Recorded live during this party.
Special thanks Felix for the recording

Gilb'r 100% Jungle 7/3/25 @Trabendo

Eazy-breezy dancefloor eclecticism from the DC wonder duo... 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/beautiful-swimmers/episodes/beautiful-swimmers-28th-march-2025

Beautiful Swimmers 280325

"This mix is inspired by the atmosphere of Champs Elysées, and its relationship to Dance music in the 2000's and today.
I've been djing in this area of Paris for some time now, and it made me love to play extended sets, 4/5 hours usually, trying to slowly build a whole vibe, more than playing banger after banger.

I wanted to make a mix that is 100% me, that people can listen to and straight away get the idea of what would it sound like to hear me play. 
It's also an ode to the early Champs Elysées days of dance music, with the Respect is Burning parties in the 2000's especially. All the great French and international DJ's were playing there and were bringing their own sound in a very motley, eclectic vibe, I love it."

@nathanmelja

For more music

www.discoesencia.com

Esencia 94 - Nathan Melja - The Champs Elysées Extravaganza Mix

DJ Sotofett is back on Trushmix for the 237th edition. he's no stranger to this platform, and here he presents a 45 min pure electro infused power mix to get you going!

Here some words from Sotofett himself!

Clone West Coast Series just released the album "DJ Sotofett & The Colours Of Computer Generated Instruments" - 15 cuts widening the spectrum of electro, with 80's Nintendo console vibes and holy grail analog vs digital synthesis. The album is filled with surprises, seamlessly transitioning from acid infected vibes and catchy electronic pop to avant-garde electro cuts. But this is "The Mixtape", a 45 min energetic and deep dive into essential Electro and Detroit Techno. Mixed by DJ Sotofett, with 2 x Technics 1210mk2 in the tradition of old school Hip-Hop mixtapes, it holds several cuts from the album (even an unreleased version), as well as excellent tracks by Aux 88, Skatebård, Carl Craig, Cosmic Baby, Westbam & Nena, Kraftwerk, DMX Krew, DJ Hell, Pom Pom, The Advent, Victor Duplaix, Dopplereffekt, Gus Gus, Reese Project, Daft Punk and The Jonzun Crew.

Enjoy the mix!

Music from the top!

Trushmix 237 - DJ Sotofett

| LIVE FROM HIGH NOTE | w/ Simon TK

Hashman Deejay stands out as one of those DJ's and producers where he lets the music do the talking. Like fellow collaborators PLO Man & C3D-E you won't see many interviews, let alone photos - they show up to the party and do their thing. 
With a vast range of alias' and collaborative projects Hashman has been responsible for some of the rawest sounds in experimental, breaks, house and techno. As well as a DJ his vast taste can expand anywhere from shoegaze and punk, disco and raw chicago sounds, to dubbed acid and techno. 
For this mix the selector has dug deep into the tape hiss sounding crates covering oldschool beats that could be mistaken for an OG Ras G tape, dub flowing onwards into some select acid house and more synth focused club sounds all working together with the most seamless touch. We had a very brief chat with Hashman about his mix but this one is all about the sounds and he lets that do the talking.

Off The Record Mix Series 56: Hashman Deejay

The MFM Mix series continues with Istanbul-born, Amsterdam-based multidisciplinary artist Deniz Omeroglu (@loradeniz), who released her debut album 'SUN SHONE' with us earlier this year. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Deniz. Being from Turkey originally, what did your musical upbringing look like? 

LD: There was always music playing in our house - we even had speakers in the bathroom. My dad really enjoyed listening to music; he had an open mind and a great collection of CDs and records. It brought together Western influences, world music, and local sounds. That diversity really shaped my ears and sense of sound from early on. My brother played the piano, so classical music was also part of the atmosphere. I guess I grew up listening to almost everything except electronic dance music. That came into my life later - after graduating from the conservatory and going through my own personal rebellion. 

MFM: Comparing to West-Europe, where you live now, do you feel there's difference in how music plays a role culturally? 

LD: Totally. I think we, as a culture, tend to experience and express emotions more intensely - both internally and outwardly - compared to Northern European countries. So you can often feel that emotional depth and variation in our melodies and rhythmic forms. Just the other day, I found myself wondering... what kind of music would I be making now if I had grown up listening to Chicago house at home?

MFM: You've produced the whole album yourself. Being a classically trained pianist probably helps a lot when creating and writing new music, right? How did you go about writing the songs?

LD: In the past, my creative process was often fueled by pain and drama. But now, I don’t need those emotions to create anymore. Maybe that used to be what made my music distinctive, but now everything feels a lot more free and in flow. Coming from a classical background actually caused years of writer’s block - I often had no idea what to do next. Being classically trained means you're expected to perform everything perfectly. It took a lot of unlearning to let go of that mindset and teach myself that there’s actually more comfort in imperfection. So, rather than being a pianist specifically, it’s more about having music theory to fall back on when I feel stuck - that’s what really helps. But honestly, the most important part of writing new music for me is taking care of myself. All the self work - that’s what keeps my creativity alive.

MFM: When does a song determine if it needs your voice incorporated? And how do you then decide whether its going to be in Turkish or English?

LD: When it comes to language, it’s not really a conscious choice - it just happens naturally. I dream in both Turkish and English, and even while answering these questions, I find myself thinking in both. Sometimes it’s just easier to express something in Turkish, and other times it flows better in English. As for when I decide to use my voice in a song, it really depends. Sometimes melodies come to me while I’m just humming, and other times I feel the need to actually say something. I think of my voice as a human oscillator - just another unique textural element. I use my voice to create percussive or synth-like sounds, layering it in the same way I would with instruments, to add something personal and distinctive.

MFM: Please can you tell us a bit about your mix? 

LD: I think this mix gives off a sense of melancholia but not too much, intimacy, and cerebral energy. It’s not really representative of what I’d play out at clubs, but it’s full of tracks I love listening to, my all time and latest favorites. There’s a lot of slow burners, ghostly sensuality, and a touch of leftfield sass. my intention was to record something as much for the body as for the head in the most mfm way possible. Something light, something fun and something genuine.

MFM Mix 053: Loradeniz

For Trushmix 239 we got Thurlow Joyce in the mix.
A producer and DJ based between Vancouver, and Berlin. His most recent record, Lemon Citrus, was released on NAFF last year and explores dub techno, trance, and other styles with additional music from Priori x Regularfantasy.

In the mix he presents varied styles of techno on the more early nineties progressive side, with some added elements of micro house, house, trance and ambient.
A one hour and twenty two  minutes of vibes.

Enjoy!

Trushmix 239 - Thurlow Joyce

https://www.beatport.com/fr/release/let-it-go/5098593

@sammyalexander_music

Premiere : Sammy Alexender - Let It Go (ESR002)

(っ◔◡◔)っ FREE DL SERIE #6

New single from the fiery GABBY GUNN!
After listening to Beyoncé’s Naughty Girl on repeat, she decided to give it a club-ready twist: more BPM, more bass, and more acid! A sexy track, tailor-made for summer and dancefloors 🪩

Artist: @djgabbygunn
Release: 13.06.2025
Label: PURPLE
Artwork: @studio_redmoon

NAUGHTY GIRL (Acid Edit)

GABBY GUNN - NAUGHTY GIRL (ACID EDIT) [FREE DL]

Keep Still

Quality underground mixes from Norway and the world. Est 2011

Trushmix 237 - DJ Sotofett

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