Super cool mixtape! Is this track Vilde Tuv?

https://www.nts.live/shows/secret-sundaze/episodes/secretsundaze-16th-december-2021

Secret Sundaze w/ Paramida 161221

Cato Canari is back for the annual NYE mix at Trushmix. In good tradition, music will ring inn the new year. This time Mr Canari provides a balearic 90's mood mix. Slowing things down, and keeping the vibe easygoing, with a deeper and more dancy touch towards the end. 

A perfect way to groove into the new year!
Again as last years reminder for this year to come as well.
Hope it will be a way better year for everybody. And as always let's keep peace and unity in mind, respect each other and let the good vibes take over for 2022! 100% and more!

Trushmix.com

Trushmix 187: Cato Canari

The Swedish house doctor prescribes his special remedy for maximum enjoyment!

After touching down in Australia for a run of shows along the east coast this month, Stockholm's most relentless crate crawler Doc Jay blesses us with a blend of his infamously breezy bangers ready to transport you directly to a dance party on a beach somewhere in the summer of '92. 

Not only is he behind the notorious Doc Jay's Audio Inn, a mix series which has quickly become one of the freshest on the cloud and was the lockdown hero across living rooms round the globe, he's also a crazily talented painter and visual artist, and has collaborated on a graffiti art mag with a friend since high school that has gone on to become the biggest of its kind in the world. 
We caught up with the cheeky Swede behind the Doc Jay moniker to ask about his art, his label Sunken Rock and the inspiration behind the Audio Inn series..

Interview here: melbournedeepcast.net/portfolio/doc-jay

@docjay_unlimited

www.melbournedeepcast.net

Interview

MDC.269 Doc Jay

Tracklist here.. https://www.nts.live/shows/jamie-tiller/episodes/jamie-tiller-24th-october-2022 :)

NTS Radio Show - Episode 32

Recording of Lauren Hansom's set at Dekmantel Selectors 2022

Lauren Hansom at Dekmantel Selectors 2022

The '22 review is in with a heavy seasoning of space friendly Australian sounds primed for exploring the world's outer limits. Deeply dished downtempo and dubcentric house moods to set your mind free for the next rotation! Mixed by @myles-mac

Tracklist > > >

3.11 - Dissolve In Patience // PRS
1too - In Your Dream // Planet Trip Records
Purelink - Butterfly Jam (xphresh Good Girl No Infringement Dub) // UwU dust bath
a.s.o. - Go On // Low Lying Records
M & Dust - A Day In June // Temple
Midnight Tenderness - Catamaran // Wax’o Paradiso Recordings
D. Tiffany & Roza Terenzi - Spiritual Delusion // Delicate Records
Dentistry - coral reefer // Good Company Records
Cousin - Nemo’s Dream // Nummer Music
Terekke - 2 The World // Plant Age Digital Sound
Benoit B - Behind The Sun // Natural Selections
Norachi - Sunshine // Vessel
DJOKO - Final Checkpoint // Berg Audio
Youandewan & Mculo - Travel Miles (Paradise Lost Mix) // Pure Shores
DJ Pipe - Puttanesca (Ft. Hartman & Fonte) // Global North
Neil E - No Fred // Neil E
Guiding Principles - Holding On 
Tornado Wallace - Sea Translation // Basic Spirit
Central - Motta // Help Recordings
DJOKO - My Crib // Heavy House Society
Jex Opolis - The Best Ever // Bad Timin’
Fantastic Man - Trojan Force // Kalahari Oyster Cult
Retza - Earthchanges // Retza
Billus - Under The Canopy // Animalia

MDC 2022 Review

A Berlin legend that needs no further introduction, his knowledge in music is academic, a walking library by all means with credentials few DJs can hold a candle to, such as having been a member of The Ennio Morricone Society (MSV - Musica Sul Velluto) - seriously... @finn_johannsen brings us a two part mix of extensive research in Hip-Hop.

In his words: 
"I do not often play hip hop in clubs, but I have been listening to it since the 80s, and collecting it too. I love all kinds of hip hop, but the particular mid 90s to early 00s sound represented in these two mixes is the one I still listen to the most. I must admit that I adopted this sound quite late, as I previously preferred those records punchy and fast enough to be danced to at clubs playing disco, and then house. When the tempo slowed down in the 90s I was initially confused, well maybe even a bit annoyed. But soon enough I adapted to it, and recognized its very own appeal. Doing these mixes has occupied my mind for a while now, but it really came back to my mind during the lockdown, when I couldn't bear to listen to club music because it was just rubbing in what was missing from my life. Sometimes then I felt moody and frustrated as well, and the vibe of this helped me along. The grit, the wit, the roughness, the immensely varied and creative ways of making beats. I must admit the main purpose of these two mixes was to include all my favourite records, so I can listen to them in a row. Of course there are hip hop DJs who do that way better than me (you will probably notice that there is not a single scratch in the whole 7+ plus hours playtime, for example), and I salute them all. But I wanted to have my own personal soundtrack for whatever purpose I felt should be accompanied by this kind of music. I tried and tested it, and I am happy how well it works in different contexts, but they are all nocturnal. This is not really jiggy, mind. But I hope you like it nonetheless. The booming artwork was provided by the mighty King Kummi aka The Druffalo Graphic Squad."

Sound Metaphors Mix Series 14 : Finn Johannsen (Pt.1)

Catch Mimi every 1st and 3rd Tuesday of the month from 15h to 16h [CET]

Rinse France Podcast

Mimi invite Tornado Wallace - 17 Janvier 2023

We welcome Tornado Wallace (@tornadowallace), long time friend of the label and whose record 'Falling Sun' we released through Second Circle back in 2016.  Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Lewie, how have you been lately?

TW: I dipped out to East Asia and Australia for the infamous Berlin winter and now I’m back ready for the euro warmth. Though it’s in no hurry to arrive here just yet.

MFM: There's a new record coming on Basic Spirit, the label you run with Jamie Tiller, and it all looks rather secretive... Can you tell us more about it Lew E? :) 

TW: I made these tracks when I was holed up sick for a week. Not being able to go to the studio I relied strictly on samples and software, which was fun to change the workflow up a little bit. I wanted to make some very club ready tracks, without any intention for a release. They (rather obviously) sample two well known tracks, but there’s a lot of new ideas too. I use a different name as it felt like a different style and approach to how I usually go about things. I think there will be more Lew E things on the horizon though :D.

MFM: Previous releases on Basic Spirit also had this '90s touch to it. What is it that you like about (music from) that era?

TW: I grew up in the 90s so a lot of the music coming out then really hits the nostalgic feels. But also, really interesting things were happening with technology, and it became a lot more affordable to put together a record. So there were a lot of - for lack of a better term - laymen releasing electronic music. Some of which had very new and out-there approaches to processes like sampling, mixing and arranging. But trends and technology all moved along so quickly that some of these sounds and ideas never had a chance to get fully fleshed out. Which is why it’s nice to pick up where some left off. People are currently very responsive to this late 90s/early 2000s sound, which is great for me because that’s a time when I really fell in love with electronic music. As a DJ, I’m playing these really personal tracks that I discovered as a teenager, and for the first time since I began playing parties/clubs 18 years ago, people seem to really understand them. It’s a very cool feeling.

MFM: You've also started a new more pop oriented project called a.s.o. together with vocalist Alia Seror O’Neill. Has it always been a dream or goal of yours to start a more band kind of project? Does it require a different writing/recording approach compared to when making dance music for the clubs?

TW: I like making music that I like listening to. And with the pandemic in full swing in 2020, I was having a little break from club music, and diving deeper into other styles of music I enjoy. Both from a listening and producing perspective. I found it to be a very different approach. It’s more melody/hook driven and focuses on getting ideas down quickly as they’re forming. A lot of the time I would use a basic keyboard and guitar to record, and Alia would add vocal melodies and harmonies on the fly. Sometimes it could get difficult when we would both want to put our fleeting ideas down at the same time! On that note, collaboration is never easy for me as I like to have full creative control of whatever it is I’m working on, and sometimes the creative paths divide and compromises have to be made. Sometimes the compromised path is thick and thorny, and sometimes it is paved gold and smells of roses.

MFM: How did you go through the selecting and recording process, any specific record or mood you had planned?

TW: I came across a bunch of really nice tracks all in a relatively similar downtempo/shoegaze style, and wanted to make a mix of music like that. For moody home/car/train etc listening. I also included a forthcoming Cousin remix of an a.s.o. single which I love and wanted to share early!

MFM Mix 049: Tornado Wallace

Honey Soundsystem Potcast

HNYPOT 374: Millú's Are We Dreaming Mix

For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

Good day / G’day / I hope this next mix finds you well / how about some precedented times for once! Interpret that as you please. Whatever your poison, it’s time for another dose and the doctor is in. It's with an absolutely full heart that I present to you the next chapter in the ‘stay the fuck home experience’. Our esteemed guest is none other than Mr. Naarm Deepcast himself, Myles Mac, aka a tall glass of water aka captain cloud aka Mt. Killa’dancefloor’o. Literally one of the OG immovable chess pieces of the Melbourne scene. Responsible for bringing Oz music up to date and into the future through the Melbourne Deepcast // TIP!! (for which I owe a lot to in many ways) and for bringing the world to us through a multitude of platforms and ideals thrown together across nearly every venue in Melbourne. For all his merits he’s still remained a very humble dude, he has all the time in the world for others and their harebrained schemes. Myles will gladly lend his ear to munted punter’s telling the same story for the third time, just a bloody good all-rounder, you could take him from kick-ons straight to meet the parents and they would best mates within the hour. I've had the pleasure of knowing Myles for about ten years now and seeing what he’s done and how he’s done it has been a pleasure to watch, he’s paved the way for many a DJ, myself included.

So, you’d think with all this experience in Dj’ing, running parties, and curating one of the better mix series in this audible world that he’d be able to produce a stunning mix that really highlights his knowledge of all of the above and the human psyche in response to those avenues, well, you’re correct. The mix is absolutely sublime. I couldn’t think of a better soundtrack for the introduction to hot weather, pool hangs, spritz’, warm nights, long drives down the beach (which we can now do), and whatever else you associate with summer. The mix itself is an audio-guided tour through a perfectly curated exhibition, gently carrying through from room to room, subtle nods in every direction but with subconscious overarching narrative tying everything together. This is achieved through the lost art of DJ’ing. Scientists say that these “disk jockey’s” would spend years searching for special types of recorded music for which they would then “blend” together on some “banging sound system” to the public to create moments of pure euphoria. This mix will end up in museums as a perfect example of that so people can really understand how their parents met. Anyway, the mix is laden with nostalgia, a 90’s head wet dream, continuously cementing a smile on your face and the overwhelming urge to nod your head. Pack some lunch for this trip, an extended hike through the mind of Myles Mac. This is your cue to stop reading and press play.

Just a quick tip’o’the’hat to Melbourne Deepcast, we, the people would like to thank you for the years of service. (Hopefully, I can finally submit something I’m happy with, in the next 100 years) 

Bless up. Stay as real as possible. Apply sunscreen to your mates back. 

Me: (in blue speech bubble) 

	You got any words you wanna say on the mix? No worries if not

	I've got plenty

Myles Mac: (in grey speech bubble) 

	Haha yeh you go for it 

	Basically wanted to make a 90s chillout mix 

	It’s almost all 90s records except maybe one or 2

	Inspired by old mixes by Mark Pritchard and Tom Middleton (Global Communication), The Big Chill Festival, LTJ Bukem, and the likes 

Could also add to the list Dubtribe, The Primitive Painter, Andrew Weatherall 

Me:
	Done

Myles Mac:

	Sick 😇

(End message transcription) 

His Sounds >>>> https://soundcloud.com/myles-mac

Melbourne Deepcast >>> https://www.melbournedeepcast.net/

FHUO # 47 // Myles Mac

Quality underground mixes from Norway and the world. Est 2011

Trushmix 187: Cato Canari

TRUSHMIX

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