Wow this is really good, best Rilo Kiley Remix I've heard on Soundcloud!

"Sweet Ophelia" releases both digitally and on limited edition 7" clear vinyl on April 7, 2014 via B3SCI Records. Pre-order here: http://b3scirecords.bigcartel.com/product/b3sr-006-zella-day-sweet-ophelia-1965

The sound of strumming guitars; the feel of soft, wet clay; the scent of fresh brewed coffee: this was Zella Day’s childhood. Secluded in the quaint mountain town of Pinetop, Arizona, Zella’s creativity flourished with the forest at her doorstep. High above Phoenix Valley, Pinetop holds a population of 7,000, and Zella's family-owned Mor Mor Coffee House was an only sanctuary for artists. Surrounding herself with local musicians, Zella was inspired to pick up the guitar at a young age. Before long, the blossoming chanteuse started performing sets including Bob Dylan and Elvis songs - selections inspired by her coffee house family. The native Arizonan had found a calling in music and used it as a form of self-realization, penning her experiences and discovering herself through the intricacies of song. She drew inspiration from the serene Arizona mountains and turned to Clint Eastwood, old Western films, and cowboy rebel culture to help shape the attitude behind her music. The result is a raw, organic sound unconfined by the boundaries of genre. It effortlessly floats between the tonalities of female frontier-maker Stevie Nicks and art pop songbird Lana Del Rey while invoking imagery painted by Old Arizona and a free-spirited perspective.

To date, Zella Day’s music has barely crossed paths with the outside world; however, her short series of self-released demos and collaborations caught fire throughout the indie community. One such supporter of her undeniable talent was the boutique music press outlet B3SCI. Having recently formed a singles record imprint, B3SCI was undoubtedly the natural home for the songwriter's first official offering to the world.

The upcoming two-track single leads with “Sweet Ophelia,” a blending of personal encounters in an eerie resemblance to that of Hamlet’s Ophelia. Crunching drum machines and menacing electronics juxtapose Zella’s airy croons as she sings about the sanctity of physical connection, powerfully portraying both the majesty and fragility of letting love consume you. The B-side, “1965,” takes a more straightforward approach, showcasing Zella’s strong voice atop soft, pattering drums and fluttering guitars. The lyrics tell a story about finding a genuine connection among a sea of inauthenticity. Moreover, the track celebrates its title - the year that a generation united despite a delusive society.

On April 7th, B3SCI Records will release 'Sweet Ophelia / 1965' on limited edition 7-inch clear vinyl. The tracks were brought to life at Los Angeles's WAX LTD. Studios with the production and mixing prowess of Xandy Barry and Wally Gagel. This debut collection showcases a young songstress’ visceral visions and liberated mentality, while foreshadowing the depth of a long career that's yet to come.

Artwork by Brock Lefferts.

Kicker

Sweet Ophelia

Pre-Order Now!

"1965" releases both digitally and on limited edition 7" clear vinyl on April 7, 2014 via B3SCI Records. Pre-order here: http://b3scirecords.bigcartel.com/product/b3sr-006-zella-day-sweet-ophelia-1965

The sound of strumming guitars; the feel of soft, wet clay; the scent of fresh brewed coffee: this was Zella Day’s childhood. Secluded in the quaint mountain town of Pinetop, Arizona, Zella’s creativity flourished with the forest at her doorstep. High above Phoenix Valley, Pinetop holds a population of 7,000, and Zella's family-owned Mor Mor Coffee House was an only sanctuary for artists. Surrounding herself with local musicians, Zella was inspired to pick up the guitar at a young age. Before long, the blossoming chanteuse started performing sets including Bob Dylan and Elvis songs - selections inspired by her coffee house family. The native Arizonan had found a calling in music and used it as a form of self-realization, penning her experiences and discovering herself through the intricacies of song. She drew inspiration from the serene Arizona mountains and turned to Clint Eastwood, old Western films, and cowboy rebel culture to help shape the attitude behind her music. The result is a raw, organic sound unconfined by the boundaries of genre. It effortlessly floats between the tonalities of female frontier-maker Stevie Nicks and art pop songbird Lana Del Rey while invoking imagery painted by Old Arizona and a free-spirited perspective.

To date, Zella Day’s music has barely crossed paths with the outside world; however, her short series of self-released demos and collaborations caught fire throughout the indie community. One such supporter of her undeniable talent was the boutique music press outlet B3SCI. Having recently formed a singles record imprint, B3SCI was undoubtedly the natural home for the songwriter's first official offering to the world.

The upcoming two-track single leads with “Sweet Ophelia,” a blending of personal encounters in an eerie resemblance to that of Hamlet’s Ophelia. Crunching drum machines and menacing electronics juxtapose Zella’s airy croons as she sings about the sanctity of physical connection, powerfully portraying both the majesty and fragility of letting love consume you. The B-side, “1965,” takes a more straightforward approach, showcasing Zella’s strong voice atop soft, pattering drums and fluttering guitars. The lyrics tell a story about finding a genuine connection among a sea of inauthenticity. Moreover, the track celebrates its title - the year that a generation united despite a delusive society.

On April 7th, B3SCI Records will release 'Sweet Ophelia / 1965' on limited edition 7-inch clear vinyl. The tracks were brought to life at Los Angeles's WAX LTD. Studios with the production and mixing prowess of Xandy Barry and Wally Gagel. This debut collection showcases a young songstress’ visceral visions and liberated mentality, while foreshadowing the depth of a long career that's yet to come.

Artwork by Brock Lefferts.

1965

Wishing It Was You

Pre-order the new album 'Glitterbug' at http://smarturl.it/iGlitterbug

Watch the Video on YouTube at http://smarturl.it/GTVideo

Follow The Wombats on:
Facebook: http://www.facebook.com/thewombatsuk
Twitter: http://twitter.com/thewombats
Soundcloud: http://soundcloud.com/thewombats
Instagram: http://instagram.com/wombatsofficial

Greek Tragedy (Bastille Remix)

Little Machines

Meteorites

Boyfriend

Madness is my old friend...

Buy Diamond Days on iTunes: https://itunes.apple.com/us/album/diamond-days/id1100849954?i=1100849962

www.cruelyouthxo.com/

www.facebook.com/cruelyouthxo
twitter.com/cruelyouthxo
instagram.com/cruelyouthxo

Lyrics:
Madness is my old friend
we don't need fancy drinks and penthouse suites
to run a riot

And you, you were just a fling
A beautiful addition to the 
valley of my vices 

We're different people
Adam and Evil
dreaming alone

You smile at the sunrise
I long for a landslide
Baby you know...

The Diamond Days are done
The Diamond Days are gone
And I would be a fool to carry on

And no there's nothing wrong
But I'm already gone
Like headlights in the dawn
We've had our fun

The Diamond Days are Done 

Pearls hang around my neck
you tie a noose on me 
with every gift a velvet coffin

Down Mulholland drive
I pray to Hells Angels
We crash in the Vanilla Sky

We're different people
Adam and Evil
dreaming alone

You smile at the sunrise
I long for a landslide
Baby you know...

The Diamond Days are done
The Diamond Days are gone
And I would be a fool to carry on

And no there's nothing wrong
But i'm already gone
Like headlights in the dawn
We've had our fun
The Diamond Days are Done 

Madness is my old friend
we don't need fancy drinks and penthouse suites
to run a riot

The Diamond Days are done
The Diamond Days are gone
And I would be a fool to carry on

And no there's nothing wrong
But I'm already gone
Like headlights in the dawn
We've had our fun
The Diamond Days are Done 

Diamond Days

Stream/Buy digitally - http://smarturl.it/Skott-Wolf

7-inch Vinyl Available July 29th 2016 
Chess Club Records (UK) - www.chessclub-records.co.uk
B3SCI Records (US) - www.b3scirecords.com

Porcelain / Wolf

Wolf

Rilo Kiley - Portions For Foxes (Tryk Remix)

Stream on Spotify: http://smarturl.it/DevilInParadise/spotify
Stream on iTunes: http://smarturl.it/DevilInParadise/itunes

www.cruelyouthxo.com/
www.facebook.com/cruelyouthxo
twitter.com/cruelyouthxo
instagram.com/cruelyouthxo

Lyrics:

I wanna be where the sun don’t shine
Where the birds don’t sing
And the kids don’t smile
They say “I saw the Devil in paradise”

I’ll never go back to California
I’ll never go back to Hollywood
Don’t wanna feel no morning sun
Burn my shadow til the day is over and done
I’ll never go back, Nah it’s no good

I’ll never go back to California
I’ll never get old in the them lonely hills
It's like the sun got frozen in an ice cold sky
Trapped there laughing when the stars don’t shine
I’d (rather) die than live for them dollar bills

I wanna be where the sun don’t shine
Where the birds don’t sing
And the kids don’t smile
And they say “I saw the Devil in paradise”

I wanna be where the night is day
Where the roses die
And thorns ain’t fake
And they say “I saw the Devil with a smiling face”

I wanna be where the shotguns spray
Where God gets high
And the priests don’t pray
And they say “I saw the Devil in a diamond chain”

I wanna be where the sun don’t shine
Where the birds don’t sing
And the kids don’t smile
And they say “I saw the Devil in paradise”

After all that i did for you...
After all that i did for you…

Sipping French wine with the Devil
Pretty thing slip in my ride said the Devil
Coastin’ by the Hollywood sign with the Devil
Getting that money on time with the Devil
Mama said don’t you go sign with the Devil
Titties out sniffing snow white with the Devil
Clever guys lying, and I’m buying- say I’m “special”
Said he sent the cheque, but tide me over with a bezel
Promised me the penthouse, got me on the lowest level
Running from the repo’ when you thought you was a rebel
How they gonna tow you while you sleeping in the rental?
No one gonna know you- better show him your (potential)

VM: “pussy/ coochie/ cha cha - you better show him your pussy bitch, before you get yo ass blacklisted”

After all that i did for you...
After all that i did for you…

Outro:
Mall fan boy- “Excuse me, I just wanted to say you’re a wonderful singer… and I, err… I actually used to be a really big fan..”

Devil In Paradise

From the new album Heartthrob, available now on iTunes! bit.ly/XOkqI6

Heartthrob

Shock to Your System

I do this for fun. If you want me to remix or mix (I dabble in production, don't let my tracks fool you) send me a message here or to:

tryk.music@gmail.com

If you like my work, feel free to download it. If you like my work and wanna be awesome, spread the word about my SC page! <з спасибо, danke, merci, thanks 

Rilo Kiley - Portions For Foxes (Tryk Remix)

trykofficial

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