Dekmantel Selectors 2021

Tako at Dekmantel Selectors 2021

A Berlin legend that needs no further introduction, his knowledge in music is academic, a walking library by all means with credentials few DJs can hold a candle to, such as having been a member of The Ennio Morricone Society (MSV - Musica Sul Velluto) - seriously... @finn_johannsen brings us a two part mix of extensive research in Hip-Hop.

In his words: 
"I do not often play hip hop in clubs, but I have been listening to it since the 80s, and collecting it too. I love all kinds of hip hop, but the particular mid 90s to early 00s sound represented in these two mixes is the one I still listen to the most. I must admit that I adopted this sound quite late, as I previously preferred those records punchy and fast enough to be danced to at clubs playing disco, and then house. When the tempo slowed down in the 90s I was initially confused, well maybe even a bit annoyed. But soon enough I adapted to it, and recognized its very own appeal. Doing these mixes has occupied my mind for a while now, but it really came back to my mind during the lockdown, when I couldn't bear to listen to club music because it was just rubbing in what was missing from my life. Sometimes then I felt moody and frustrated as well, and the vibe of this helped me along. The grit, the wit, the roughness, the immensely varied and creative ways of making beats. I must admit the main purpose of these two mixes was to include all my favourite records, so I can listen to them in a row. Of course there are hip hop DJs who do that way better than me (you will probably notice that there is not a single scratch in the whole 7+ plus hours playtime, for example), and I salute them all. But I wanted to have my own personal soundtrack for whatever purpose I felt should be accompanied by this kind of music. I tried and tested it, and I am happy how well it works in different contexts, but they are all nocturnal. This is not really jiggy, mind. But I hope you like it nonetheless. The booming artwork was provided by the mighty King Kummi aka The Druffalo Graphic Squad."

Sound Metaphors Mix Series 14 : Finn Johannsen (Pt.1)

https://www.nts.live/shows/jamie-tiller/episodes/jamie-tiller-16th-janaury-2023 :)

NTS Radio Show - Episode 33

Apiento, a.k.a Paul Byrne runs the invaluable Test Pressing blog and releases music on World Building, World Unknown and more. His show has that esoteric techno thing and whatever suits the mood…

https://www.nts.live/shows/test-pressing/episodes/test-pressing-8th-april-2023

Test Pressing 080423

this was a very special night

thanks to raf, rvds, & all of the very sweet pudel staff

share this mix far and wide, one of my favorite recordings to date! it needs to be heard!

plenty of js classics and plenty more first time plays.

dled enabled even though basically no one downloads it, it literally sounds more than twice as good lol.

Jay Simon - Live At Golden Pudel Hamburg 5 - 17 - 23

This week's Trushmix is by DJ Sotofett – straight outta Moss, Norway!
DJ Sotofett is known for being the hyperactive half of Sex Tags Mania, and also runs the somewhat obscure techno label Wania.

With a 90-minute mix of quality house flavor, recorded to tape, every track is presented in its entire length – pure listening pleasure from start to finish.

And don't forget to check out the forthcoming 12inch "DJ Sotofett presenterer Dritfett" out on Wania end of October!

Trushmix 03: DJ Sotofett

Recorded live at Nuits Sonores 2019, 15:00 - 18:00, before Donato Dozzy took over.
Marissa Cetin from Resident Advisor wrote about the afternoon:
"Unlike the other daytime curators, Lena Willikens chose to open La Sucrière's impressive main hall on Friday, playing alongside her usual back-to-back partner Vladimir Ivkovic. The two looked relaxed behind the decks, swaying, smoking and sometimes smiling. The crowd, less dense than during the other headliners due to the early start, were also in a good mood, using the extra space to feel out each beat of the slower selections. Much of the two hours felt like existing in the lagging moment of a sci-fi movie, just before a spaceship launches into warp speed (in a good way, I promise)."
https://www.residentadvisor.net/reviews/23893
https://www.nuits-sonores.com/

Willikens & Ivkovic live at Nuits Sonores June 1st 2019

00] Hole In One - Spiritual Ideas For Virtual Reality
[09] The Primitive Painter - Levitation [Klang Elektronik - KLANG 1]
[18] Dubtribe Sound System - Sunshine's Theme (Sunshine's Remix) [Organico - ORG 004]
[23] State Of Flux - Mercury [Finiflex - FF1009]
[29] The Primitive Painter - Cathedral [Klang Elektronik - KLANG 1]
[36] Ebi - Chuu [Space Teddy - ST 007]
[43] Some Other People - Astralise [Infinite Mass - MASS 018 T]
[52] The Primitive Painter - Invisible Landscapes [Klang Elektronik - KLANG 1]
[58] Squid - Emprisoning Sound On A Piece Of Wax [Apollo - APOLLO 16]
[64] The Keyprocessor - Feary Tales [Eevo Lute Muzique - EEVO 008]
[68] State Of Flux - The News [Bold! Stars - BR 2009-1]
[71] Ian Pooley And Alec Empire - Untitled (Pulse Code E.P. Side A) [Mille Plateaux - MP 3]
[83] Ebi - Sou [Space Teddy - ST 007]

Mixes 1993

Andrew Weatherall - Massive Mellow Mix (Slow Electric vol 1.1)

I made this mix as a soundtrack for cruising around San Francisco delivering wine to saucy customers who tip well and love getting down to a groove. Themes involve 'pulling up to a bumper', 'crisis', 'medicine', 'heaviness', 'handouts', 'getting the money', and, 'oysters and champagne'... it felt good to dust off these records that regularly made appearances in my early DJ sets with Honey Soundsystem <3 - Josh Cheon @darkentriesrecords

BPT HI-NRG RADIO 001: Josh Cheon

No words for this mix by one of the best DJs out there. JD Twitch is an absolute legend and definitely one of the most interesting record collectors in the world. Just sit back and listen how it is done [period]

JD Twitch (Optimo)

The last mix of 2020 comes from Jonah Sharp (@reflecto), electronic mainstay and part of 'Virtual Dreams' as Space Time Continuum. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Jonah. Originally from Edinburgh, San Francisco resident since 1992, do you still live in San Francisco?

JS: Actually I recently just moved back to SF after spending most of 2020 in the UK. I had planned to be in Europe for an extended break from the US but Covid saw an end to that and my plans had to change. I miss British and European culture. I have family and friends there so I intend to be back over as soon as I can!

MFM: According to your discography the majority of your output started to shape up right after you moved abroad, in '91. How would you explain this creative outburst? 

JS: Before I arrived in San Francisco i was still figuring out how to produce the music that I wanted to make so when I got here I started to collect gear in earnest - it was a little moment in time when most people thought analog synths and drums sounded shit so I managed to find a TR-909 for $150, a Roland SH101 at the flea market and so on. So yes, suddenly having some decent gear and fun gigs to play was very inspiring! I did feel a kind of creative freedom being so far from South London and the pressures of living there as an artist. SF in the 90’s was very affordable for artists and it gave us the freedom to really focus on the music.
 
MFM: You started your own label Reflective in '93 and had quite a busy release schedule, especially during '95/'96, before it suddenly seemed to stop right after. What happened? 

JS: I started Reflective in '93, the year my first son was born. Flurescence EP was my first solo release and it got noticed around the world so that enabled me to keep putting releases out. With the momentum of the Terence McKenna collab album, things were going pretty well. But what we found was that even though there are lots of amazing labels in the US, it was actually pretty hard to sell them domestically so most of our stock was exported to Europe and Japan. We ended up pressing in the UK and running the label from SF and that presented problems so I had to put the release schedule on hold. At that time I had also signed a deal with Astralwerks so had contractual obligations to deliver albums and tour. It was a very busy time and by 1997 when our second son was born we decided to take a hiatus from the label. Not to say the label is gone forever though!
 
MFM: Flurescence, now found its way to the Virtual Dreams compilation, almost 30 years later. How does it feel that your older music is being re-released and rediscovered by newer generations?

JS: I am very happy and honored to be part of the Virtual Dreams compilation. Yes, there seems to be a bit of attention for this time period of electronic music at the moment, and the chill out thing in general. With so many online resources, everything is discoverable by anyone so all those tiny labels like Reflective that were putting out small runs of 1000 records (that was a small run then) are maybe enjoying some retroactive attention now. 
 
MFM: Does this new interest change your motivation and/or inspiration in the studio maybe?

JS: I follow my own interests and direction when it comes to making music but reaching new audiences has to gratify the artist whose work was made for sharing. My development as an electronic musician has come through thirty years of studio experimentation, initially with hardware and then incorporating digital software. When I made Fluorescence in 1993 there was no computer in my studio, but by the early 2000s San Francisco was the epicenter of computer innovation, people like my friend Josh Clayton were writing amazing software and so I went off on a long exploratory trip to integrate digital technology both in my studio and in my live rig. My aim right now in the studio is the same as always: make sounds and keep the good ones.

MFM Mix 023: Jonah Sharp

Quality underground mixes from Norway and the world. Est 2011

Trushmix 03: DJ Sotofett

TRUSHMIX

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