@extrawelt: wie heisst der track? immer noch genial

sarscovdonas

Extrawelt DJ Mix for FE on 1BTN

To dance is to reach for a word that doesn't exist,
To sing the heartsong of a thousand generations,
To feel the meaning of a moment in time.
- Beth Jones

Sebastian on Facebook

Sebastian Mullaert (aka Minilogue) - Dance thru Shadowed Structures Mix

This epsiode is a livecut from the Fusion Festival '13 by http://soundcloud.com/biodub. Some deep and groovy dub techno beats for some fantastic Afterhours.

Biodub

Biodub @ Fusion Festival, Tanzwiese '13 (Deep Afterhour Special)

by popular request....

01 -- marko fürstenberg -- 2006 (a.r.t.less)
02 -- marko fürstenberg -- falling leaves (a.r.t.less)
03 -- marko fürstenberg -- i209 (thinner)
04 -- marko fürstenberg -- 070120 (a.r.t.less)
05 -- marko fürstenberg -- option23 (thinner)
06 -- marko fürstenberg -- while repeat (instabil)
07 -- marko fürstenberg -- bbt (edit) (a.r.t.less)
08 -- marko fürstenberg -- eastdub (realaudio)
09 -- marko fürstenberg -- rennes le chateaux (instabil)
10 -- marko fürstenberg -- option21 (thinner)
11 -- marko fürstenberg -- option22 (thinner)
12 -- marko fürstenberg -- site312 (echocord colour)
13 -- marko fürstenberg -- inaxa (realaudio)
14 -- marko fürstenberg -- espenhain (baum)

Darkaudio Podcast 071 Marko Fürstenberg

Sometimes there are no beats necessary...

All the tracks were recorded from vinyl (except two) and then arranged in Ableton.



Tracklist:

01. Machinefabriek - Dauw [Dekorder]
02. Jan Weigel - Clouds [Unreleased]
03. Rafael Anton Irisarri	- Moments Decent On My Windowplane [Ghostly International]
04. Jacaszek - Elegia [Ghostly International]
05. D*I*R*T*Y Sound System - I Remember The First Time I Heard Your Voice	[Dirty]
06. Jóhann Jóhannsson	- Bað [Touch]
07. Deaf Center - The Day I Would Never Have [Type Records]
08. Svarte Greiner - The Black Dress [Type Records]
09. Francesco Tristano	- Nach Wasser Noch Erde [InFiné Music]
10. FNS - Wooden Leg [Miasmah]
11. Svarte Greiner - Final Sleep [Type Records]


Duration:

1:01:00


Formatting:

320k/Bits


'State of Silence'

Warmup for the dystopian homies Rødhåd and Alex.Do at Distillery Leipzig from 23:30 to 3:00. Shouts to Gideon and Sarah too for the fun times before and during the party.
Kind of a Soliloquy release party. Thank you to Marc, Matze, Steffen and all of you dancers :)

Ich so: "War ganz ok oder?"
Marc: "Fresse!" 

The Outsider - ED // Shaded Explorations
Vangelis - Blade Runner Blues // EastWest
Earthen Sea - Saharan Ocean // Lover's Rock
Myles Serge - When I Meet God // Knotweed
Mike Dehnert - Infix // Delsin
Dieptepunt - Feeling Deep (Delta Funktionen Mono Mix) // Dieptepunt
Regen - Duke // Traut Muzik
Eric Cloutier - Anaphalantiasis // Semantica
Sigha - Over The Edge // Our Circula Sound
Architectural - The Forest Roars // Architectural
Kessell - Kalliope // Granulart
Acronym - Mimers Brunn // Semantica
Samuli Kemppi - Suunta // Komisch
Luigi Tozzi - Bioluminescence (Deepbass Remix) // Hypnus
Function - Variance (CH-Signal Edit) // Sandwell District
Norman Nodge - NN 7.4 // MDR
Juho Kusti - Audrey // Deep Space Helsinki
Jonas Kopp - Circe // Tresor
Reference - The Best Day In Detroit // Planet E
Marcel Dettmann - Captivate // Ostgut Ton
Skudge - In Between // Skudge
nthng - human // Mörk
Stephen Brown - Free And Easy // a.r.t.less
Bleak - Kti // Deeply Rooted House
Answer Code Request - Reflected // Answer Code Request
MRSK - Venger // Skudge Presents
Leiras - These Bones // Ownlife
Radial - Cosmetics (Darko Esser Remix) // Radial
Joe Cocherell - Commerce Above All Else // Frozen Border
Skudge - Ontic (Rolando Understands Remix) // Skudge
Mush - The Descent // Technorama
James Ruskin & Mark Broom - No Time Soon // Blueprint
Thomas Hessler - The Escaper // IMF
Nima Khak - Nebulosa I // Sand
Mattia Trani - Over The Future (Ilario Alicante Remix) // Pushmaster
Oliver Deutschmann - Downstairs // LDNwht
Dyad - From Another Place // Dyad
Oniks - Millepora (Max_M Remix) // Funk You
Psyk & Alberto Pascual - Ascent // Drumcode LTD
Session Restore - Screen (Alan Fitzpatrick Remix) // rauh
Jesse Jakob - Red Hands // Traut Muzik
Dyad - Enclosed // Dyad

Dystopian @ Distillery Leipzig 03.01.2015

Connect with Dj Vadim:

Facebook: https://www.facebook.com/djvadim
Soundcloud: https://soundcloud.com/dj-vadim
Mixcloud: https://www.mixcloud.com/DJVadim
Twitter: https://twitter.com/djvadim
Instagram: https://instagram.com/djvadim/

Connect with Electronic Groove:

Webiste: www.electronicgroove.com/
Facebook: www.facebook.com/electronicgroove
Twitter: twitter.com/egpodcast
Instagram: instagram.com/electronicgroove/

Russian born and London and Berlin residing, DJ Vadim has built a reputation as one of the world’s top independent producers; travelling the globe, performing and collaborating with established and developing talents that cross continents, languages and cultures. Vadim has become well respected as an innovator in a number of areas during his career, "a veteran presence in the DJ community as well as one of the foremost producers in too many communities to count, Vadim is never running out of ideas" (URB Magazine). In 1994, Vadim founded his own independent record label, Jazz Fudge and signed to Ninja Tune the following year. So begun Vadim’s adventure that is now approaching its twentieth year and has seen him tour across 68 countries and perform over 2500 times.

Hard to put a peg on because he sticks to no rule-book, Vadim’s musical repertoire encompasses hip hop, trip hop, soul, funk, grime, reggae, dub and bass, and he has produced numerous solo and group albums across these genres (Ninja Tune, Jazzfudge, Wordsound, BBE) with seminal tracks such as The Terrorist, Black is the night and Bluebird. Throughout his career he has worked with a variety of musicians, singers and groups, including DJ Krush, Stevie Wonder, The Roots, Prince, Public Enemy, Dilated Peoples, Kraftwerk, Sly and the family stone, Fat Freddy’s Drop, Super Furry Animals, and Paul Weller. He has formed and produced a number of groups: The Bug, The Isolationist, The Russian Percussion, One Self and The Electric, and In 2002 Vadim was nominated for a Latin Grammy for his work with 7 Notas 7 Colores. Delving into the broadcasting world, Vadim’s radio shows ‘Around the World in 8 Relays,’ broadcast by the BBC World Service was nominated for a Sony Award. 

Always innovating and pushing the boundaries, Vadim's website was Sony Award nominated and he has kept abreast of advances in technologies, both in the studio, on stage and in collaborating with and engaging his fans accross the world. His new monthly show on Mixcloud.com is one of the biggest on the platform.

1.	Sleepy time ghost - Feel 
2.	Phaleah - Afterglow
3.	Dj krush - Mind games
4.	Drilla - Mama says
5.	Augustus Pablo - Skylarkin
6.	Mark Pritchard - Wind it up
7.	Ellie Goulding - High for this
8.	Estere - I spy
9.	Ibeyi - River
10.	Samuel - Falling star
11.	Handsome boy modeliing school - The truth
12.	Stephanie Mckay - Take me over
13.	Caravan ft Reggie watts x dj vadim rmx
14.	Dj Vadim & Sena - Grow slow


EGLO.005 Dj Vadim

Tracklist & download available here: http://blrrm.tv/PCqILU

Sebastian Mullaert Boiler Room Berlin Live Set

Ce podcast de la semaine est signé par un duo de producteurs allemands, à l’origine de quelques uns des plus excitants lives électroniques de ces dernières années : Extrawelt ! Un petit Pearson Sound par ci, un London Modular Alliance par là, et voilà qu’Extrawelt nous balance à la fois dans une warehouse pour écouter de la grosse techno, ou directement dans notre canap’ en cas d’insomnie et d’envie d'ambient. 
Plus d'infos et téléchargement gratuit du podcast =>https://www.tsugi.fr/tsugi-podcast-481-extrawelt/

Tsugi Podcast 481 : Extrawelt

KITTIN on:

- Facebook: www.facebook.com/misskittin
- SoundCloud: @misskittin

HOW I MET THE BASS on:
- Facebook: www.facebook.com/howimetthebass
- Instagram: www.instagram.com/howimetthebass
- Mixcloud: www.mixcloud.com/HowIMetTheBass

QUESTIONS to KITTIN:

Q: Let´s talk about your mix for HOW I MET THE BASS. How did these tracks have an impact on your career? So: how did you meet the "bass" once?

A: I met the bass in our local New Wave club in Grenoble who hosted the first Electronic Music party in 1989. It was very bad music, spanish Bacalao by a group of DJs on tour. But how I really „met the bass“ was shortly after at our first rave party in a small town near by, first time we had a flyer in our hands too, Rave Virus. We all went with The Hacker in the same car, same group of friends today. That night had a huge impact on my life. We went to an after hour, and when I came back home, I packed my things and left. I remember saying to myself: how are you going to cope with so called „normal life“ after that? I knew I had to work very hard to write my own path, I knew I would have to make choices that would hurt my family, but I was determined to be free. The same freedom I felt dancing non stop that night on such music. My mix is based on these early rave years memories. The excitement and freedom of each rave, each trip, each DJ, each record. It’s impossible to summit it in a one hour mix, but for example, the track from The Hypnotist (“Pioneers Of The Universe“) in the middle of the mix, the longest too, really brings me back to a special party, the Docks in Marseille in 1993. CJ Bolland played live, among Robert Liner (The Source Experience) and huge Belgian DJs like The Fly or Yves de Ruyter. I also included tracks I listened to before and after a party, at home with friends, like LFO, Aphex Twin, Lhasa or B12. I was massively influenced by the early Warp stuff, and the Artificial Intelligence compilations I still listen to today. When I started DJing, I was playing very hard, Acid Core, but I always tried to bring a left field tune in the middle such as Autechre, Boards of Canada, or The Prodigy. A challenge I kept all along. One hour is really too short, I wanted to play early House tracks too but I am definitely a rave kid. I could have include Gat Decor too, always in my bag, but as a lot of DJs play it back, I focused on more forgotten ones. To meet the bass in my case means „I understood music“ for the first time. I analyzed sounds, closed my eyes and saw shapes, colors, stimulating my intellect. I LIVED the sound. I was not a passive listener anymore, for the first time. What struck me, talking about it, is: many people don’t have that relationship to music. They just play commercial stuff from the radio but don’t feel deep inside this incredible sensation. So I feel very fortunate. Nevertheless I never wanted to be a musician or DJ, but it did change my life. Big time.

Q: In now 25 years of DJing you´ve been playing all over the planet. Which places and experiences were outstanding for you?

A: It’s an impossible question. Too many to say. It happened that I cried out of emotion, in Barcelona, in the big Razzmatazz years, people chanting so hard I had to stop the music and hear them sing. Or lately playing B2B for 6h with Marcel Dettmann at Panorama Bar. Never thought I could live that again in my career. I also had my best experiences out of rage, live with The Hacker, at Benicassim when I nearly missed the show trapped in traffic, had to run on the side road in the heat with biker boots, arrived on stage nearly fainting, threw my boots in the audience as my feet hurt so bad and did the whole show barefoot, full house. Love Parade 2001, at the Siegessäule, one million people, they say your name on the microphone „Miss Kittin, Grenoble, France“ and my dad saw me playing for the first time, this was quite life changing for him, acknowledging I did pretty well for a raver.

Kittin - HOW I MET THE BASS #150

No. 24 ~ 2.10.2019

music by:
Gamma Intel
@gammaintelligence

image:
Joe Webb — Behind the scenes (2019)

Gamma Intel's traumgarten at Red Light Radio

To celebrate the release of our exclusive @craigie-knowes T-shirt for Bleep Advent, they have provided us with a guest mix. Check out their advent day here: bleep.com/advent-2019-day-5

“We recorded this mix at 6am before heading down for a gig in Bristol. Similar to our DJ sets in a club, it's not really one genre it's just a collection of stuff we enjoy dancing & listening to. Records we've been listening to that week and older ones that pop into our heads at intervals during the week leading up to recording the mix. We start off with some house records focussing on the percussive side of things then moving into some spacey electro & slightly harder stuff. This was a lot of fun to record and felt really smooth in terms of the progression of tempo and energy. We hope people enjoy it wherever or however they listen to it.”

Bleep Mix #87 - Craigie Knowes

Two hardware masters head on an experimental and totally improvised session live from Paris' now-defunct Concrete. 

@mathew-jonson & @sebastianmullaert embark on an extended live session in RM1 on 08/02: fabricldn.co/sk24ms

Tickets for 08/02

Mathew Jonson & Sebastian Mullaert Recorded Live at Concrete 02/11/2018

Took me only 5 years but finally managed to make Mix 2! :)

Dold - Intro (Arsenik Records)
Carl Finlow - Descent (Craigie Knowes)
Second Storey - No Such Location (Marcel Dettmann Negative Remix) (Houndstooth)
HLLW - Bølge (Mörk)
Anthony Rother - 2001 Nights (Ghost Archive)
Truncate - Wave 2 (Truncate)
Noah Gibson - Untitled (Convextion Remix) (Krasch Records)
Fanon Flowers - Hunt Patterns 5 (Mechanism Industries)
Animalistic Beliefs - Dream Journal Excerpt 57 (Solar One Music)
Desert Sound Colony & Baby Rollen - Dumpster Truck (Futureboogie Recordings)
Delta Funktionen - Moonstone Road (Cultivated Electronics)
Ryan James Ford -  Astrid Oelzant (ACR Records)
Brainwaltzera - Laif Of Smit (Film)
Extrawelt - Premonition Of A Flashback (Alternate Version) (Furthur Electronix)
Emiliano Comollo - POL (Land Of Dance)
Karenn - Kind Of Green (Voam)
Human Space Machine - Rebirth (AEX)
Moy - Megatherium (Batrachian)

Extrawelt's "Not A Deejay" Mix 2

Extrawelt in the mix for Nocta !

More about Extrawelt here:
https://www.facebook.com/extrawelt.live
https://soundcloud.com/extrawelt4real

Nocta Numerica Mix #45 / Extrawelt

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Tsugi Podcast 481 : Extrawelt

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ultra low frequency (u.l.f.)

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