@swaggerlikeuz: Ayy man, thanks for stopping by and checkin' it out. Your channel's still straight fire too bro, that offbeat vid was insane. :)

FR030 / Naked Geometry / Encoded Memories EP

TRACKLIST:
01. Naked Geometry -  5 More Minutes
02. Naked Geometry - Nature Colors
03. Naked Geometry - Suuggah ft Jesse Baez
04. Naked Geometry - Nature Colors (Teen Flirt Remix)

Follow @nakedgeometry, @teenflirt
Artwork by @ceci-peralta

Brought to you by Finesse Records
FB > facebook.com/finesserecords 
TW > twitter.com/finessemx

finesse.mx


Naked Geometry /  Nature Colors (Teen Flirt Remix)

Positive Noise Album Out Now
Beautiful Limited Vinyl and Digital
www.smarturl.it/LM043 

Featuring Elisa(@elisa_etc)

Sam O.B - Positive Noise - The Debut Album
Album Out 11th August 2017 
© LuckyMe Records 2017

Positive Noise

Samurai

Sorry for the soundcloud silence lately.
Also, i bought a mic.

Sleep

Big up @lakunasounds
ASTRO/BOY on the artwork

Lakuna - Sheila (5TATIC Remix)

Available on vinyl, CD and digital formats: https://bbemusic.lnk.to/Tachibana
The desire to discover and delve into new and unexplored areas of music has turned attention on the Japanese jazz scene of the 1970s, often regarded as its gilded age. The recent ground-breaking sell-out BBE compilation J Jazz: Deep Modern Jazz from Japan 1969-1984 threw much needed light on this fascinating era and presented a range of artists and music that surprised and delighted all who heard it. A key track on the compilation was one of the rarest and least known: Dead Letter by the Tohru Aizawa Quartet, taken from ‘Tachibana’, an album so elusive that some pondered whether it even existed.

The album, Tachibana, was recorded in 1975 and, until included on the J Jazz compilation, was unknown except to a small group of obsessive Japanese jazz collectors.  The privately pressed record was the only album made by the Quartet, four amateur musicians who were university students at the time. The session was financed by a local businessman, Ikujiroh Tachibana, who pressed up a few hundred copies to use as a business card. In the intervening 40 odd years since its recording, few copies have surfaced, making it an in-demand yet elusive artefact from the golden age of Japanese jazz. BBE Records are honoured to present a fully authorised reissue of this holy grail, licensed directly from the band themselves.

Tachibana has all the necessary components of a cult album: pressed in small numbers, a few mysterious and vague details about its origins, languishing in obscurity for decades and, above all, superb musical craftsmanship and skill. It can now be enjoyed by a new audience around the world.
The album opens with the dynamic percussion work-out Philosopher’s Stone written by the then law-student and drummer Tetsuya Morimura. It propels along with the band at full pelt, showcasing Morimura’s well-developed drumming style. For a teenage amateur player to compose and perform such an accomplished and impressive piece is a testament to the talent that the band contained. Philosopher’s Stone is followed by Sacrament, an epic modal composition by saxophonist Kyoichiro Morimura that fans of Wayne Shorter, Pharoah Sanders and late-era John Coltrane will appreciate. After an extended intro the band drop into a heavy, churning groove, Morimura’s saxophone scorching above the volcanic rhythm section.
Dead Letter, written by Aizawa himself, is an epic piano led symphony of spiritual jazz. Think McCoy Tyner at his imperial finest and you’ll get a flavour: impact, emotion and power all suffuse to create a overwhelming experience. Amazingly, this is still the only Aizawa composition yet to be recorded.
The Tachibana album also includes two cover versions, both Latin flavoured numbers delivered with élan and brio: La Fiesta by Chick Corea and the classic Samba de Orfeu by Luiz Bonfá.

So, just five tracks in total, the sole existing evidence of an astonishing band, the Tohru Aizawa Quartet.

The long-awaited reissue of this mythic album will include new liner notes and photos, plus fully translated notes from the original Japanese text. The album will be presented in an authentic thick card gatefold sleeve in a faithful reproduction of the original sleeve design.

Tohru Aizawa Quartet - La Fiesta

Shoganai.

Wax Poetics Presents "Tawk Takeout: Tawk Tomahawk Remixed" by Melbourne, Australia soul group Hiatus Kaiyote.


When Queen of Just About Everything, Ms. Erykah Badu, delivers knowledge, you open yourself to receive. Which is why when she devoted 140 characters or less to Australian band Hiatus Kaiyote—her exact words were "Okay. I'm done. In love,"—it confirmed our strong sense that these guys were exceptionally special.

In a country where balls-to-the-floor AC/DC rock boasts a much fuller history than soulfully futuristic stylings, this seven-piece from the east coast city of Melbourne is an anomaly. Hiatus Kaiyote’s uniqueness comes not only from their surroundings, but also their capacity for a sound rich in its understanding of soul, R&amp;B, and jazz.

Lead singer/songwriter Nai Palm was raised on the sincerity of artists like Wonder and Franklin, which she funnels into one of the most naturally arresting voices we’ve heard (check this <a href="http://youtu.be/FwLU_PXheuo" target="_blank">cover of "My Cherie Amor"</a> from her NYC debut over the weekend). Her current U.S. trip as ambassador for the band has gained Hiatus Kaiyote a luminary list of new fans and friends including the Roots, Miguel Atwood-Ferguson, Jean Grae, Pharoahe Monch, the Brainfeeder crew, and more.

Word of Hiatus Kaiyote has found its way to the U.K. as well. Right now the band is enjoying the attention of Gilles Peterson, who selected their self-released EP Tawk Tomahawk as his Album of the Week. The timing has worked well for us too, as Wax Poetics cordially presents the accompanying remix album, Tawk Takeout.

Twelve producers tackle Hiatus Kaiyote originals, grappling with the stems and unfolding them into various forms. Mark de Clive-Lowe contributes a wonderfully spirited version of "Malika," which sits beside interpretations by Shafiq Husayn, KCRW’s Anthony Valadez, and more.

Listen to the album in full below, and <a href="http://hiatuskaiyote.bandcamp.com/" target="_blank">download it for free</a> via Hiatus Kaiyote’s Bandcamp  page.

Hiatus Kaiyote - Tawk Takeout - 08 Ocelot (Willow Beats Remix)

The Power

It's OK

It's Ok

Amphibian

Tours

Idk man, i just push buttons on my laptop and sing when i'm sad or horny.

Afterparti

ILLER - Healings

I try to do all sorts of stuff, some of it gets posted over here.
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Producer/Singer-songwriter/Guitarist/Bass-guitarist/Decent guy
Contact: tschimy.artist@gmail.com

Sleep

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30 bisous sur ton visage amortît

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