lars danielsson

Listen / Purchase: https://lnk.to/mhlived

This album is also part of Lost Tribe Sound's Salt & Gravity Series:
https://losttribesound.bandcamp.com/album/salt-and-gravity-series

Last year in and out of lockdown, Dupé made an album about his great-aunt Margaret, who spent her entire adult life in service at Abbotsford Convent. Margaret’s life story was both ordinary, and even more so in hindsight extraordinary. She lived a life that would be considered extreme today… a life without freedom. Reflecting upon her life proved to be humble, emotional, and fertile ground for 21st-century perspective whilst exploring narrative and biography through music.

While the music serves as most uninhibited expression of Margaret’s story, these writings from Dupé help provide further insight into Margaret’s life: 

Margaret was my grandmother’s sister, I didn’t know my grandmother but I met Margaret several times as a child. We would drive all day from Canberra to Melbourne from before light to after, to spend time with our relatives since both my parents were born and raised there.

Visiting this diminutive elderly woman with white hair in a bun and black habit and large crucifix was a strange procedure since she was clearly a prisoner in this convent. With both of her parents dead, her sisters put her into Abbotsford Convent as a grieving nineteen year old unwed mother.

A nun would sit at our table listening to the conversation to remind us all of that fact. Margaret was a “bad girl” and as such had been kept away from the children and reforming girls that were also in the convent. She existed within this small village of impounded women, day by day through two world wars, Vietnam and the death of her entire family. She slept in a dormitory, rose at five for prayers, worked in a laundry all day and had only one possession, a secret radio to listen to the races and footy. Her dormitory was in a building within a grey concrete courtyard which was gated and had one tree within it whilst restricted beautiful grounds lay all around.

As a teenager, Margaret was working for a married farmer in the western districts and had fallen pregnant to him (I don’t know if it was consensual) and had a child which she named Eileen after her favourite sister. The child was taken away and when she had another child a year later with the same man, she also called her Eileen (probably believing the first child had died). The first Eileen lived and went into the world equally oblivious to her mother’s plight and the second Eileen died after birth and was quietly buried in a suburb in Melbourne where Margaret would be buried 65 years later.

When she arrived at the convent, Margaret was given a new name and the gate closed behind her for the rest of her life. My father loved this wiry rebel (named Jock by him for her jockey-like stature) who lived both a hard and a sheltered life. Researching and reflecting on Margaret’s life made me deeply consider gender, class, compassion and the Catholic Church as connected to my family and more broadly. The archives from the convent where she lived for over six decades provided no trace of her existence except for a record of being slightly ill twice in the 1960s… no photographs, no accounts of any activities or interests.

Margaret Hammett Lived

I had a friend

Tony Dupé - I Had A Friend (from Margaret Hammett Lived)

Listen / Purchase: https://lnk.to/meltingworld

Ryan Chamberlain (aka Arrowounds) originally envisioned 'The Rise and Fall of the Melting World' as an extension of the previous two albums, 'Oncotype Sketchbook' and 'The Loneliness of the Deep Sea Diver,' although with the intended purpose of exploring the "aftermath and resurfacing" from the events that inspired those creations.

Chamberlain aimed for a more open sounding terrain to represent a clearing of the mind or the ability to breathe again, though there were multiple occasions throughout the making of 'Rise and Fall' where the waves came crashing back down into the depths. Nothing is ever that easy. Continuing health scares of those closest to Chamberlain and the overall climate of anxiety the world maintains always threatened to darken and pollute the soundscapes during their creation.

Field recordings from Chamberlain’s new living environment; far from the city, also played a huge role in shaping this album, maneuvering the senses of uncertainty and isolation throughout. Traveling in the mind, projecting ones being through nature, spilling out amongst the moss and soil into your own film of wreckage… senses perceive as much as deceive.

As it stands, 'The Rise and Fall of the Melting World' is the perfect closing to the trilogy of albums, with its lingering threads and cancerous tentacles breaching the surfaces and branching into unknown landscapes.

The Rise and Fall of the Melting World

Caverns of the Behemoth (Edit)

Arrowounds - Caverns of the Behemoth (Edit)(from The Rise and Fall of the Melting World)

Order the Ltd. Edition 10"/DL here:
www.erasedtapes.com/store/index/ERATP063

"If I knew I were alive, I could do so much better. If I knew what I had, then I could use it more wisely. If only I’d known before then I’d be in a better place already. If only."
London-based singer-songwriter Douglas Dare releases new EP, following on from his debut album Whelm. Named after album track Caroline and new track If I Knew I Were Alive, it also features remixes by fellow label mate Ryan Lee West aka Rival Consoles and Houndstooth’s own electronic producer Ross Tones aka Throwing Snow.

Caroline has always been a precious track for Douglas, one of the first tracks he recorded and a story in which he imagines his grandfather is writing to a loved one during the war. As the only song on his debut album that is stripped down to just his voice and piano playing, and it being a favourite amongst fans at his concerts, it was a natural choice as a first single.

The new track If I Knew I Were Alive Douglas wrote by creating beats, looping them and recording parts live. Dancing around to the beats in his room, he started singing melodies and coming up with ideas that he wouldn’t usually have, sitting at the piano. The idea that we can do a lot more if only we appreciated our own ability and opportunity encouraged Douglas to not take the track to anyone else to re-record it, but to work with what he had created himself.

“The recording has this demo quality, which I really enjoy. I love how revealing a demo can be. It seems to expose the fundamental ideas the songwriter had and the basic quality of the recording is very revealing. One of my favourite records is PJ Harvey’s ‘4 Track Demos’, where the songs are so stripped back that you can appreciate the finest details.” – Douglas Dare

Ryan Lee West, who crafted the Rival Consoles remix of album track Swim explains, “the track existed in a minimal state for a while, and I kept thinking something was missing. There's always something missing! And then out of casual chance, I was sorting through my portable recorder files, and I came across a recording of an installation that I did, which included four motors hitting glockenspiel or xylophone notes at random. I chopped it up in a few seconds and it worked perfectly. It adds texture and movement to the remix. But what's important about these sounds is that they are not in time. I think this remix creates sense of space, subtlety and physicality.”

"The original is so well put together, and the vocal so unique that it was a hard one to approach. I set out to reflect the beauty of the vocal in the intro, so that I could build it into something darker later on. This also mirrors the meaning of the vocal. The last sections are meant to evoke feelings of being washed away by a torrent” – Ross Tones about his Throwing Snow remix of Nile.

The cover photograph was taken by Douglas Dare himself; printed on silver card, so that the seawater shimmers against the light.

Douglas Dare and Rival Consoles will both perform a special in-store show at Rough Trade, presenting their respective EP releases, before embarking on an Erased Tapes U.S. West Coast tour and Douglas accompanying Fink throughout 13 countries in North America and Europe from September to November as their special guest.

TICKETS: www.erasedtapes.com/artists/events/22/Douglas+Dare

TRACK LISTING:

A1. Caroline
A2. If I Knew I Were Alive
B1. Swim (Rival Consoles Remix)
B2. Nile (Throwing Snow Remix)

MORE INFO: douglasdare.com · erasedtapes.com

Whelm

Caroline

Buy 10"/DL

Douglas Dare – Caroline

Pasodoble - Lars Danielsson & Leszek Mozdzer - Hydrospeed

Lars Danielsson & Mathias Eick - Duos From Liberetto II - The Truth

Lars Danielsson & Mathias Eick - Duos From Liberetto II - III Violet

Lars Danielsson & Mathias Eick - Duos From Liberetto II - II Blå

Lars Danielsson - Liberetto II - Passacaglia

John Zorn - Dance Exotique

Buy on iTunes

Texitorial - Nick Wales & Sarah Blasko

Nik Bärtsch – Universal Rhythms

Abi Wade is a musician based in Brighton, UK. A Musical collaboration between limbs, strings and vocal chords. Her music is seemingly and seamlessly sewn together, each beat, melody and bass line put exactly in its place, to create songs that pull the heart strings and a performance that will beguile and intrigue.

So far she has toured the UK & Europe with Patrick Wolf, played festivals such as End of The Road, The Great Escape and Wilderness, sold out her debut EP, released music on the label set up by Esben & The Witch’s Daniel Copeman, with whom she also records with and played shows with the likes of CocoRosie, Dan Mangan, Other Lives & Deptford Goth. Her music has also been used on MTV series ‘Awkward’ and Cinemax series ‘Banshee’.

Green Youth Great Plans

lars danielsson-party on the planet

lars danielsson-party on the planet

tultytuuu!!!!

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