Premiering "Paimon" by Real Tears taken from collaboration EP with Moscow Legend out now via UNITED
Download: https://unitedgang.bandcamp.com/album/real-tears-moscow-legend

The next instalment in UNITED’s series of releases sees London-based Real Tears team up with UNITED’s very own Moscow Legend for a menacing new grime EP. 

Real Tears’ ferocious track, ‘Paimon’, combines a fusion of dark elements to create a 145 BPM demonic ambience. The use of signature Real Tears sounds throughout the song remind you that despite the unmistakably grimey nature of the claps in the track, this is still Real Tears at his best. 

Moscow Legend’s ‘Everblasting Bass’ showcases exceptional sound design, consistent with the forward-thinking nature of his grime production. The track has already garnered considerable attention as a dubplate, receiving plays from General Courts, Boylan, Grandmixxer and Skee Mask. 

The unique nature of these two producer’s styles blends incredibly well in this EP, demonstrating UNITED’s enduring ability to produce collaborations that seamlessly represent the work of their Russian producers with that of established UK artists.

Links:
https://soundcloud.com/real_tears
https://soundcloud.com/united_gang
https://unitedgang.bandcamp.com
https://www.facebook.com/united.gang

REAL TEARS & MOSCOW LEGEND

UNITED BANDCAMP

[PREMIERE] REAL TEARS - PAIMON (EP OUT NOW VIA UNITED)

Bad Practice

Walton drops wild stomper 'PJD' on Sneaker Social Club.

● Sneaker Social Club - @sneakersocialclub
● Walton - @waltonmcr

---

Connect with Rendah Mag
● https://rendahmag.com/connect

Rush EP

Walton - PJD [Rendah Mag Premiere]

nineight

Buy on Bandcamp

Grappling Hook

Final CorpHell just like how warfill did with the trauma's
OUT ON ALL PLATFORMS

https://soundcloud.com/uctbpszjfl5q/ton-smerti?si=5d83dbb75edf49d79b1a171ab5c9001b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

CorpHell 3

FREE

Thelem - Bring Me Down Feat. T-Man (T5UMUT5UMU Breaks Refix)

Example of some easy zaps and bass synthesizing/processing by myself

ML - Krush

https://band.link/burntheempire

Public Service Announcement:

Do. Not. Hyper-politicize. Every. Womxn*. Artist’s. Work.

After making her debut into the world of dark, deconstructed club music on Infinite Machine in late 2017, Ani Klang is releasing her latest hard-hitting, genre-blending EP on Russian label, Hyperboloid Records to round out a busy year of releases in 2020.

‘BURN THE EMPIRE’ is a powerful statement piece seeking to disprove the pervasive belief that womxn and queer people are primarily working and creating music to “empower others.”

After growing frustrated with commentators deeming every bold piece of womxn-made art as an “outspoken feminist act” and forcing political causes on female/non-binary compositions when none are intended, Klang has challenged this trend and created a piece of work that is emphatically not an “empowering anthem for womxn everywhere.”

Armed with frustration, pain, and a little irony, Klang has built her own empire on the outskirts of genre, and all who are open are invited. She is releasing this record with hopes to begin dismantling the notion that womxn’s music is only meant to serve as a political weapon to fight misogyny. There must be something more meaningful womxn have to say to each other besides ‘you can do it too.’

She began grappling with this idea several years ago, when she felt pressured by the underground club community to be “outspoken” to have her music heard. In a 2018 Instagram post, she explained her frustrations as follows:

“I feel like being ‘outspoken’ is almost a prerequisite for being a successful woman at anything these days.It’s not enough to just be an artist who happens to be female – you have to empower women somehow and put your political opinions at the forefront of your art to be considered ‘relevant’. To be completely honest, I find it frustrating as hell. […] I want women to feel empowered but there are so many other creative ways to do this than just talking about feminism. We should be allowed to just BE artists who make records about death, masturbation, chocolate cake, or whatever the hell we want!”

‘BURN THE EMPIRE’ journeys from 145-160 BPM and showcases punchy, fluttery, footwork-inspired kick patterns, layers of heavily manipulated industrial textures and ironically political self-recorded samples (i.e. feminist podcasts, orgasms, and ex-girlfriends crying and singing) bound together by a rave-friendly mentality. Featuring scorching remixes by formidable artists like A.Fruit, Daniel Ruane, and Pixelord, ‘BURN THE EMPIRE’ is an intense sonic excursion through the mind and body of a female artist, eager to set the underground club scene on fire.

With match in hand, Ani Klang urges listeners to fully understand the following before organizing a livid mob armed with extinguishers on her front lawn:

“I am not intending to belittle or invalidate any collective or artist whose primary premise and passion is to empower others. Rather, I am encouraging commentators and listeners to understand and appreciate our unique concepts and technological capabilities before lazily assuming our artistic motivations.

It’s time we Burn the Empire of exhausted empowerment and construct our own domain, fortified by authenticity, legitimacy and resiliency. We’re are not examples, we are exasperated, and we’re gonna burn shit.”

* ‘womxn’ inclusively refers to any female-bodied or non-binary individual, queer or an otherwise unique human who deviates from standard cisgender identities.

Burn the Empire

DIGITAL / CASSETTE

ANI KLANG - THE PROBLEM = (A.FRUIT REMIX)

HOVERCRAFT by @slickshoota

http://teklife57.com/releases/012-SLICK_SHOOTA/

Montreal-based producer & DJ Slick Shoota brings us Function, his debut LP and first solo release on the Teklife imprint. A native of Norway known for his renowned Oslo club night Ball Em Up, he’s been a member of the elite crew since 2015, contributing tracks to the label’s compilations such as On Life Vol. 2 and VIP Trax. Using a unique palate that combines both traditional footwork drums and eclectic otherworld sonics, this album expands on the signature sound he’s been brewing during the course of his career, celebrating his longtime love of the Chicago soundscape, with a healthy helping of UK rave, jungle, and vibes from other fast paced club realms.

Slick starts the record off with Hovercraft, a big burly mutant rap beat riding a glowing titanic wave of jungle subbass, with vicious hi-hats stabbing through the mix. Desire Path follows with hysterical horns cruising along a stampede of erratic Chicago percussion. A glitchy, malfunctioning computer meets drumline stomps on See Me Flex, resulting in a psychotic, yet psychedelic sci-fi soundscape. Ultra-distorted hardcore kicks open up Jellyneck, dropping straight into a dungeon of ghostly vocals and headlong toms. Warehouse 2K opens up the B-side with R&B chops and lasers floating on a charming cloud of pulsating pads. Mad doppler sirens loop around your head on Delahaze, as distant clangs and crashes fight an impatient, throbbing bassline. Classic rave atmospheres are met with Slick’s elegant sound design on MTL Hardcore, his ode to his adoptive city. The album closes off with Special Tek, channeling the signature quirky drum sounds of the late DJ Rashad over a pounding, fast paced house beat, a wonderful nod to the Windy City and its influential sonic culture.

Carving out his own sound from the legacies of Chicago, the UK, and other underground club hotspots, Slick Shoota has found his own recognizable voice within these realms of dance music, and this LP serves as documentation of that solidified voice. Years of studying the masters and immersing himself with their work has clearly paid off, and he’s respectfully taking these sounds he loves in exciting new directions. Bridging gaps both historical and geographical, Function marks a pivotal point in his career, and is clear evidence that Slick Shoota is vital member of the legendary Teklife family.

Function

Pre-Order

TEKLIFE012 - SLICK SHOOTA - 01 HOVERCRAFT

Mexico's Juke Mx community has just released their 5th compilation featuring 17 tracks from friends and affiliates. Since their first compilation release in 2017, Juxe MX has been showing the world Mexico has a deep and unique love of juke, footwork, and jungle by introducing us to countless new talent and producers from their vibrant scene. Today we premiere "RAWWW" by Trax BT. It is available exclusively on Bandcamp and live now! Follow the buy link to purchase!

[PREMIERE] Trax BT - RAWWW (Juke MX)

Tokyo

contact: iamt5umut5umu@gmail.com

T5UMUT5UMU seeks for the sweet spot between tracks that are connected not by genre but vibe and style. Especially techno, breakbeat, and jungle, etc are his main shaft.

Acid Hazing [EP] @TREKKIE-TRAX
https://smarturl.it/t5umut5umu-ah

Laenz, T5UMUT5UMU - Unsleep [EP] @EASTERNMARGINS
https://soundcloud.com/easternmargins/sets/unsleep-laenz-t5umut5umu-em003

NTS
https://www.nts.live/shows/eastern-margins/episodes/eastern-margins-13th-november-2020

DUMMY MIX @DUMMYMAG
https://www.dummymag.com/mix/dummy-mix-580-t5umut5umu/

AVYSS
https://avyss-magazine.com/2020/03/04/13806/

higher frequency
https://higher-frequency.com/news/t5umut5umu-incantation-functionlab-hangzhou

TRENCH Radio: 10 Of The Best Mixes This Week
https://trenchtrenchtrench.com/features/trench-radio-10-of-the-best-mixes-this-week-1-1

FTL EP @Unizonelabel
https://unizone.bandcamp.com/album/ftl

Incantation EP @functionlab
https://t5umut5umu-fl.bandcamp.com/album/incantation

Magnetic Field EP @lovelessrecords
https://lovelessrecords.bandcamp.com/album/materia07-magnetic-field

Curiosity EP @knightwerk
https://knightwerk.bandcamp.com/album/curiosity-ep

Neutoxin EP [self-release]
https://t5umut5umu.bandcamp.com/album/neurotoxin

Wounds EP [self-release]
https://t5umut5umu.bandcamp.com/album/wounds

T5UMUT5UMU EDIT PACK [self-release]
https://t5umut5umu.bandcamp.com/album/t5umut5umu-edit-pack

Thelem - Bring Me Down Feat. T-Man (T5UMUT5UMU Breaks Refix)

T5UMUT5UMU

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Georges DJ Huberman

breakë!

zam

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