Vibeson

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DUZA - ANNA (Original Mix)

Set com muito Groove.
Gravado no pôr do sol do Open House do nosso querido Conde.

Júlia Cruvinel - Home Sweet Conde

Luch - UH HUH

Hold On

End Of Time

"Boca Na Água" emerges as a connecting point between Brazilian culture and the current electronic music scene. The track, already tested on major stages such as Ritual Stage at Surreal Park, B.O.M.A, Colmeia at Green Valley, Tetto Rooftop, and others, features excerpts from the iconic Rita Lee, a figure who transformed Brazilian music since the late 1970s.

The vocals, rescued from "Mania de Você" (1979), bear the mark of a time when Rita expanded her aesthetic, approaching pop and disco, without abandoning the boldness that made her famous. By inserting it into an electronic context, the production not only pays homage but also reopens this gesture of rupture and freedom.

The result is a track that escapes predictability: Brazilian in essence, global in reach. "Boca Na Água" asserts itself as a work that doesn't repeat formulas, but rather clearly weaves memory and the present.

Boca Na Água (2025 Reworked) @ Free Download

Talk of the Town

Made in house é um projeto do musico Italo que pega todos as vertentes da house music e produz tracks unicas

True Verses

Not For $ale [001]

Paride Saraceni - Jim's Prophecy [NF$001] LO-FI
by Post Scriptum Music

It was in 2009 when Paride Saraceni envisioned his rework of the Doors' classic 'Light My Fire', a project which never came to life until 2015 when he decided to create a work that would not only translate the classic rock masterpiece into a postmodern dance-floor tune.
'Jim's Prophecy' is however not simply a rework of the Doors' classic hit but a seamless collage of several of their works as well as of a 1970 interview to Morrison himself in which he predicts the future of music, from which the track adopts its title.

It is the format by which these events come to our ears that Saraceni found inspiration from, since not only Morrison predicted the advent of the one-man band surrounded by 'machines and tapes' but it is this statement itself a tape recording in its own right. The conceptual playfulness that this postmodern work is characterised by is given by both its content and its container, since what is being revoked by the means of this remix is both the essence of the band's live sounds and live performance adapted to nowaday rhythms, as well as the way in which these have came together by the very means (tapes and machines) which Morrison spoke of in his interview, this last one as well being evocatively employed in the mix, making of the remixer (and in a way of Morrison himself as well - as he directs the dialogue within the track) the true one-man band in relation to and within the various fragments of time and tape-space assembled into one single recording.

Vibeson

Selfish Swing