Desolate - Post-Apocalyptic Menu Music Pack

3 Post-apocalyptic Minimalist drones

Mientras todos duermen, yo junto notas musicales con la esperanza, de encontrar melodías que iluminen la noche.

Dedicado a Laura que descubrió lo que es tocar el piano (con auriculares) por la noche con la ventana abierta y la brisa nocturna acariciando su cara.

Y Ana se despertó

compo20240906 (Y Ana se despertó)

old piano reel

Vormaks II

Giovanni di Domenico, L'inutile

Another experiment with electric guitar loops. The main difference between today's and yesterday's (https://soundcloud.com/disquiet/passing-waves) is that yesterday's was recorded serial, so anything coming from the first loop also appeared in the second loop. That gave it a certain density, but, well, it also gave it a certain density. This was recorded in parallel, meaning whichever looper was recording at a given moment was only recording what was being played by the guitar, not what happened to be coming out of the other looper. This means the density took quite a while longer to achieve, but also that the individual segments are much more distinct, even after density has accrued. Also, the loops are quite a bit longer. Recorded from stereo speakers into a phone (yesterday was from a mono amp), though I'm not sure if the separation is particularly apparent. Major noise reduction in Adobe Audition, and a tiny amount of reverb.

Parallel Normal

Bobby Rangell: alto sax
Nico Arnicho: percussion
Daniel Diaz: acoustic bass guitar & live synth sparkles

Live in the studio recording, circa 2007 in Paris, reworked and remixed Friday November 27th 2020.

Again, from the  masters I got back some weeks ago and I am rediscovering and reworking some music for there.

This is part of a one day session with these extraordinary musicians  this is the only session with the three of us together in the studio. We recorded tones of music that day, including [junto0463](https://soundcloud.com/daniel-diaz/two-memories-gradient-disquiet0463) and [naviarhaiku358](https://soundcloud.com/daniel-diaz/black-horse-naviarhaiku358) with a 4th element , Pajaro Canzani on guitar)

This is the introduction to an instrumental composition we recorded for a producer (documentary) who accepted the mix but later asked for the introduction to be removed.
So this free form 2 minutes remained unused.
I remixed this today for 27/NOV/2020 thanksgiving  junto challenge
https://llllllll.co/t/disquiet-junto-project-0465-you-thank 
as a thank you note for those excellent musicians.

I spent some time live and i the studio with Bobby since that day, but completely lost track of Nico, 10.000 Km between us...

Going back to these masters is a joy and reminds me how great it is to play together with fellow musicians and how grateful I am that I could do it with such great, talented guys.


Photo by DD: self portrait with blue forms

Happy thanksgiving everybody, love
DD 27/NOV/2020

Deep Blue 01 (Giving Thanks) - disquiet0465

TRAMPELFÂD
rec.name: "the balance home"
credit:vst synth,allen+heath,lyra4,sp404a.kp3
date:27-1-2021

exhausting cashmere (TRAMPELFÂD)

原祥太さんの変名バンドthe473への提供曲です

japan（日本）

Anycolor

This is contained in the 8th report. You can download:
https://epia-tloe.bandcamp.com/album/a-report-of-intergalactic-investigation-aug-2019

Long version for your work:
https://youtu.be/v2vAxn3XFt8

Giovanni di Domenico, L'inutile

tsss tapes

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