattered clattering and clanging. ‘Zwischenstopp’ provides the perfect soundtrack for a submarine ride, complete with depth sounder and an undercurrent of anxiety. The track ‘007’ is a post-industrial masterpiece – warm, heavy, and latently threatening. And the list goes on.
Clearly a new meaning of the term ambient is needed to describe the music on this album more accurately. It is music that never sounds deliberate yet at the same time is so compelling, which might have something to do with the fact that Shitkatapult label founder Marco Haas aka T.Raumschmiere is the one behind it. As T.Raumschmiere, Haas produces a sound with influences ranging from bass music and
punk rock to industrial; the names of his records speak best for themselves: Monstertruckdriver, Sick Like Me, I Tank U… everyone knows what the deal is here. It is only logical that his new album is just called ‘T.Raumschmiere.’ This record is certainly an excellent lubricant for dreams.
Haas is known for his take-no-prisoners approach to his live sets, which feature distorted beats, grueling basses, and steep descents. Now for the flipside, the negative image of the sound that made T.Raumschmiere famous, the sound that has allowed us to get closer to the understanding of this magic ambient music. The shadow of T.Raumschmiere does not come in with massive beats and basses, yet it
is so imposing and so dark that it seems within our grasp.
In addition to his duties as label manager, musician, and DJ, Haas has also worked as a producer for other artists such as Dieter Meier, Fraktus, Barbara Morgenstern, Das Bierbeben, and Ofrin over the past
few years. The new album by Shrubbn!!, his collaboration with Ulli Bomans, will be released on
Shitkatapult.

T.Raumschmiere

Sleeping Pills And Habits

Murcof's debut album, "Martes". This is the original tracklist that was edited on the Mexican release by Static Discos on Frebruary 14th 2002.

Maiz

album Coeur Obsédé..... https://imusiciandigital.lnk.to/i5hYE
youtu.be/nfIfi9gBjrc

Coeur Obsédé

Sycomore

Available for free download.

mixed live by Pablo Thiermann 

at NYC

2013


http://houselist.bowerypresents.com/2013/03/22/chilean-music-takes-mercury-lounge-down-the-rabbit-hole/

http://www.brooklynvegan.com/archives/2013/03/follakzoid_and.html

"9" Live at Mercury Lounge NYC

New album 𝐔𝐍𝐈𝐓𝐄𝐃 out now: http://tristessecontemporaine.lnk.to/UNITED

TRISTESSE CONTEMPORAINE : Leo, Narumi and Mike.

IT'S ALWAYS BEEN ABOUT THE BASS.

We will always have that fantastic feeling inside us of hearing that bass getting louder and louder as we are carried closer and closer to the heart of our favourite dance floor.
We will always have in our minds that bass line of that rock song that will stay with us for all our lives, Peter Hook, Simon Gallup, Mani...You name it.
Tristesse Contemporaine is glued together by three adopted Parisians, a Japanese girl and two guys, one British, one Swedish.
Raw, desperate and hypnotic energy engulfed by memories of Shoegazer and Krautrock.
The trio flirt in the shadows of Suicide with catchy melodies and synth-pop, held together by that androgynous voice, suspended on the razor's edge of that beautiful vintage bass.

Romantic and flamboyant, arrogant and haunting, their first album imagines a world in chiaroscuro, where the electrical illuminations of shoegazing merge with electronic beats, with a heightened new wave sensitivity.
Climb to the dark side of modern pop as you enter the fractured, hypnotic, dance of Tristesse Contemporaine.

1st album released 12 March 2012. (Pschent/ DIRTY)
2nd album released September 2013 from Record Makers. (DIRTY/ RECORD MAKERS)
3rd album released 20th of January 2017(RECORD MAKERS)
4th album released 14th of October 2022 (RECORD MAKERS)

08 America

Tristesse Contemporaine

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