Written and Recorded by Christian Carpenter & Ryan Weiner

Featuring Julia Easterlin on additional vocals
Sarah E. Goldstone on Synthesizers
Ryan Weiner on Guitar
Jason Burger on Drums & Percussion
Christian Carpenter on Vocals, Bass, Keyboards

Mixed by Collin Dupuis
Mastered by Bijan Sharifi
Christian's vocals recorded by Gabriel Galvin at Four Foot Studios

Prayer Cards

When I was a kid I would scavenge along the beach
Sifting through the plastic and rubber scraps on my knees
Every piece of discarded detritus held a seed
For me to construct any number of fantasies

I know now I can’t help

That it’s in my nature to wander far with no map
Still I get discouraged when I feel lost on this path

I know now not to doubt

Cuz I’ve got the cards to show you
Many saints were also vagrants
Yes I’ve got the cards to show you
Vagabonds yet venerated

I recall when I was once very young my mom say
That I’m kindred to those who simply won’t join the fray
The most perfect marriage of these she’d call a homeless priest 

I know what I can’t help
So I know not to doubt

Cuz I’ve got the cards to show you
Many saints were also vagrants
Said I’ve got the cards to show you
Vagabonds were venerated
Cuz I’ve got the cards to show you 
many saints are also vagrants
Yes I’ve got the cards to show you
Lost and holy integrated

Endless clawing 
through the jungle 
crushing pavement 
Cinders raining 
flaming 
punctured dreams

Prayer Cards

Trivial Shields - Nicotine

Written and Recorded by Christian Carpenter and Ryan Weiner
Featuring Sarah Goldstone on Prophet, 
Jason Burger on Drums & Percussion, Ryan Weiner on Guitar, Christian Carpenter on Vocals and Bass Guitar,
Anna Fox Rochinski and Claire Wardlaw on Background Vocals 

Mixed by the inimitable Collin Dupuis 
Mastered by the fantastic Bijan Sharifi

Here The Past Is All I See

Nicotine

Written by Christian Carpenter

Recorded by Christian Carpenter & Ryan Weiner

Julia Easterlin - Vocals
Christian Carpenter - Vocals, Bass, Snaps & Claps
Ryan Weiner - Guitar
Sarah E. Goldstone - Synthesizers, Snaps & Claps
Jason Burger - Drums & Percussion, Snaps & Claps

Mixed by Collin Dupuis
Mastered by Bijan Sharifi
Lead vocals recorded by Gabriel Galvin at Four Foot Studios

Here The Past Is All I See

Won’t you take my hand as we scale this fence, unscathed
Aiming for the crest of a hill above, the bay
From this vantage point I swear that I can find
All that’s holy now, reflecting in your eyes

Here the present was a dream 
That the future would unseat
Out of pocket, on my knees
I’ll exhaust myself to see

Summers spent in bliss from the trips we took, yet one day
I recall alone on the porch I stood, so dismayed

There devotion met defeat
Facing stubborn fantasies
Out of pocket, on my knees
Still I fail determining

Where life takes shape
In pieces, sorting through 
The memories I’ve betrayed

Now the years extend like a broken fence, unchained
I imagine if I could reach back through, what I’d say
Probably yell “Hey fool, you won’t surpass these heights”

So the past is all I see
In distorted rosy sheens
I’m still waiting on my knees
For the courage to proceed

Here life takes shape
In pieces, sorting through
The memories that remain

Here life takes shape
In pieces, sorting through
The memories that remain

Here life takes shape
In pieces, sorting through
The memories I’ve betrayed

Won’t you take my hand as we scale this fence, unscathed
Aiming for the crest of a hill above, the bay
From this vantage point I swear that I can find
All that’s holy now reflecting in your eyes

Here the present was a dream 
That the future would unseat
Out of pocket, on my knees
I’ll exhaust myself to see

Summer’s spent in bliss from the trips we took, yet one day
I recall alone on the porch I stood, so dismayed

There devotion met defeat
Facing stubborn fantasies
Out of pocket, on my knees
Still I fail determining

Where life takes shape
In pieces, sorting through 
The memories I’ve betrayed

Now the years extend like a broken fence, unchained
I imagine if I could reach back through, what I’d say
Probably yell “Hey fool, you won’t surpass these heights”

So the past is all I see
In distorted rosy sheens
I’m still waiting on my knees
For the courage to proceed

Here life takes shape
In pieces, sorting through
The memories that remain

Here life takes shape
In pieces, sorting through
The memories that remain

Here life takes shape
In pieces, sorting through
The memories I’ve betrayed

Here, The Past Is All I See

So and so can have a life they can never lead
Trusting operators 
Wielding curious degrees

Lapping Soma psyche’s tucked into padded dreams
Handsy operators tending fires absent heat

So end the thunder end the light end the family tree
Have your operator
Strip to copper this machine

Braced for new days

But I refuse to play
While the fix remains
Leave me to decipher without aide

Told you so how it would flow into everything 
Faceless operators
Authors lacking all constraints

Endless codas addendums on a silver tray
Let them parse their fables 
In a world where all’s explained

Aesop’s defeat

No I won’t bear this heat
Opposite’s decree
Truth’s always adjacent to deceit 

Two can make a coffin bluff two can sublimate
Gaining grace’s favor
Watching moving targets stray

Save your receipts 
(captive to false expectations, all emotions simulated)

But I refuse to stay
While the fix remains
Leave me to decipher with no aide

------------------------------------------------------------------

Christian Carpenter: Vocals, Rickenbacker 4001 Bass, Sequential Circuits Prelude, Akai AX60, Roland 808 and Oberheim, DX Drum Machine Programming


Anthony Ferraro: Hammond A100 Organ, Yamaha CP 25, Studiologic Sledge, Moog 111C

Derek Barber: Electric Guitar, Korg X-911 Guitar Synth

Mark Clifford: Vibraphones

Geneva Harrison: Drumset and Percussion

Music written by Christian Carpenter
Lyrics written by Zach Phillips and Christian Carpenter

Recorded at Tiny Telephone, Oakland by Robert Shelton

Instrumental mixed by Robert Shelton
Vocals mixed by Jake Aron

Mastered by Bijan Sharifi

Operator

Rouse the night
Evading the snares of the faithful

I’d refuse — the prize
If heaven was clearly fated

There’s far too much at stake 
Denial, absolves the habitually sinful

So I slip into the covered darkness
Dancing faceless, out of view
Seeking fantasies’ arrangements 
And the cycle is renewed

Headlights fail now
Foresight breaks down 
(Gone)

How can I sustain such a blatant betrayal?
There’s far too much to say
Just hide, omission is surely gainful

So I slip into the covered darkness
Dancing faceless, out of view
Seeking fantasies’ derangements
And the cycle is renewed
Shattered tiles
Fractured pavement
All embankments are eroding now

Headlights fail now
Foresight breaks down 
(Gone)

------------------------------------------

Christian Carpenter: Vocals, Mini-Moog, Clavinet D6, Roland 808, Korg MonoPoly
Turner Kirk: Talkbox, Yamaha DX100
Robert Shelton: Moog 111C
Mark Clifford: Vibraphones, Oberheim OB8
Geneva Harrison: Drum set, Brushes, Gogo Bells, Percussion

Recorded at Tiny Telephone, Oakland by Robert Shelton

Instrumental mixed by Robert Shelton
Vocals mixed by Jake Aron

Mastered by Bijan Sharifi

Headlights

"Another Block" featuring Madeline Kenney

It’s late I know you’re busy
But I wanna go out I can’t resist
She said something to me
But If you go you’d have to leave it

If it’s fate or my own doing
To stay in one place
Can’t be worth the risk

Leave before you’re rooted
I’ve heard that said
And I believe it

Maybe It’s just my time
(I hear them calling)
Maybe it’s not right
Maybe it’s just a voice to deny

Turning down the same corner of a street I’ll never miss
I try to avoid eye contact with those that pass
Staring down but still ahead I say to my self
“You could be anyone”

New streets and foreign faces
Another block, where I now live
Everything is moving
At such a pace
And I’m used to it

Maybe It’s just my time
(I hear them calling)
Maybe it’s not right
Maybe it’s just a voice to deny

I’m out of a bubble
But I float adrift
------------------------------------------------------
Written by Christian Carpenter and Madeline Kenney

Madeline Kenney - Vocals
Geneva Harrison - Drums, Percussion, Timpani
Mark Clifford - Vibraphones, Piano, Korg Mono/Poly
Christian Carpenter -  Vocals, Electric Bass, Electric Guitar, Nylon String Guitar, Drum Machine

Recorded by Robert Shelton at Tiny Telephone Oakland
Mixed by Jake Aron
Mastered by Chris Gehringer 
--------------------------------------------------------

Another Block

The single art is a still frame from the music video for "Incomplete" directed by Sarah K. Pedinotti who performs and releases music under the alias LIP TALK.

Written by Christian Carpenter

Geneva Harrison - Drumsets, Tambourine, Roto-Toms, Percussion
Mark Clifford - Marimba, OB8, Korg Trident
Christian Carpenter - Vocals, Bass, Drum Programming, OB8, Juno 60, Guitars

Recorded by Robert Shelton at Tiny Telephone in Oakland, CA

Mixed by Jake Aron and Robert Shelton

Mastered by Bijan Sharifi

"Unbox the photographs
Unpack the artifacts
The past is rushing back but only to deceive
Rip off the bubble wrap
Tear through the packing mats
The past is flooding back to rupture every seam

I wouldn’t hesitate
To renegotiate
No doubt will dissipate forever incomplete

Dedicated to the semblance of control
Never sated by emaciated roles
In a panic running breathless down the street
Life is frantic and it always seems to be 
Incomplete

Agitation circulating 
The rising tides are gaining
If you’re buried, quite contrary
These shells for you to carry
Agitation circulating
The rising interest gaining
Mary, Mary
Quite contrary,
The dawn’s for you to carry

Tear down the broken mask
Cast off in any raft
The future’s flooded map 
Leaves nothing to retrieve
I wouldn’t hesitate 
To renegotiate
No doubt will dissipate they circle gaining speed
Their presence is oddly delightful
Their presence is nothing to flee
Make me a disciple
Forever incomplete

Dedicated to the semblance of control
Never sated by emaciated roles
In a panic running breathless down the street
Life is frantic and it’s always leaving me
Dedicated to the semblance of control
Never sated by emaciated roles
In a panic running breathless down the street
Life is frantic and it always seems to be 
Incomplete"

4 Mar 2025

Incomplete

Energetic, party, remix by the singular DJ Sabrina The Teenage DJ

Incomplete - DJ Sabrina The Teenage DJ

Incomplete - DJ Sabrina The Teenage DJ Remix

"Lonely Age"

Drifting through life, full of vacant replies
Wandering lost, like a motherless child
Not a word to say, in this lonely age
Wanna look away, go back to sleep
Accept defeat, flee in retreat, disguised

Once I could say, I was willing to try
Seeking the source, for a meaningful life
Now I pretend, just to claim I belong
Safely in step, with the vacuous throngs

Heaven knows I’d never make it
So pathetic that I ever tried to fake it
Graduate of voluntary mind-enslavement
Flew the coop and joined the troops,
A simple sleuth
Reporting from the lonely age now

Not a word to say, in this lonely age
Try to look away and, go back to sleep
Admit defeat, flee in retreat, disguised

Caught in a lie, that I’d gladly concede
Choosing a side, isn’t easy for me

Cause heaven knows I’d never make it
So pathetic that I ever tried to fake it
Graduate of voluntary mind-enslavement
Threw the coup, negotiated truth’s abatement

(Patrick Bateman)

And heaven knows we’d never make it
So pathetic that we ever tried to fake it
Graduates of voluntary mind-enslavement
Flew the coop, and joined the troops
Still put to use, consulting for the lonely age now

Written by Christian Carpenter and Derek Barber
Recorded by Robert Shelton at Tiny Telephone in Oakland, CA
Mixed by Jake Aron
Mastered by Bijan Sharifi 

Christian Carpenter: Vocals, Electric Bass, OBX, Dx7, Drum Machine Programming, Eventide H910 live effects processing
Anthony Ferraro: ARP 2600, Hammond B3 Organ, Studiologic Sledge 
Derek Barber: Slide Electric Guitar
Mark Clifford: Vibraphones
Andrew Maguire: Bongos, Shaker
Geneva Harrison: Drums

Nihilist funk indie groover with insightful, precise lyrics, hooky choruses, and crafty word-play.

Lonely Age

Single Art illustrated by Chris Peslak

Aaron Gold - Drums, Percussion
Mark Clifford - Vibraphone
Robert Shelton - Minimoog 
Christian Carpenter - Vocals, Juno 60, Guitar, Bass, Drum Programming

Written and produced by Christian Carpenter
Recorded by Robert Shelton
Mixed by Jake Aron
Mastered by Chris Gehringer

Prospecting

Always did hate to wake up
Never wanted to try
Rather refuse relations
Fantasy's fine
There's no logic in this brain
Simply sustained illusions
Options that paralyze 
A diminishing constitution
Nourished at night
Out prospecting every face

If it takes time
I will never choose to wait
I refuse to ever 
Face the risk of
Hedging on relief
If it takes time
I will never choose to wait
I prefer to always face the risk of
Hedging on the dream

Alone in the simple movements
Falling asleep at night
Choices not worth refusing
A freedom that's light 
Waking up in your own way
This honesty is amusing
Archaic and imprecise
The tactic that spawns confusion 
is always advised 
We can't speak this all away

If it takes time
I will never choose to wait
I refuse to ever 
Face the risk of hedging on relief
No faith to find
Is there any left to claim?
Sifting through the silt 
I wade prospecting for another dream

Wade prospecting for another dream
Wade prospecting for another dream
Wade prospecting for another dream

Always did hate to wake up
Never wanted to try 
Rather refuse relations
Fantasy's fine

Building sustained illusions
Reality compromised
Diminishing constitutions
Flourish in flight 

If it takes time
I will never choose to wait
I prefer to always
Face the risk of
Hedging on the dream
If it takes time
I will never choose to wait
I refuse to ever face the risk of
Hedging on relief
No faith to find
Is there any left to claim?
Sifting through the silt 
I wade prospecting for another dream

Prospecting

Won't you take a second look? 
Here alone I stand awaiting your final judgment. 
All the years, flights, promises, can't amount to nothing now. 

Won't you take a second look? 
I can't force the hand of love or claim it's spoils uncooked. 
But this is life, that was faith those were promises. 

I can't bear the thought of how 

You kept me so 
Peripheral 
Never let me in beyond the corner of your eye 
Peripheral 
Fearing inconvenience you've abandoned and resigned. 

Anchor-less but still so hooked 
To the dreams and fantasies that lay awaiting us. 
I was deaf, dumb, childish 
Far too late to play an adult. 

Anchor-less but still so hooked 
To a future disappearing in a haze of dust. 
I tried black magic, witchcraft, and conjuring. 
Not a single spell has stuck. 

And you kept me so 
Peripheral 
Never let me in beyond the corner of your eye 
Peripheral 
Fearing inconvenience you've abandoned and resigned. 

Kept me so 
Peripheral 
Never let me live beyond the corner of your eye 
Peripheral 
Fearing inconvenience you've abandoned and resigned.

Christian Carpenter - Vocals, Bass, Guitar, Synthesizers, Drum programming
Madeline Kennney - Vocals
Renata Zeiguer - Vocals
Danny Fisher-Lockhead - Alto Saxophone
Woody Goss - Piano, Wurlitzer
Julian Allen - Drums

Drums recorded by Tyler Duncan in Ann Arbor, MI

Written and Produced by Christian Carpenter
Mixed by Jake Aron
Mastered by Devin Kerr

Peripheral

Pantomime kisses 
for anonymous lovers 
again tonight. 

Take the back stairs 
to another's covers 
who knows, you might. 

Give it all away to only one 
but still refuse to claim a prize 
could you climb the stairs again now 
and accept the truth? 
In time, it dies. 

Asinine wishes for 
a taste of discovery 
steer your life 
wake from pale dreams 
to a state of recovery right in time. 

And give it all away to only one 
but still refuse to claim a prize 
would you climb the stairs again now 
and accept the truth? 
In time, it dies. 

Through forces now outdated 
they once had found there places. 
Now only chumps and vagrants 
put trust in good god's graces. 
And so with boot to pavement 
chase down the night.

Noah Rubin - Drums 
Adam Brisbin - Slide Guitar Solo 
Hannah Winkler - Vocals 
Renata Zeiguer - Vocals 
Madeline Kenney - Vocals 
Christian Carpenter - Vocals, Baritone Guitar, Synthesizers, Bass, Drum Machine 

Christian's vocals recorded by Robert Shelton at Tiny Telephone 

Mixed by Bijan Sharifi 
Mastered by Devin Kerr 

Written and Produced by Christian Carpenter

Pantomime

Could've swore the other day
I saw you from a distance by the lake
Betraying strides, you can't defend
You're shuffling in rhythms to keep me out of step

They keep me out of step
You keep me out of step

Take my hand or lead

If you look me in the eyes and say
Everything I live for is better because you stayed
I could just go
Walk off of this stage
Retire every role
Discarding broken fantasies
I don't need to stow

I regret how we played
Stubborn and persistent a gamblers game
Should've chose the odds to weigh
But followed intuition

I was led astray
Still was led astray

Take my hand or lead

If you look me in the eyes and say
Everything I live for is better because you stayed
I could just go
Walk off of this stage
Retire every role
Discarding broken fantasies
I don't need to stow


christian carpenter: instruments, vocals, production, mixing

aaron gold: live drums

additional mixing and mastering by bijan sharifi

written by christian carpenter 

Trivial Shields

Pinned to spotlight

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