Dark Machine Funk is delighted to welcome the first guest producer into the fold, Head Front Panel. A huge source of inspiration to DMF since those highly sought after HFP 12”s hit the record store racks in 2014, Head Front Panel delivers a superb well rounded 4 track EP titled ‘Tactile’ for DMF’s 5th release.

The opening track 'Panama' opens with some otherworldly pads, sweeping resonances tickle the ear before signature HFP drums hit you with pure engaging energy. Broken kick drums and rattling percussion perfectly sit on this hypnotic tribal-esque sonic dream, a depth and area that we've not heard from HFP before. 'Tactile' brings the perfect tool, loopy rhythms that stretch the perception of time whilst getting lost in subtle rides and eerie door creaking atmospheres, deep listening will provide a new journey on every repeat. 'Surdo' open's side B, and we're catapulted into the fire with shaker/hi hat percussions that grab your attention immediately and vocal samples scatter across the stereo field. Shimmering pads take the track into deeper territory but all while keeping in a constant state of forward motion accented by the occasional double kick drum. A huge baseline swings the track to give it it's funk. 'Them' probably the most recognisable HFP track hammers with a thunderous...  more
credits
releases March 1, 2024

W&P by Head Front Panel
Mastered by Paul Mac
DMF Artwork by Hankohooligan
Record design by Kerrie

Pre-Order

Head Front Panel - Tactile (DMF005) PREVIEWS

Full stream of FLAWS' "Hyperlink," taken from Interconnected EP on Kvalia Records, out February 16.

More: www.orbmag.com/music

@kvaliarecords
@flawsdj

Interconnected

Listen more

Premiere: FLAWS - Hyperlink

With an album as versatile and expansive as his LP Fusion, Len Faki wanted a collection of remixes to display a similar kind of musical variety. Hand-picked from his favorite producers, the cast now features a diverse group of artists who have re-imagined 20 of Fusion’s tracks, set to arrive on two double and one single 12“ EP. 

FigureX39 kicks off the trilogy, with our very own Arthur Robert at the helm, fittingly remaking the album’s pensive closer into a melodic peak time stomper. Ø [Phase] ramps up the intensity on straight-laced Temple, keeping the BPM in line with modern techno’s need for speed. 
On the flip, rRoxymore inverts Tor 8 into a psychedelic funnel of haunted voices and pummeling percussion, while dubby synth swirls and ferocious filter action give Pangea’s rework of Space Cowboys I a distinctly UK-feel. 

Coming in as hard-hitting as ever, PAS layers high-octane rave stabs and nonstop propulsive drums on his version of Yantra, and one of the album’s few original house tracks, It’s Time … gets the Truncate treatment, making for lean, clap-heavy groover with enough low-end to move some bodies. Often known for his cinematic compositions, Djrum delivers a complex masterpiece of heady drum...  more
credits
releases March 1, 2024 

all tracks written and produced by Len Faki 
2024 © Figure

Fusion Remixes 01/03

Len Faki - Fusion Remixes 01/03 - Figure X39

At what point does a new tool or technology become so integral to a process as to be intrinsic? And what happens if that technology starts to subordinate its user? 

By reflecting on these questions Machine Alliance, the new EP by Irish producer Kerrie on Tresor Records, connects her music to the sci-fi origins of techno and electronic music in general.

With inspiration from classic books and films of the genre such as The Machine Stops, The Matrix, and Blade Runner as well as modern explorations in art and philosophy like Free Your Mind and Technopoly, the EP's title takes on two opposing but intersecting meanings. 

One, based on the potential for machines to take over or replace humans, is a key idea of sci-fi that seems closer to reality with the arrival of machine learning and real artificial intelligence.

The second has a much more positive view, one where the "alliance" is between the artist and machine to create the music, a process she places immense value on, being both cathartic and therapeutic, whilst also being a vehicle of addition and expansion:


"I feel that it's a collaboration&hellip;the machines are precise in their timing and I add the human touch (literally) in the live performance which adds natural imperfections, so we both provide something the other can't. There's also an element of growth; the machines get updates and so are always expanding in terms of their musical capabilities. And the more I push my own technical abilities I feel we are growing together in a constant synchronised dance."

This "dance" results in four tracks (plus three digital-only bonuses) of classic machine funk which combine the aforementioned ideas in sci-fi with a deep lifelong affection for techno. Tracks like Ode to the D, and Technopoly Dream display this love through her choice of sounds and structure, both intentional and subconscious, while Replicants, and Human in the Loop project into other genres to fully round this release off as a contemporary example of music rooted in both past and future.

BANDCAMP

Kerrie - Technopoly Dream

New CO.LAB 009 by Swedish techno artist Staffan Linzatti and label owner Jonas Kopp.

BANDCAMP RELEASE: https://tremsix.bandcamp.com/album/co-lab-009

Fantastic deep and outer space techno journeys. 
Tones and frequencies broadcasted from the present timeline to the past timeline, activating the quantum human being consciousness in all the ancient human civilizations.

Composed by Staffan Linzatti & Jonas Kopp 

Art & Sound Engineering by Jonas Kopp 

Distribution by Triple Vision 

Tremsix 2024 ®

PREMIERE: Staffan Linzatti & Jonas Kopp -  CO.LAB 009 A (Tremsix 032)

Lauren Flax ft. Jason Burns - Acid Jacker
1. Acid Jacker
2. No Acid Jacker (DJ Tool)
3. Squelch-A-Pella (DJ Tool)
4. Acid Jacker (Truncate Remix)
5. Acid Jacker (Jason Burns Remix)
	
Out now!
https://truncate.bandcamp.com/album/acid-jacker

Acid Jacker

Acid Jackier

Lauren Flax ft. Jason Burns - WRKTRX09 - Preview

Release date (vinyl & digital): 19th of April

TRACKLIST:
A1: Teste
A2: Sopro
B1: Clima
B2: Veneta

INFO:
With his first full-length EP on Token after a contribution to last year’s Fuga IV compilation, Nørbak proposes his unique take on movement and grain through the four tracks on ‘Sopro’. Constantly searching for new textural story telling, the Portuguese producer balances grit with technical depth.

‘Teste’ begins the record as the most minimal of the collection, setting a somber tone with percussive accents whipping through a cavernous atmosphere. Reminiscent of German style club music with booming kicks and resonating hits, Nørbak plays to his strengths by alternating through confronting sound design and imposing rhythmics. The title track ‘Sopro’ maintains the weight of its predecessor, however the focus shifts to the lead synth line. The Hayes member juggles through a hypnotic sequence, bending dissonant keys to ensure a funky swing while keeping things cool and collected. This stylistic hybrid segues perfectly into ‘Clima’, where Nørbak masterfully retreats into the mind for paced percussion over delirious ambiances in half-time. A slow rolling bassline pushes through the arrangement like a tidal wave with chanting snares egging it on, making ‘Clima’ almost ritualistic. The hypnotic touch completes ‘Sopro EP’ in a subtle way and leads into an epic of a closer with ‘Veneta’. Nørbak thickens the rhythmic section once again, with an accent on the high end, to shout far off notes describing a stretching landscape. These stuttering keys make for an intense ride supported by shaking hi hats all along the way, persistent through every transition. The record comes to a satisfying close with a meditative conclusion, an appropriate way to wrap up a sensorial adventure.

TOKEN124 - Nørbak - Sopro EP

Tresor Records are excited to announce the new EP from machine techno luminary Lady Starlight aka Colleen Martin. Capricorn Rising comprises five razor-sharp cuts from the acclaimed producer, DJ, and Surgeon co-conspirator whose laser-focused work ethic reflects the EP's astrological namesake. 

Capricorn Rising is anchored by the record's most propulsive, trance-inducing cut, "Mass;" an off-kilter conversation between chattering birds and a breathing sample that makes for an otherworldly melody. "I wanted to create a feeling rather than a sound," explains Martin of the catalyst for the record. 

Martin describes the recording of Capricorn Rising as a cathartic process. "I thought of myself as fearless since I have always rejected societal norms and I'm very comfortable expressing ideas," she offers. "However, I realised I actually had a lot of fear when expressing anything emotional." 

The EP is the outcome of shaking off that fear. Using her feelings as a guide, Martin creates a space somewhere between euphoria, dissociation, and wonder. "This is where I hope to take the listener," she says. 

This emotional liberation peaks on "Reinforce," which sidesteps towards extraterrestrial acid and swirling, cosmic pads that reach for a new dimension. Meanwhile, "Chapter 23" is an industrial-dipped roller that creaks with eerie atmospherics before erupting into a meteor shower of kicks. This percussive workout continues on "Prism," which makes a plea for bodily oblivion. 

Martin often closes out her live sets with the EP's euphoric title track; a seamless, starry-eyed slammer that encapsulates the headiness of the Lady Starlight universe. Oiled and limbered for the dancefloor, these are dynamic, teflon-tough techno tracks that deftly align with Martin's virtuosic hardware performances.

PREMIERE: Lady Starlight - Mass

Holden’s third release on SK_Eleven, Dust,  showcases a striking evolution of his signature dark, driving sound. Rhythms are as urgent and rooted in the dancefloor as ever, but melodies have grown more haunting and emotive. This release sees Holden charting new sonic territory with two ambient tracks to open and close the record. Opener “Dust” brings melody and harmony to the foreground to set the emotional tone for the peak-time techno tracks that follow, while the closing track, “Frost,” ends the EP on a more hopeful note, its yearning melody disappearing into the mist beyond the sunlight.

A1 - Dust
A2 - Myth
A3 - Corner of the Room
B1 - The Beginning and The End
B2 - Steep
B3 - Frost

All tracks written and produced by Holden Federico
Mastering by Beau Thomas 1087 Mastering, London
All rights reserved SK_eleven 2024

Holden Federico - Dust [SK11X025]

A1. Stojche - Counterpunch
A2. Stojche - Chordal Tribe
B1. Stojche - Signal Drive
B2. Stojche - Metaphor

Pre-order here: www.fuse.be/fuse04

Macedonia’s own Stojche is Fuse’s next guest for the club's freshly made imprint. The long standing DJ and producer has been known to keep Detroit’s playfully hybrid style as the focus of his work and ‘Metaphor’ is the case in point. His four tracks bounce through a nostalgic balance of techno, house, and more with a modern crisp. A refreshing take on club music, Stojche keeps techno’s sometimes nonchalant attitude at arms length with a charismatic record that hits its mark with every measure. 


The record’s first track ‘Counterpunch’ features heavily lined percussion but still brews up a storm far and wide with resonant dub stabs and open hi hats. The drum machine boasts a full spectrum, rolling through a light show of melodic flashes, perfect for a room compressing soundsystem. The maximalist, vintage detail that Stojche brings to his compositions blurs the lines between classic genres in a time of hasty hybridization, which gives it a sort of authenticity that can’t be taken for granted. ‘Chordal Tribe’, on the other hand, raises the general euphoria of the EP. Luring in the listener with bright pads and full-on drums, Stochje’s work is reliable main slot material that adds color to any mix while providing a persuasive low end. Shimmering hi hats give it an ethereal quality making it an appropriate interlude for almost any context. Moving on to the B side, the producer sharpens up his rhythm and emphasizes the hardgroove influence in ‘Signal Drive’. Softening the pace of his drums with free use of melodic chord stabs, Stojche opens up his dance floor for a crowd bonding record once again, complete with filter transitions and pummeling toms. As the final contribution, his title track ‘Metaphor’ begins with a more obscure opening to conclude his EP for Fuse. Leaning more to a techno cut, the record remains flamboyant as ever with open hats and rides shuffling through his arrangement. A muted main synth becomes apparent to focus the energy of the track while allowing for liveset-like drum flickering to take shape beneath, claiming the immortality of old club records with the technical precision of a seasoned modern producer.

Written & produced by Stojche
Mastering by Ahmet Altinbas
Artwork by Ahmet Altinbas
Layout by Studio Phazed

FUSE04 • Stojche - Metaphor

I am trying to learn techno. And it is my first techno-style track using Ableton Live. Please keep fingers crossed. Today only for the fun!

Techno Beat #1 and testing Ableton Live Test

After being introduced to electronic music back in the early 90's in Los Angeles, a teenage David Flores was hooked. He started DJing across Southern California on the DIY warehouse, backyard, desert, and rave circuit. His style then was as varied as the local scene - a myriad of sounds ranging from house to acid to techno to hardcore. After a few years solely DJing, he began releasing original music under the monikers David F & Audio Injection, which landed him on labels such as Monoid, Stimulus, 4 Track & LA label Droid Recordings. His association with Droid Behavior began in 2003 as resident at the now defunct yet infamous and internationally acclaimed Interface event series alongside Drumcell and Raiz. He currently runs a new event series together with Drumcell and Oktaform named “Observe”.

In early 2011, he started the project Truncate to focus on the deeper, raw side of techno. His Truncate releases early on gained critical acclaim from world class underground talent such as Modeselektor, Ben Klock, Marcel Dettmann, Chris Liebing, Speedy J, DVS1, Luke Slater, Ben Sims, Josh Wink, Eats Everything, Joris Voorn, and many more. Since then, he has provided remixes for artists across the musical spectrum including Kink, Slam, Loco Dice, Ben Sims, Josh Wink, Ellen Alien, Miss Kittin, Carl Cox & Nicole Moudaber. He has also released original works on 50 Weapons, Ultramajic, Blueprint, Ei8ht, Figure and of course his own imprint Truncate. He has also collaborated with Jimmy Edgar, Chambray and most recently started a new project with Ben Sims as ‘Assailants’ which they’ve released on their own imprint ‘Obscurity Is Infinite’.

A rigorous international tour schedule has since followed, including stops and regular appearances at the most prestigious venues and events, including Berghain in Berlin, Fabric in London, Concrete in Paris, The Movement Festival in Detroit, Womb in Tokyo, Dimensions Festival in Croatia, Awakenings in Amsterdam, Output in New York, and many more.

With his heavy remix, production and touring schedule there is still no slowing down for David. He continues to shape an evolving sound and to champion the Los Angeles underground.

Lauren Flax ft. Jason Burns - WRKTRX09 - Preview

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