where is the ID one on this one - please god

<3 wow, what a track selection on this one

Entering our minds through the rumbling of bass bins planted firmly on the ocean floor, Cousin’s deep earth rhythms span wide, from massage chair dubs on 7" to peak time dust burners echoing live under the stars. Summoning sounds from well below the surface and far beyond the ozone layer, we're treated here to a blissed out blend of atmospheric groovers inspired by the natural surrounds of the Moonshoe boss' daily commute.

Click here for our chat with Cousin: melbournedeepcast.net/portfolio/cousin/

@secondcousins

www.melbournedeepcast.net

Interview

MDC.274 Cousin

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

Music is an anchor in life, useable in any if not every scenario to shift or change your current mood. It's something that you have complete control of (unless you’re in someone else’s car), this control, I find is somewhat taken for granted every now and then and I think in this strange time of our lives it's very important to take control of what you can. Speaking of control, it's something our next guest has mastered, A Naarm favourite Bex. 

Hard work, dedication, and a belief in one's self are the holy trinity to the path of evolution, All of these factors Bex has mastered. Through years and years of commitment to her craft, Bex has steeled herself amongst her peers and their dance floors, forever increasing her orbit and her listeners inside of it. Encompassing the pure aesthetics of Dj’ing (an understanding of rhythm and how people react to it), she has cemented herself as a staple DJ all across Naarm as well pushing the same ethos with her own party series “Spincycle” (HOT TIP!!). She’s here to stay and it fills me with confidence for the future. 

The mix itself beautifully encompasses the very thing I’ve set out to explore, the other side. For someone who is consistently filling dance floors, you can tell Bex has done herself justice in reaching into her musical peripherals and wholeheartedly enjoyed doing it. Ecstatic trips into euphoria electronica, A consistent theme explored in its whole, done masterfully. Computer-generated soul at its finest, using BPM as a narrative tool, she takes us on a trip through her own mind, leaving no stone unturned. After countless play-throughs, I still find little details that excite me, her technical skills on full display for the world to see. A perfect summary of Bex herself. Enjoy it every way you can. 

Her words >>>> "when I was making the mix I was kind of thinking it was like a bit of a love story. It has lots of songs that have been prominent in my past relationships and lots of songs about love and with love in the title. It’s a bit of a story of the history of love (and heartbreak)"

Her sounds >>>> https://soundcloud.com/becarmstrongmusic

FHUO # 74 // Bex

Hybrid Man Live from Music Room

Welcome Yuzo Iwata to the BSRMIX!

Our dear friend and creator of one of our favourite albums (biased?) of the year 'Kaizu' blesses us with a top-drawer mix that perfectly compresses his refined style into a one hour session. As a selector for multiple record stores including the infamous Sound Metaphors, the Berlin based 50% Cubano, 50% Japanese producer, DJ and karate blackbelt is an expert in the acidic, trippy and thoughtful strains of dance music. Scratch the surface with this mix and dig down deep!

Check out Kaizu here: https://buttersessions.bandcamp.com/album/kaizu
Yuzo Iwata: https://soundcloud.com/fabio-konair

www.buttersessions.com

BSRMIX #133 - Yuzo Iwata

https://soundcloud.com/dynamo-dreesen
https://soundcloud.com/finn_johannsen

TASCAM DR-40

2022-12-03 Live At SUED Release Party (Dynamo Dreesen, Finn Johannsen, SVN)

Our friend in Berlin, Flørist, also known as his moniker Pavilion, sent us a special one. It’s an hour-ish mix of a few vinyls he collected over his summer travels. Chuggy, bouncy, some great basslines, spiritually it’s somewhere between the pacific west coast and Anjuna Beach. Enjoy your trip.
Thank you all for listening to our mixes this year. Stay warm, and see you again next year!
@fl-rist

DREAMING 018 : Flørist

One hundred & twenty seven presented by the ever-talented Melbourne/ Naarm local Rev Lon (@gbrevlon). Known for her classy vinyl technical skills & slow, dubby & chuggy style, she's been making waves in the city for years now. Half of the brains behind local collective @slowburncast & regular at hope st radio with her lush show "gaussian blur", she sticks true to her signature style in this lovely mix filled with groove & depth. 

Thanks so much for putting this together Gab!

Downloads enabled

Animix One Hundred & Twenty Seven: Rev Lon

Conjuring memories of daydreaming in the midsts of suburbia. A new mix from @priori-ties

Some words from Priori: “I grew up in a working class neighbourhood of Longueuil, Quebec, Canada. Being an only child in the suburbs meant I spent a lot of time daydreaming and contemplating my environment. I was a bit of a melancholic kid so post-punk and ambient music made a lot of sense to me when I discovered them. I stumbled upon an album called Strike by 154 by accident, probably wanting to download something else off of Kazaa. It really changed things for me as a teenager and I still hold it dear. There's a song from it in the mix, along with a bunch of other things that bring up similar feelings for me.”

“As for news:
Alex (Dust-e-1) and I are putting out a new record as ANF on NAFF, should be out April 26th.
Some more collabs and solo things coming out in the summer.”

music for... growing up in the suburbs - Priori

For Trushmix 153 LNS is back in the mix! Always happy to have her back! A regular here in our mix series, with always quality and a on top of the game track selection and mixing, with a taste for the sophisticated approach. House, electro and techno is the style, deep, old-school and melodic. Another mix from the top! 

Enjoy this mix in full effect!

Trushmix.com

Trushmix 153-LNS

Honey Soundsystem Potcast

HNYPOT 374: Millú's Are We Dreaming Mix

The last mix of 2020 comes from Jonah Sharp (@reflecto), electronic mainstay and part of 'Virtual Dreams' as Space Time Continuum. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Jonah. Originally from Edinburgh, San Francisco resident since 1992, do you still live in San Francisco?

JS: Actually I recently just moved back to SF after spending most of 2020 in the UK. I had planned to be in Europe for an extended break from the US but Covid saw an end to that and my plans had to change. I miss British and European culture. I have family and friends there so I intend to be back over as soon as I can!

MFM: According to your discography the majority of your output started to shape up right after you moved abroad, in '91. How would you explain this creative outburst? 

JS: Before I arrived in San Francisco i was still figuring out how to produce the music that I wanted to make so when I got here I started to collect gear in earnest - it was a little moment in time when most people thought analog synths and drums sounded shit so I managed to find a TR-909 for $150, a Roland SH101 at the flea market and so on. So yes, suddenly having some decent gear and fun gigs to play was very inspiring! I did feel a kind of creative freedom being so far from South London and the pressures of living there as an artist. SF in the 90’s was very affordable for artists and it gave us the freedom to really focus on the music.
 
MFM: You started your own label Reflective in '93 and had quite a busy release schedule, especially during '95/'96, before it suddenly seemed to stop right after. What happened? 

JS: I started Reflective in '93, the year my first son was born. Flurescence EP was my first solo release and it got noticed around the world so that enabled me to keep putting releases out. With the momentum of the Terence McKenna collab album, things were going pretty well. But what we found was that even though there are lots of amazing labels in the US, it was actually pretty hard to sell them domestically so most of our stock was exported to Europe and Japan. We ended up pressing in the UK and running the label from SF and that presented problems so I had to put the release schedule on hold. At that time I had also signed a deal with Astralwerks so had contractual obligations to deliver albums and tour. It was a very busy time and by 1997 when our second son was born we decided to take a hiatus from the label. Not to say the label is gone forever though!
 
MFM: Flurescence, now found its way to the Virtual Dreams compilation, almost 30 years later. How does it feel that your older music is being re-released and rediscovered by newer generations?

JS: I am very happy and honored to be part of the Virtual Dreams compilation. Yes, there seems to be a bit of attention for this time period of electronic music at the moment, and the chill out thing in general. With so many online resources, everything is discoverable by anyone so all those tiny labels like Reflective that were putting out small runs of 1000 records (that was a small run then) are maybe enjoying some retroactive attention now. 
 
MFM: Does this new interest change your motivation and/or inspiration in the studio maybe?

JS: I follow my own interests and direction when it comes to making music but reaching new audiences has to gratify the artist whose work was made for sharing. My development as an electronic musician has come through thirty years of studio experimentation, initially with hardware and then incorporating digital software. When I made Fluorescence in 1993 there was no computer in my studio, but by the early 2000s San Francisco was the epicenter of computer innovation, people like my friend Josh Clayton were writing amazing software and so I went off on a long exploratory trip to integrate digital technology both in my studio and in my live rig. My aim right now in the studio is the same as always: make sounds and keep the good ones.

MFM Mix 023: Jonah Sharp

Quality underground mixes from Norway and the world. Est 2011

Trushmix 153-LNS

TRUSHMIX

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