Loved the whistling mix. Great interpretation

Shades of Crosby stills Nash coming through here

Very nice cover. Well, I should say I even prefer rather this version ;-)

absolutely beautiful and vulnerable music thx u for sharing

you're fire, great job and keep doing it 🥺🔥

Top Re-Ex Pop Tracks

German producer and label owner Nick Fetcher is back on his own imprint bringnewunity with an astonishing new single ‚Weightless'. This release is very personal but still a must have in the club. Familiar and new elements mix in an unconventional fashion to become a masterpiece of club music.
‚Weightless' appears with a pulling bassline forming waves to support the weight of the song. Psychedelic and powerful pushing sounds bring the feeling of a wide space filled with yellow light. Coming back to darker sounds Nick Fetcher delivers a song heavy but weightless.
Additionally a calm ambient song ‚Forgive Again' compliments the powerful sound in a wonderful fashion. The waves can be felt as well but in a lighter more subtle way. The rich sound of pads and beautiful synth melodies round it up to be a mood masterpiece.
Get caught in the waves of this beautiful release. Nick found the perfect balance between heavy and light, psychedelic and powerful.

„The first time I was free but still in safe hands. That made me feel weightless. This piece came to me so easily, that from the beginning when I discovered the bassline everything else established itself quickly. The feeling it creates is almost as if the sounds itself are dusty and full of sand from the last storm."

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https://www.instagram.com/bringnewunity/
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STREAM/DOWNLOAD

Nick Fetcher - Forgive Again (Interlude)

Music in my Head

Intuition

07 - Nenad Ljubicic - Nashwille - Intuition

Our Only Planet

VAVO & Tyler Mann - Weekends (I Can Feel It)

Official Streaming Link: https://kessrecords.ffm.to/weekends.PBT

Weekends (I Can Feel It)

Lemonade

Lemonade (feat. Kayla Adkins)

A Damned Nation

Strollin' (Prince cover)

Stream

Lost Souls

Party Tonight (Prod. Rafael Beats)

Miami Vice (Instr. Cover II) [Prod. by Klimen]

Free to download as well as option to pay $1 for the wav (Higher Quality Audio Format)

🦄↖🆓Free✅or💲1 U$D

Shoutout to @Soundremedy for supporting my remix this awesome track!

💿🫦💃🕺📀
Show some love to the original track! https://soundcloud.com/soundremedy/ecstasy


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Ecstasy (Original Mix)

Sound Remedy - Ecstasy (Gawtbass Remix)

In Climbs

Spring Songs
Duration: ca. 20'
Instrumentation: tenor and piano
Performers: American Modern Ensemble - Alok Jumar, tenor; Geoffrey Burleson, piano
Recorded at Opera America's National Opera Center, Marc A. Scorca Hall, New York, NY, USA, June 4, 2019
Publisher: Bill Holab Music: http://billholabmusic.com/store/index.php?keyword=spring%20songs%20-&main_page=advanced_search_result&search_in_description=1
For More Information: https://robertpaterson.com/spring-songs-version-for-tenor-and-piano

I. English Sparrows (Washington Square) (Edna St. Vincent Millay)
II.  April 5, 1974 (Richard Wilbur)
III. Done With (Ann Stanford)
IV. The Widow’s Lament in Springtime (William Carlos Williams)
V. Spring Rain (Sara Teasdale)

PROGRAM NOTES
Spring Songs for tenor and chamber ensemble or piano is my third song cycle celebrating the seasons. As with the first two, Winter Songs for bass-baritone and Summer Songs for soprano, this cycle contains settings of poems by various American poets.

Whereas both Winter Songs and Summer Songs end with scenes in New York City, Spring Songs begins with New York: a setting of English Sparrows (Washington Square) by Edna St. Vincent Millay, a poem about a scene that takes place in the morning in Greenwich Village, a neighborhood in New York City where Millay lived in the early 1900s. The second movement is a setting of April 5, 1974 by Richard Wilbur, a poem Wilbur wrote in honor of Robert Frost’s one-hundredth birthday, and I interpret as being about overcoming self-doubt through wisdom, and about understanding the change of seasons, but also a change of mind. The third movement, Done With by Ann Stanford, I interpret to be about death and rebirth. Stanford symbolizes this by a house being torn down and the ground paved over, the now suffocated plant life yearning to break through. The Widow’s Lament in Springtime, the fourth movement, is a setting of a poem by William Carlos Williams. I interpret this poem as a modernist, pastoral elegy that uses images of nature to lament the death of a loved one. The final movement, a setting of the poem Spring Rain by Sara Teasdale, is about a happy memory of a lover brought about by an evening thunderstorm.

Spring Songs was commissioned by Rick Teller and Kathleen Rogers and was premiered at Carnegie Hall’s Weill Recital Hall by the American Modern Ensemble, Alok Kumar, tenor, and Geoffrey Burleson, piano.

Spring Songs (Piano/vocal) - IV. The Widow’s Lament in Springtime (William Carlos Williams)

Sleep City

Plan it Earth Luiz G Zambrano (1)

Closet Full of Demons - for sinfonietta.
Duration: 7'
Live Performance: American Modern Ensemble, David Alan Miller, Conductor
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/robert-paterson-works/
For More Information: https://robertpaterson.com/closet-full-of-demons

PROGRAM NOTES
As a child, I remember being very afraid of my closet at night. I was sure that scary things were hiding in the back corner and that my closet was really a nighttime portal to a world of demons and monsters. A bracing, horrible dream I had one night as an adult reminded me of these childhood fears and hastened my writing this piece.

What kinds of sounds do demons and monsters make? What would they sound like crammed together in a gargantuan, pitch black, closet at night? I envisioned screaming, chaos, and violent infighting between the creatures. Sometimes these hellish monsters fight amongst themselves, as I would imagine they would do in a sort of morbid, eternal "monster hell," but once in a blue moon they burst out of the closet and start flying around the bedroom in a chaotic free-for-all, cackling and laughing and spitting and drooling, banging into walls and furniture like a bunch of loose, demonic bats.

Technically, this work is a vehicle for exploring a variety of exotic sound possibilities within a large chamber group. I imagine monsters of different shapes and sizes, similar to characters you might find in the paintings of Hieronymus Bosch (the right wings of The Hay Wain and the Garden of Delights triptychs would be good examples), but much more abstract, cubist and multi-shaped, such as the images found in the cubist works by Pablo Picasso (i.e. the Daniel-Henry Kahnweiler painting or the Head of a Woman sculpture). If you took Picasso’s cubist people and "morphed" them with Bosch’s un-earthly creatures, or filtered Bosch’s creatures through a cubist filter and airbrushed the final images with hell, then that would be my goal.

Other images in particular provided inspiration, such as the famous painting The Nightmare by the Swiss-English artist Henry Fuseli. In this work, an ugly demon is seated on the dreamer’s chest and a frightening white horse with glowing eyes is in the background. My work is further inspired by the diverse collage works—digital or not—being created by contemporary visual artists.

Closet Full of Demons

Producer/Songwriter. Don't forget to credit Esco Darrell as Producer on all metadata. It means a lot to look at the credit on all DSPs and to see my name as a producer.

**Esco Darrell formerly KingXxStrategic**

Hailing from the vibrant city of Chicago, Esco Darrell is a trailblazing producer known for his unique blend of hip-hop, electronic, and experimental sounds. With deep roots in the Chicago music scene, KingXxStrategic brings a fresh perspective to every track, combining the gritty essence of the city's streets with cutting-edge production techniques.

One of his greatest achievements came with the instrumental track “I Hope,” which soared to #4 on the iTunes Top 200 chart in Mexico, showcasing his global appeal and resonating deeply with audiences far beyond his hometown. This monumental success marks a significant milestone in his career, solidifying his status as an internationally acclaimed producer.

Drawing inspiration from a diverse array of artists and genres, KingXxStrategic has carved out a distinctive niche in the music world. His beats are both thought-provoking and dance-inducing, with intricate layers and infectious rhythms that captivate listeners from the first note. Whether collaborating with local talent or pushing the boundaries of solo projects, Esco Darrell consistently delivers groundbreaking music that resonates on a global scale.

Stay tuned for the latest releases and immerse yourself in the innovative soundscape of Esco Darrell. Join the journey as he continues to shape the future of music, one beat at a time.

Strollin' (Prince cover)

MJUT

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