Fly Mode - Pekodjinn ft. Dj Lycox

follow the producer (@pekodjinn)

Compiled by @bailesessions
Artwork by @hvsn

pekodjinn - chupa

Buy/stream 'Otun' now: montoya.lnk.to/otun

While the internet’s universality means once-inaccessible traditional and indigenous styles of music across the planet can be appropriated, sampled, and commodified with ease; it also means they can be integrated and celebrated, reflecting humanity’s idiosyncrasies as well as our shared communality. Montoya, recently signed to ZZK Records, personifies the very best of this musical globalism.

Montoya, who grew up in Colombia and now resides in Italy, entered music as a classically trained violinist. He’s keen to stress his gratitude for this adolescent education, not only in how it exposed whole new worlds of music, but permitted him travel places and sample different cultures from a young age, including playing at such renowned orchestra theaters as Gran Teatro de La Habana in Cuba and the Musikverein in Vienna. This classical upbringing naturally informed his inclusive, and methodically exacting, attitude to songwriting and production.

The pan-international musicality of his Montoya project is rooted in the musical diaspora of his native Colombia. This diaspora is vast; indigenous folk music hailing from Amazonian and Andean tribes; the cosmopolitan synthesis of modern reggaeton and traditional salsa taking place in Bogota and Medellin, and the Afro-Caribbean stylings of Cumbia and Champeta. Fusing the multi-layered precision of his classical education, his innate curiosity for Latin and “world” music, and affection for melodic electronica; his discography is at once ambitious and comfortingly familiar, as desirous of a catchy harmony as conceptual melding of Latin folk and modern electronics.

So far, under the moniker Montoya, he’s produced the stirring 2015 album Iwa and 2016 Ep Lux, where you can detect him refining his cooking skills of the indigenous and the electronic. He’s also remixed the gifted Ecuadorian Nicola Cruz’s pleasantly plodding “Cumbia del Olvido”, adding another layer of melody with a soothing string arrangement. Moreover he’s played Sonar Bogota and Musicbox Lisbon, and various European venues, but his latest album Otun looks set to both break him properly on the continent, and produce his best work so far; a fiery and flavourful gourmet dish, with British expat producer Richard Blair providing refinement as a proverbial sous chef.

On Otun, the breadth of Montoya’s influences and tastes is at its most striking; the dulcet techno hum of “La Pastora” is perforated by sprightly flutes and percussion, while lead single “Solo Quiero” deploys a languid reggaeton pattern beneath Bogota rising star Pedrina’s distorted, wilting croon anticipating a euphoric synthesiser-lead climax. The title track, featuring a sultry guest vocal from Nidia Gongora, is a fierce and vigorous club anthem, amplified by hissing synth pads and sordid breakbeats. Even a more straightforwardly techno track like “Tatacoa” is stylized with intoxicating Indian vocal samples, and more traditional folk selections like “Orun” still use an inobtrusive bassline drone. Montoya’s palette is simultaneously expansive and curious, yet coherent, with a steadily melodic electronic through-line running through Otun’s duration.

Montoya absolutely sustains ZZK’s pedigree of platforming the most exciting and inventive electronic artists from Latin America, joining the storied legacy already built by the likes of Nicola Cruz, Chancha Via Circuito, and King Coya. Whether it’s through the intricate patterns of his synthesisers or the analogue beauty of his violin, what unifies his instrumentation is the candid expression of Montoya’s experiences, ideas and dreams: “I want to feed me of all these emotions, composing and putting into music all that I’ve lived.”

Otun

Montoya - Perla

~ Uno Resuena - Chancha Via Circuito
~ Cumbia del Olvido - Nicola Cruz
~ Tecolotin - El Búho
~ Mapu Newen - Uji
~ El Nogal de las Pampas (Original Lagartijeando) - Chancha Via Circuito Remix
~ Dueños de la Cima - Derrok (Ft. Rodrigo Gallardo)

Picture by Awka: We Tripantü en Wallmapu

Latin Cosmic Feelings ~ Awka

Cuentos del Sur [Mix]

https://soundcloud.com/mrux

Silhouetted districts with square shaped mud houses. 
There is always a crowd of men & boys around strangers in town. 

M.RUX processed another gem of gnawa tradition, 
found in the souks of Tiznit. 
Goat string driven blues beaten by 
refurbished percussion & dance figures. 
Camel skin drums, edgy waves of a classy synth and vocals that call and response to them lord. 

The 7th round of our Free Download Serie - ynfree007 
Exclusively available on Bandcamp.
credits
released March 25, 2019 
Mastering by Paolo Fedrigoli at Schallzentrale 2019 
Original Artist: Hamid El Kasri

Download

M.RUX - El Baraka (Edit) [ynFree007]

Thamghalt means woman in tamazight, one of the most spoken Amazigh languages in North Africa.
Built on the basis of an amazigh lullaby, this music is a tribute to women, to Amazigh femininity.
The image of this sound is an Amazigh woman from Algeria photographed by the orientalist Rudolf Lehnert, a photo that covers Lehnert & Landrock’s famous book 'Orient 1904 – 1930'.
The photographer’s approach remains very questionable in fact, in a colonial context, he contributed to the imaginary of an 'oriental fantasy'. One can also criticize the exploitation of the image of models for commercial, political and identity purposes.
For more information about the 'scandals' of this photographer you can consult these articles:
https://lesoursesaplumes.info/2015/03/24/lehnert-landrock-fortune-sur-l-exploitation-de-femmes-indigenes/?fbclid=IwAR0D77X2EK00P0AuHLVbsCBzKdG0KFwC6EJxM9NrN1utMT5f5G6fCk8kcxI 

https://www.nouveau-magazine-litteraire.com/idees/fatma-au-mur-quand-art-autre-nom-violence?fbclid=IwAR1hAlsv9CJd49QsglsdBlqC0ns0Gva5fu6T4bxgOPY98Ce-gcaoGtuG0X4 


Thamghalt signifie femme en tamazight, une des langues Amazigh les plus parlé en Afrique du Nord.
Construit sur la base d'une berceuse Amazigh, cette musique est un hommage aux femmes, à la féminité Amazigh. 
L'image de ce son est une femme Amazigh d'Algérie photographié par l'orientaliste Rudolf Lehnert, photo qui fait d’ailleurs la couverture du célèbre ouvrage ''Orient 1904 – 1930'' de Lehnert & Landrock. 
La démarche du photographe reste tout de même très contestable en fait, dans un contexte colonial, il a contribué à l'imaginaire d'un ''fantasme oriental''. On peut aussi critiquer l'exploitation de l'image des modèles à des fins commerciales, politiques et identitaires.
Pour plus d'informations au sujet des ''scandales'' des photographies vous pouvez consulter ces articles : 
https://lesoursesaplumes.info/2015/03/24/lehnert-landrock-fortune-sur-l-exploitation-de-femmes-indigenes/?fbclid=IwAR0D77X2EK00P0AuHLVbsCBzKdG0KFwC6EJxM9NrN1utMT5f5G6fCk8kcxI 

https://www.nouveau-magazine-litteraire.com/idees/fatma-au-mur-quand-art-autre-nom-violence?fbclid=IwAR1hAlsv9CJd49QsglsdBlqC0ns0Gva5fu6T4bxgOPY98Ce-gcaoGtuG0X4 

Bonne écoute.

Free Download

THAMGHALTH

cheh fallait pas faire le con.

<a href='https://theartistunion.com/tracks/c9bd6b'>Download for free on The Artist Union</a>

CHEH

flouss massakh = argent sale = dirty money = dinheiro sujo = ...

repost this, mix it, enjoy

FLOUSS MASSAKH 💸💰💎

''they do anything for clout ...''

I'm back to my old shit. 
teamed up with the @thesmoothoperator3000 for this one.

really love the work of those guys and I'm very proud to collab with them :))

mix and cover by me
mastering by @voodoovxen

<a href='https://theartistunion.com/tracks/7326ac'>Download for free on The Artist Union</a>

EL CLOUT feat. SMOOTH OPERATOR 3000

Tema: Nawy Kuahutli
Autor: DJ Antena
Año: 2006

DJ Antena - Nawy Kuahutli

Tropical Blue Master Clash 
Dj's and producer collective
-PEKODJiNN  
-Mate
-Awka
-Taguán
-Ernesto G
Latin and néo latin vibes, old school and urban bass music. 


Book >tropicalbluemasterclash2017@gmail.com

Latin Cosmic Feelings ~ Awka

Tropical Blue Master Clash

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