Producido , compuesto, mezclado y ejecutado por Efraaín Granizo,

Voz: Sofia Abedrabbo, 
Locución en italiano: Angela Stornaiolo 
Letra: Efraaín Granizo, Carmen Dávila Falconí. 
Melodía: Efraaín Granizo

lyrics
Gotem: 
Por cada hombre q beses me harás contarte la doble historia de algún pobre necio asustado, no hay por q decirlo en voz alta, solo tu sabes cuan magnifico es q la gente caiga, cuando alfin baila de espaldas.

random, you play random, random, you can´t control the situation but if...

the rain is over my head 
is just above my self 
i can see it together traveling on 
us trough the windows finally change 
twirling and dancing running to the place 
finding together dancing outerspace 
i know truth is the sound in my mind 
i know music is the universal mind

random, you play random, random, you can´t control the situation but if...

random, play a random 
play the situation 
you control. don't control, you control the situation

random, you play random, random, you can´t control the situation but if...

from Se Rojo Sería, track released 16 July 2014

11 Gotem

DISCO "LA HUMANIDAD ES CARROÑA"
2013
www.facebook.com/vulturgryphusec

Chongo Chifa

Get psyched, because Justin Pearson (Retox, The Locust), Nathan Joyner (Hot Nerds), and Jung Sing (Maniqui Lazer) are collaborating again in the form of All Leather after a prolonged absence, and the fruits of their labor have brought a new single that picks up right where they left off, maintaining the warped-apocalyptic-electronic genre they’ve already claimed, but with what is quite possibly an even darker and heavier sound than in previous releases. This 7″ single, titled “An Insufficient Apology”, is the first new material since a hiatus in 2012 following the release of their LP, “When I Grow up, I Wanna Fuck Like a Girl” in 2010.

Side A features the title track, “An Insufficient Apology”, with Pearson’s aggressive howls over a low, steady, mechanical beat interspersed with high-pitched robotic synth dissonance.

The B side includes a cover of Dave Van Ronk’s “Luang Prabang”, covering a tongue-in-cheek American Folk protest song originally written about the Vietnam War from All Leather’s unique perspective: with heavy distortion, snarling grit, and electronic grime.

So, have you missed that feeling of impending disaster, reminding you that the world is going to shit and things probably aren’t going to be okay? Good. All Leather will bring all of that flooding back.

This release will be limited to 500 copies on color vinyl.

Track listing:
1. An Insufficient Apology
2. Luang Prabang

A preview to the upcoming All Leather LP. 

“An Insufficient Apology”
Gimme better bad news and jack off queues. 
Adjust the holed pavement, use a holy excuse.
Beneath the hard layer is a beach with a bruise.
It’s God’s trash vortex, drink more booze.
It’s a vowel movement not the stupid blues.
Fuck you osmosis, I’ve paid my dues.
Styrofoam forever after seconds of use.
Who can find another way to revive abuse?
It’s that heartbreaking insignificance.
Good things for bad people, moral sense.
God’s muscles tense, coincidence?
Write it off as a business expense. 
Wow, take a bow.
Now, long hair lowbrow,
thou, a marriage vow?
Shave the beast and
throw in the towel.
Now, don’t ask how.
“How is divorce allowed?”
Wow, dead puppy chow,
go ahead and eat it 
because we all know how.

ALL LEATHER "An Insufficient Apology"

Segundo Single de la banda "El Destierro" que se desprende de su primer EP grabado en Palma Records...

Sociopata

Producido por Infiltro y César Mena en Semifusa Estudio.
2013
www.semifusaestudio.com

InFiLtRo - Homo Erroneus

Negra Valencia - A Lo Daniel Johnston

Palomas

Cult And Culture Vol. 7 : Bobby Bray of The Locust, Holy Molar, INUS
Recorded July 2015/ San Diego, CA
Originally aired on The Local 949 in San Diego, CA

The concept of Cult and Culture began as a short segment created by Justin Pearson, an internationally known musician, record label owner (Three One G Records), author, and actor. He is perhaps best known as bassist for bands such as Dead Cross, The Locust, and Some Girls as well as vocalist for Deaf Club, Swing Kids, and Planet B. Having traveled the world touring in hardcore and punk bands since age 15, Justin has come to know and work with a broad spectrum of captivating personalities and brilliant minds, many of which are key figures in the realm of popular culture and cult followings alike-- from being on the soundtrack to John Waters’ Cecil B. Demented, to acting in an Asia Argento’s Incompresa, to playing in Dead Cross with Mike Patton and Dave Lombardo. Cult and Culture arose as an opportunity to document bits and pieces of the DIY-driven, subversive world of art Pearson identifies with- one that many are not aware of or perhaps have misconceptions about.

Eventually, Pearson joined up with producer and bandmate Luke Henshaw (Sonido De La Frontera, Planet B, Satanic Planet, First Power Crew) to build the idea into a proper podcast, now recorded at his own PengOne Studios in San Diego. Henshaw has collaborated with hip hop legends such as Invisible Skratch Piklz’ D-Styles and Q-Bert, Kool Keith, in addition to being immersed in the world of Cumbia alongside Sonido De La Frontera bandmate Karlos Paez (B Side Players). He also recently scored the music for upcoming documentary Sk8face, which tells the history of skateboard graphics. In this way, both Justin and Luke are influenced by a diverse array of subcultures that all have connected roots. John Waters was one of the first people interviewed for the podcast- an icon of both cult and culture. Since then, guests have included a broad scope of musicians, producers, authors, and anyone passionate about what they do-- anyone from Grammy-winning musician Juan Alderete (Mars Volta, Racer X, creator of Pedals And Effects) to actor Michael Malarkey (Vampire Diaries, Project Bluebook), from San Diego Black Panther Party members to longtime partners Nicola and Adam in electro-punk band ADULT. or The Satanic Temple cofounder Lucien Greaves (who would go on to form Satanic Planet with Luke and Justin as a direct result of their podcast conversation). The focus is not intended to be solely on people in any one realm, and because guests are friends and family, the conversations are frank, informal yet well-informed, and genuine. Pearson and Henshaw seek to achieve a casual openness, blurring lines between traditional guest and host. Cult and Culture is available on iTunes and SoundCloud and new episodes will be premiering on Brooklyn Vegan. You can find the latest episode premiere here. Links to the previous podcasts are below.

Catch up on all episodes of Cult and Culture podcast, via iTunes, or through Three One G’s Soundcloud.

https://soundcloud.com/threeoneg/sets/cult-and-culture-podcast?si=20842677dc0948bba9c7238b67226fd4&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

https://podcasts.apple.com/us/podcast/cult-and-culture/id1232084207

Cult And Culture Vol. 7 : Bobby Bray of The Locust, Holy Molar, INUS

Calima

This is the sound an E coli bacterium would make as its propeller-like flagellum spins, moving it through its liquid environment. The laser used to detect it slows and eventually kills the bug. Generated from motion capture data by Ashley Nord & Matt Baker.(Image: Wikimedia commons)

Sounds of science: a bacterium swimming

Fiorella16 es proyecto de José María Málaga, sus radios, guitarra electrica y acustica, efectos y voces. Grabados y mezclados en MSS Estudios enero - abril 2007.
Album: Les NOms

contacto:::: 
josexxm@gmail.com 
Fiorella16 
Arequipa - Perú

Fiorella16 - Mis muñecas

T.S.M REC'S

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