is good music but your progressive is excelent where is?

good music for sunday evennig..... love it...:)

Owww... I liked that sound on Soulvisin...Amazing

Boiler Room Paris x InFiné w/ FRANCESCO TRISTANO, DOWNLINERS SEKT, CLARA MOTO, DANTON EEPROM

Broadcasted on 27th March 2014.

Tracklist and video at boilerroom.tv

Clara Moto Boiler Room Paris x InFiné DJ Set

This happens when I stay 2 Hours at the Lab. 🧑🏼‍🔬🧑🏼‍🔬🧑🏼‍🔬

Toxic Safadera - CAMILO PORRAS Edit (2025)

Atisi

Irradiant Pulse

Tellex - Mosco Disco (billy idle's trippy remix)

B-Side for PK 12" on Gigolo.
Out now available at:
http://www.beatport.com/release/visions-ltd/161675
https://itunes.apple.com/at/album/visions-ltd.-ep/id309695432

Shine

Bonobo  Melt Festival 2017 recorded by Arte TV

LETKOLBEN
https://fanlink.to/letkolben

Download track:
https://letkolben.bandcamp.com/album/people

People Remixes

Download

AantiGen - People (LetKolben Remix)

http://www.fmradiogods.com
Hi. We're releasing our first ever label-free EP. And best of all, it's free. Well, sorta. 
All we ask is you pay ANY amount and you can download the entire EP, jsut go to our website (link above)
All contributions go to us - Thanks for the support :)


FM Radio Gods - Ilo (Original Mix)

FM Radio Gods Live @ Rainbow Serpent Festival 2013
Mad Monday - Market Stage 14h30.

Tracklist : 
Intro RSF2013 FM Radio Gods - Circuit Bender
FM Radio Gods - 372
D-Nox & Beckers - Call me (FM Radio Gods Live remix)
FM Radio Gods - 333 (D-Nox & Beckers remix)
FM Radio Gods - iLo
FM Radio Gods - Moskito
FM Radio Gods - Sumo
FM Radio Gods - 373
FM Radio Gods - Guitardo
FM Radio Gods - Monoroom
FM Radio Gods - Lakehouse
FM Radio Gods - 398
FM Radio Gods - Mad Science

FM Radio Gods Live @ Rainbow Serpent Festival 2013

True Lies - Fantasy Girl

Trentemoller mix

Buy/stream: https://kompakt.fm/releases/videosphere

Videosphere, the debut album by Kompakt’s latest signing, the London-based artist Lake Turner (aka Andrew Halford), swoons into focus with “The Sunbird”, a teasing drift of lilting, ambient tones, riding out a submerged piston-pulse rhythm. Across its brief 109 seconds, it manages to traverse evocative terrain – something mythopoetic, something both humble and grandiose, a glimpse of the other behind the sky’s curtain. “I wanted to conjure up something resembling an ancient ceremony or death procession,” Turner nods. “Like a hymn to the surroundings of a faraway hill.” It’s both sky-bound and earthen, a ritual incantation to call in the music of the spheres.

Turner was introduced to the Kompakt family by his sometime collaborator Yannis Philippakis of Foals. He’d previously made music in post-punk and indie groups Great Eskimo Hoax and Trophy Wife, but Videosphere is the first time he’s fully articulated his own vision of electronic music, aside from one limited lathe-cut 12”, 2018’s Prime Mover EP, on Algebra. The lush ambient-disco-techno dreams of Videosphere were constructed and completed in his London studio and at his parents’ arable and sheep farm in Worcestershire, which might help explain the hazy, unhurried pastoralism of the album.

“There was a slight bittersweetness in finishing the record (in Worcestershire) as my parents were in the middle of selling my childhood home,” he sighs, before quipping, “on the plus, I ended up shearing a lot of sheep over the summer.” A student of archaeology and ancient history, Turner is no doubt carefully attuned to the twisting cogs of history and memory, and it’s no surprise that Videosphere has a nostalgic, melancholic cast; much of its beauty rests in the way it tugs, gently, at the heart strings – see the tear-stained cheeks of the lush, dappled “Honeycomb”, or the sweetly sad electro-roundelay of “No Way Back Forever.”

It’s not all drift-dream hypnosis, though – Videosphere is very much grounded in the now. ““No Way Back Forever” is a nod to the linear nature of time,” Turner explains by way of example, “and the tipping point of the world climate crisis that scientists have now declared.” Jayne Powell’s vocals are sent spinning through the song, wound like candyfloss; she takes centre stage on the techno hymnal title track, too. Throughout, there’s a sense of forward movement, despite the life stasis we find ourselves collectively bound by in mid-2020; there’s also a yearning for the communal, for community, that’s captured in the album title, a nod to an object Turner encountered at London’s Geoffrey Museum, “a television set in the shape of a spaceman’s helmet from the 1970s.”

“The vision I loosely had was to make an electronic record that had a communal warmth and almost ceremonial or ritual feel. I wanted to examine the relationship of our archaic minds in the trappings of the modern world,” Turner concludes. “What the Videosphere also symbolizes for me is the oneness of humanity and community, prevailing.”

True Lies - Fantasy Girl

True Lies Music

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