üledèkek.rezzenetek.ambipure

a work by Marco Lucchi re-imagined by Walter Fini

Marco Lucchi & Walter Fini - Notre Dame

https://soundcloud.com/bitzone - drums/percussion, effects, mix
https://soundcloud.com/joerxworx - flute & sax
https://soundcloud.com/gautamkarnik - violin
unearth noise - guitars, bass, udu

composed by bitzone/unearth noise

Shoghāl Dance w/bitzone, joerxworx , & gautamkarnik

Sensen - Farther

I think this haiku is a perfect match with the track I've been trying to create for some time... immediately after reading it I had very clear ideas on how to make it all happen.
 There are several recordings, the oldest was made with the guitar, processed on the elektron octatrack in 2020.
 About a month ago I found the central part of the song while experimenting with the vcv rack and the initial part (which takes up the final guitar theme) is the most recent recording processed with the Fm8 synth.
 recorded in Ableton and subsequently mixed in Cubase.

 Weekly challenge for Naviar records #naviarhaiku512.
 Text to follow by: Marco Sebastiano Alessi
 Image: Raya Mal

 "Endless echo
 footsteps on an empty house
 once full of life"

 Heartfelt thanks to: Marco Sebastiano Alessi
 for the precious inspiration.

Forgotten Games _ (Naviaraiku#512)

Bass keyboard, Decembre 23
Picture : Les humanoïdes associés

That the angel look around here

Dispel

Incommunicado

PARTITION PUBLIQUE :  Live électroacoustique

Je me suis souvenue de la perception très singulière que j’ai eu durant puis à l’issue du confinement :
les oiseaux semblaient s’être approchés, et les manifestations réprimées.

Puis j’ai pensé que le rythme était le meilleur observatoire des différentes pratiques sociales et animales du monde et de la musique en particulier, ce qui m’a donné envie de jouer avec cet imaginaire, ces traces, ces couches 
sonores.

I remembered the very singular perception I had during and after the lockdown: the birds seemed to have approached, and the street protests were repressed. Then I thought that rhythm was the best observatory of the different social and animal practices of the world and of music in particular, which made me want to play with this imagination, these traces, these layers of sound.

Partition Publique, étape de travail

Living Room 005

Carte de la promenade, fiches architecturales & morceaux

https://tsukuboshi.wordpress.com/2015/09/24/intercal-promenade-montrouge-musique-disponible/



Intercal, Montrouge 02 Beffroi

He is my Kingdom (demos 2008-2014)
Track: 06/12

He Is My Kingdom

Sömngång

Where the Cross Will Cast Your Shadow - Sömngång (demo)

Microsite: http://iddk.houndstoothlabel.com/
Pre-Order: http://bit.ly/2CNyA8V
Buy individual tracks each day as they are premiered on Bandcamp: http://bit.ly/2Djl6CU

The release represents a complete rethink about what it means to compile and commission music in the streaming era – and the tracks and seductively dark atmospheres conjured as a result are exploring all kinds of new sonic territory, too. In short, the cream of leftfield electronic talent have been given a brief: to take the phrase “in Death's dream kingdom”, or the whole of T.S. Eliot's poem The Hollow Men from which it comes, as inspiration.

"Thinking about Eliot’s poem I kept coming back to a thought: why do we insist on using narrative in place of what is actually going on? Rilke had it wrong perhaps: angels aren’t terrible because of how brightly they burn and so consume us, but because of how much we would burn for them in our wild fits of restlessness and searching. We construct so dearly our kingdoms of dream and death, thinking this is who we are. But no next words will help – there is no more truth in those words unhappened than with these now disappearing ones. So this song might be a hymn to an unstory: our rooms are false, and the angels aren’t terrible but the likeness we search for them in surely is." ~ Ian William Craig

The resulting 25 tracks will be released, day by day, together with further artist information, to build into the full work. Not an album in the traditional sense, certainly more than just a playlist, it brings together a seriously diverse array of talents into a coherent whole with a vivid aesthetic reverberating through it. It occupies a similar space to the great home listening electronica acts of the 90s – Future Sound Of London, Global Communication, the Artificial Intelligence axis – but there are no throwbacks here: this is radical in sound and thought. Dark music for dark times.

01 - Otto Lindholm - Cain
02 - Pan Daijing - The Island Within
03 - Lanark Artefax - Styx
04 - Petit Singe - Komm Wieder Mit
05 - Peder Mannerfelt - Post Sense Perspective
06 - Tomoko Sauvage - In Some Brighter Sphere
07 - Pye Corner Audio - Box In A Box
08 - Sophia Loizou - Shadows of Futurity
09 - Abul Mogard - Trembling With Tenderness
10 - Pär Grindvik - Speaking Their Minds
11 - Koenraad Ecker - Rat's Coat
12 - Roly Porter - Without Form
13 - Hodge - Sunlight On A Broken Column 
14 - Gazelle Twin - The Dream Ends 
15 - Shapednoise - Ghostly Metafiction
16 - ASC - Tessellate
17 - Batu - Zoo Hypothesis
18 - We Will Fail - Carbon Trail
19 - Peter Van Hoesen - 98 Lines
20 - Spatial - Haunted Dance Hall
21 - Yves De Mey - Solemn But Fading
22 - Mindspan - Accept Things As They Are
23 - Kangding Ray - Glacier
24 - ZOV ZOV - Post Six
25 - Ian William Craig - An End Of Rooms

In Death's Dream Kingdom

An End Of Rooms

25 TRACK COMP

Ian William Craig - An End Of Rooms (Full Track)

A small piece, sound-collage if you want, based on the pitched-down sounds of a threadbare vinyl recording of Beethoven’s sonatas (27 Nr. 2, 13, 57—not the best interpretations TBH) randomly found on Puławska street in Warsaw during a heavy rain around a year ago, as well as various other sonic percepts collected between approximately 2014 and 2017.

With Fire In Their Hearts And Snow On Their Clothes

Pepo Galán & Sita Ostheimer - Suspirium "Cover Thom Yorke

Intricate Daftness. 2020.

From A_A:14 - VOSP - Pale Shelter. Released 11.08.2020

VOSP - Braille Spell

TSUKU BOSHI release experimental music in all its diversity: composed, improvised, electronic, acoustic, performed, mediated, concrete and conseptual. Based in Paris, France we work with local, national and international artists. Check out www.discogs.com/fr/label/59028-Tsuku-Boshi for more info on us

Intercal, Montrouge 02 Beffroi

Tsuku Boshi

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