lars danielson

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"If I knew I were alive, I could do so much better. If I knew what I had, then I could use it more wisely. If only I’d known before then I’d be in a better place already. If only."
London-based singer-songwriter Douglas Dare releases new EP, following on from his debut album Whelm. Named after album track Caroline and new track If I Knew I Were Alive, it also features remixes by fellow label mate Ryan Lee West aka Rival Consoles and Houndstooth’s own electronic producer Ross Tones aka Throwing Snow.

Caroline has always been a precious track for Douglas, one of the first tracks he recorded and a story in which he imagines his grandfather is writing to a loved one during the war. As the only song on his debut album that is stripped down to just his voice and piano playing, and it being a favourite amongst fans at his concerts, it was a natural choice as a first single.

The new track If I Knew I Were Alive Douglas wrote by creating beats, looping them and recording parts live. Dancing around to the beats in his room, he started singing melodies and coming up with ideas that he wouldn’t usually have, sitting at the piano. The idea that we can do a lot more if only we appreciated our own ability and opportunity encouraged Douglas to not take the track to anyone else to re-record it, but to work with what he had created himself.

“The recording has this demo quality, which I really enjoy. I love how revealing a demo can be. It seems to expose the fundamental ideas the songwriter had and the basic quality of the recording is very revealing. One of my favourite records is PJ Harvey’s ‘4 Track Demos’, where the songs are so stripped back that you can appreciate the finest details.” – Douglas Dare

Ryan Lee West, who crafted the Rival Consoles remix of album track Swim explains, “the track existed in a minimal state for a while, and I kept thinking something was missing. There's always something missing! And then out of casual chance, I was sorting through my portable recorder files, and I came across a recording of an installation that I did, which included four motors hitting glockenspiel or xylophone notes at random. I chopped it up in a few seconds and it worked perfectly. It adds texture and movement to the remix. But what's important about these sounds is that they are not in time. I think this remix creates sense of space, subtlety and physicality.”

"The original is so well put together, and the vocal so unique that it was a hard one to approach. I set out to reflect the beauty of the vocal in the intro, so that I could build it into something darker later on. This also mirrors the meaning of the vocal. The last sections are meant to evoke feelings of being washed away by a torrent” – Ross Tones about his Throwing Snow remix of Nile.

The cover photograph was taken by Douglas Dare himself; printed on silver card, so that the seawater shimmers against the light.

Douglas Dare and Rival Consoles will both perform a special in-store show at Rough Trade, presenting their respective EP releases, before embarking on an Erased Tapes U.S. West Coast tour and Douglas accompanying Fink throughout 13 countries in North America and Europe from September to November as their special guest.

TICKETS: www.erasedtapes.com/artists/events/22/Douglas+Dare

TRACK LISTING:

A1. Caroline
A2. If I Knew I Were Alive
B1. Swim (Rival Consoles Remix)
B2. Nile (Throwing Snow Remix)

MORE INFO: douglasdare.com · erasedtapes.com

Whelm

Caroline

Buy 10"/DL

Douglas Dare – Caroline

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William Tyler "Gone Clear"

Abi Wade is a musician based in Brighton, UK. A Musical collaboration between limbs, strings and vocal chords. Her music is seemingly and seamlessly sewn together, each beat, melody and bass line put exactly in its place, to create songs that pull the heart strings and a performance that will beguile and intrigue.

So far she has toured the UK & Europe with Patrick Wolf, played festivals such as End of The Road, The Great Escape and Wilderness, sold out her debut EP, released music on the label set up by Esben & The Witch’s Daniel Copeman, with whom she also records with and played shows with the likes of CocoRosie, Dan Mangan, Other Lives & Deptford Goth. Her music has also been used on MTV series ‘Awkward’ and Cinemax series ‘Banshee’.

Green Youth Great Plans

Pre-order 'All Together Again' on LP/CD/DL: phonofile.link/all-together-again

There is no end to composer Peter Broderick’s creative output, and so we present to you his new album titled 'All Together Again' — available worldwide on November 17th 2017 via Erased Tapes.

Words from Peter, October 2017:

"Ever since I started releasing records in 2007 (10 years ago now!), people have contacted me periodically to ask if I’d be interested in making music to accompany their projects. Most of these projects have been things like films, dance pieces and theatre plays . . . but every so often I get the odd request for something a little different. Peter, would you write a song for my wedding? My one year anniversary? A ferry boat ride?

In early 2015 I was asked to perform 12 minutes of music during a runway show as part of New York Fashion Week. I agreed and began composing a 12-minute piece which I could perform on my own with a few different instruments and some looping pedals. I made a recording of the piece and sent it over to my contacts at the fashion show . . . but a few days before I was to fly out to New York, they wrote back and told me they actually just wanted me to play a few older songs that they were already familiar with. Feeling slightly disappointed, I shelved the other piece, giving it the title If I Were A Runway Model.

It is with great pleasure that I now present this piece in a collection of commissioned works spanning the last decade . . . it’s All Together Again. This group of oddball works does indeed include a couple pieces written for weddings (Our Future In Wedlock and The Walk), and a song someone asked me to write as a gift for his wife on their first year wedding anniversary (Emily). And indeed, there’s a 17-minute piece written to accompany a ferry boat ride in Istanbul (A Ride On The Bosphorus). A few of the pieces were written for films (Robbie’s Song, Atlantic and Seeing Things), and one for a kind of interactive installation (Unsung Heroes).

In my early days of recording, I took pride in playing all the different instruments myself and doing the recording myself as well. And then at some point I started branching out, working with other musicians and recording engineers. But this record is very dear to me in that it’s a return to that original approach . . . playing all the different instruments myself, working with my limits on each one, and my own limits in recording and mixing. I’ve always held a broad curiosity for all different instruments and all different styles of music, and if nothing else I hope this record will portray that curiosity, and my pure love for this thing we call music. Can you dig it?"

The cover art was made by Peter himself in his hometown of Portland, Oregon, by cutting and sticking different coloured paper fragments to depict the individuality of each track.

TRACK LISTING

1. If I Were A Runway Model
2. Robbie’s Song
3. A Ride On The Bosphorus
4. Emily
5. Our Future In Wedlock	
6. The Walk
7. Atlantic 
8. Seeing Things
9. Unsung Heroes

WEBSITE: www.peterbroderick.net

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