"Walks with Men" by Kim Gordon

Meredith Monk - Quarry Radio

Karl Holmqvist - NYC Romance Mash-Up

David Robbins - Theme Song For An Exhibition

The first release from ‘The Sound of White Columns’ is by the San Francisco-based band TUSSLE. White Columns commissioned TUSSLE to compose songs that are titled “White Columns” - which in turn act as informal ‘theme tunes’ for the gallery.

TUSSLE
1. “White Columns”
2. “White Columns (DiscoTech Version)”
Cat. No. WCR 001
2006
One-sided, white vinyl 12” single, numbered edition of 500 copies.

To purchase please contact info@whitecolumns.org

"White Columns" by Tussle

The third release from ‘The Sound of White Columns’ is by the English artist Billy Childish, released in conjunction with his exhibition at White Columns in March/April 2010.
Wild Billy Childish &amp; The Musicians of the British Empire
Side A
1. “Daddy Rolling Stone”
2. “Chatham Rocks”
Side B
1. “She Hates Me So Much”
2. “A Song No One Wants To Hear”
Cat. No. WCR003/smart026
2010
Two-sided, black vinyl 12” LP, numbered edition of 1,000 and wrapped in a full-color gatefold sleeve designed by Peter Doig.
To purchase please contact info@whitecolumns.org


"Daddy Rolling Stone" by Wild Billy Childish& The Musicians of the British Empire

The fourth release from ‘The Sound of White Columns’ is by the New York based musicians Ikue Mori and Julianna Barwick, recorded live in White Column’s Project Room, organized by RVNG Intl. in October 2010.

FRKWYS Vol. 6
Side A
1. “Dream Sequence”
2. “Stalactite Castle”
Side B
1. “Rain and Shine at the Lotus Pond”
2. “Rejoinder”
Bonus tracks
1. “Breath of Spring”
2. “Red Aurora”
Cat. No. WCR004
2011
The 12” LP is available in limited edition, packaged in thick black jackets with a two-color adhesive wrap. All LPs come with a 24-page black & white zine; the book features creative direction by Will Work For Good and photographs by Aubrey Mayer and Jody Rogac.

To purchase please contact info@whitecolumns.org

"Rejoinder" by Ikue Mori and Julianna Barwick

Emily Sundblad & Matt Sweeney - Dearest Dear

Christopher Knowles, ‘The Typing Poems’

Recorded at Gavin Brown’s enterprise on March 22, 2015 on the occasion of Christopher Knowles’ performance for his exhibition 12 Large Typings. 
 
Recorded by Bryce Hackford.
Post production by Diko Shoturma, Atlantic Sound Studios.
Mastered by Paul Gold, Salt Mastering.
Vinyl pressed by Gotta Groove Records, Inc.
Design by Will Work for Good.
 
Cover and label images:
Christopher Knowles, Untitled, Archival marker on canvas, 2012.
Side A: Nadia Witte, HOUSE, 2011
Side B: ©Brinkhoff/Moegenburg, Rehearsal for Robert Wilson’s Parzival, 1987
 
Edition of 250

CHRISTOPHER KNOWLES Old Poems

CHRISTOPHER KNOWLES New Poems

Edition of 250 (of which 50 are signed and numbered by the artist)

7" double sided single

Mastered by Paul Gold / Pressed by Brooklyn Phono

Songs composed and performed by B. Wurtz. Recorded in New York City, 2016, on iMac using GarageBand. Special Thanks to Ann Bobco and Tim Bradlee. (c) 2016 B. Wurtz.  All Rights Reserved.

BWurtzAmericanSong17

BWurtzAmericanSong16

The sixth release from ‘The Sound of White Columns’ is by <a href="http://www.malcolmmooney.com">Malcolm Mooney</a> (CAN), an artist, poet, and musician currently based in Calgary, Canada and New York. This is White Columns fourth collaboration with Mooney following a 2007 presentation of his illustrated poetry in the Bulletin Board, a 2008 musical performance as a part of Fia Backstrom’s project ‘That social space between speaking and meaning’, and a White Room exhibition in 2011.

Malcolm Mooney
Side A
1. “She Brings the Rain” 
2. “Uniting of the States”
Side B
1. "Jo's Song: When Here Away"
Cat. No. WCR 006
2012
Double-sided, black vinyl 12” EP, edition of 500 copies in a letterpress sleeve and insert designed by Will Work for Good, based on artwork by Malcolm Mooney.

To purchase please contact <a href="mailto:info@whitecolumns.org">info@whitecolumns.org

"She Brings the Rain" by Malcolm Mooney

White Columns record label ‘The Sound of White Columns’ or ‘TSoWC’ for short continues the organization’s longstanding collaborations with musicians that has included such seminal events as 1981’s ‘Noise Fest’ (organized by Sonic Youth’s Thurston Moore), Barbara Ess and Kim Gordon’s 1981 curated exhibition of artworks by artist-musicians, and 1983’s ‘Speed Trials’ concert series, amongst others.

White Columns is New York's oldest alternative art space. It was founded in 1970 by Jeffrey Lew and Gordon Matta-Clark as an experimental platform for artists. Originally located in SoHo (and known as the 112 Workshop/112 Greene Street), the organization was renamed White Columns when it moved to Spring Street in 1979. In 1991 White Columns moved to Christopher Street in the West Village, and in 1998 the gallery relocated to the border of the West Village and Meat Packing District. White Columns re-opened in a new location at 91 Horatio Street adjacent to the new Whitney Museum of American Art and The High-Line in 2018. White Columns presents an ongoing program of exhibitions, projects, talks, screenings, and events. It is a not-for-profit gallery which is open to the public, free-of-charge, eleven months per year.

TSoWC

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