A live recording of the Spiral Tribe Liveset, R-Zac, recorded inTřebíč, Czech Republic, 1994

Spiral Tribe were ‘90s Britain’s hardest hardcore techno crew –  a travelling party troupe of anti-authoritarian acid-adventurers, and a scourge of the establishment. With co-founder Mark Harrison in the midst of writing a book on their story, and @prspct-recordings recently releasing a collection of classic cuts from live Tribe duo R-Zac, it feels timely for Harold Heath to dive into their history, legacy and vow to 'Never Stop'

Read the full feature: https://djmag.com/features/history-spiral-tribe-uks-most-notorious-travelling-sound-system

Spiral Tribe: R-Zac, live in Třebíč, Czech Republic, 1994

Ricardo Villalobos & Raresh Live at Sunrise Event NYE, Kristal Glam Club | 31.12.2006

Rhadoo b2b Ricardo Villalobos at Sunwaves 13 Afterhours (part4)

The Medellín maverick opens RA.997 with another mind-altering home run.

As part of our countdown to the 1000th edition of the RA Podcast, a milestone in the 18-year history of Resident Advisor's weekly mix series, we're switching up the usual format.

This week, following heady excursions through Lagos, Kampala, Detroit and Chicago, our focus shifts to Latin America—arguably the story in underground electronic music since the pandemic.

After years of being all but overlooked internationally, the explosion of distinctive club sounds emerging from Peru, Brazil, Colombia and beyond has finally begun to get its due.

Among the movement's great success stories are two artists who exemplify its refreshingly undogmatic energy: Verraco and Bitter Babe, and the former handles the A-side of RA.997. 

Is there a more compelling electronic artist around right now? Both in the studio and behind the decks, the Medellín-based DJ and producer currently sits in that coveted creative sweet spot, where every fresh musical morsel feels like a moment. To bask in any of his singular tracks on VOAM, Timedance and now XL Recordings, is to be bowled over by their rhythmic brilliance, madcap hooks and whirlpool basslines. ("Basic Maneuvers," anyone?)

His mix is tough to pin down—a blend of dubby techno, tribal atmospheres, slanted bass and sharp edits. Or, as he puts it in the accompanying interview: “an intersection between dub-infused techno but with some flow, reduced atmospheric tribal, edgy bass cuts, mental emo-tek.”

There’s plenty of unreleased TraTraTrax material here, alongside tracks from artists like Virginia, A Made Up Sound and a euphoric flip of Ploy’s “Ramos.” Slippery, emotional and surgically precise, it’s Verraco doing what he does best.

Find the tracklist and interview at ra.co/podcast/1001

RA.997 Verraco

Bitter Babe takes the second half of RA.997, revelling in the fullness of the Latin electronic continuum. 

As part of our countdown to the 1000th edition of the RA Podcast, a milestone in the 18-year history of Resident Advisor's weekly mix series, we're switching up the usual format.

This week, following heady excursions through Lagos, Kampala, Detroit and Chicago, our focus shifts to Latin America—arguably the story in underground electronic music since the pandemic. 

After years of being all but ignored internationally, the glut of special club sounds coming out of Peru, Brazil, Colombia and beyond have finally received their flowers. 

Among the movement's great success stories are two artists who exemplify its refreshingly undogmatic energy: Verraco and Bitter Babe. 

Bitter Babe, naturally, takes the B. As a DJ, she reflects the fullness of the Latin electronic experience—"diverse, messy, emotional, political and full of contradictions," as she says in her interview. 

Her rollicking rides through guaracha, dembow, cumbia, techno and everything in between are powerful counters to anyone who believes the culture begins and ends with Shakira and Bad Bunny. And, as she'd like to remind everyone, "not every offbeat rhythm with Latin percussion is reggaeton."

Skip through the 60-minute mix and you'll hear wildly different rhythms at every juncture. Surely, you might assume, at the expense of flow? And yet enjoyed (as intended) from start to finish, the tunes gel like milk and honey, each silky transition subtly phasing in fresh tones and percussive flourishes. It's fast, feverish and intensely riveting.

@bitterbabe
Find the tracklist and interview at ra.co/podcast/1001

Correction: the final version of this mix was uploaded on Tuesday, July 15th.

RA.997 Bitter Babe

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. This one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes: a moment when the resting heart rate of dance floors plunged lower than any comparable point in the 21st century. A masterclass, entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like an F1 car.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. Full send.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

Recorded live at Arkaoda, Berlin 23.08.25

Capablanca - Those Are Pearls That Were Their Eyes

Practice Good Practice - Radio Buena Vida 04.09.25

In the words of Scott Zacharias, who closed the Outer Space Room at No Way Back, May 25, 2025, Day 2 of Return to the Source at Tangent, Detroit:

“NWB, being more than just the sum of its parts, always reflects my current life state(or lack of) and this year was no different. My friend Zach reminded me of this ultra-special cut by Arthur Russell: “In the Light of the Miracle.” It’s one of those holy grails and this mix (by Danny Krivit & Tony Smith) only existed as unreleased Talking’ Loud promo until a Soul Jazz comp finally issued it properly in 2005. I used to run it occasionally some 20 years ago, but hearing it again left me shook and set the stage for my entire set. And the rest of my life. My partner Ellen and I learned we were pregnant that same weekend.

Completely overwhelmed, I felt like I just wanted to share music for folks like I do in my own living room. Not really as a mix, but an intimate family affair. In the wee hours of the morning when I finally decided to share Russell’s opus, Ellen joined me on stage. We embraced and cried as we saw all our friends dancing in a now sunlit room. 

“I love you and that's all, living in the light.” — Arthur Russell”


IT.podcast.s14e07: Scott Zacharias at No Way Back 2025

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Massive shout out to Scott from Tillicoultry in Scotland for the share on this one. Epic recommendations mate!

MIX-UP VOL.2 Live at The Liquid Room - Tokyo

Buy on Discogs

259 - Jeff Mills ‎– Live At The Liquid Room - Tokyo (1996)

http://practicegoodpractice.tumblr.com/

https://trudatsound.bandcamp.com/album/pgp1-fools-tools-vol-1

[PGP1] Trudat Sound & Light - Unsuitable Tools Vol. 1 (EXCERPTS)

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