c'è in giro da tempo una nuova 'musica assoluta', astratta, che sta fra la cosiddetta 'ambient music' e la 'drone music', nei pressi dei cosiddetti 'soundscape' o, meglio ancora, degli 'innerscape' .. a volte ha tratti più 'cameristici', o addirittura per strumento solista, a volte è più 'sinfonica' .. a volte usa solo sonorità 'sintetiche', a volte invece anche strumenti 'tradizionali' .. ha antecedenti illustri, sia nella cosiddetta musica 'classica', diciamo storica, sia nella 'popular music' e nel jazz .. a quella soprattutto io guardo

https://www.facebook.com/notes/marco-lucchi/musica-assoluta/10155811583217624/

"musica assoluta" (ottobre 2019)

All submissions to Haiku 303:

https://www.naviarrecords.com/2019/10/23/naviarhaiku303-whenever-i-speak

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- Publish your song on Soundcloud and message me privately with the track's URL (if you don't have Soundcloud or can't message me, visit www.naviarrecords.com/about/naviar-haiku for more options)

- Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku145)”

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. Please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

haiku #303: Whenever I speak / My lips are / chilled— Autumn wind.

Різне,забуте,загублене,маловідоме,інше,імпровізаційне,еклектичне,емоційне,легке для прогулянки, творчості та перерви) Фонове, осіннє... До 6 годин.

Different #18

Meditation 8

song from Acid Mothers Temple & The Melting Paraiso U.F.O.'s new album "Astrorgasm From The Inner Space" feat. Cotton Casino.

Dark Star Blues [Acid Mothers Temple & The Melting Paraiso U.F.O.]

Franz Schubert- Piano Trio In E Flat, Op. 100

yıllarca aradım kendi kendimi
hiçbir türlü bulamadım ben beni
hayal miyim bir rüya mı bilinmez
hiçbir türlü bulamadım ben beni

insan mıyım mahluk muyum ot muyum
ekilir biçilir bir nebat mıyım
mecnun muyum bir güzele kul muyum
hiçbir türlü bulamadım ben beni

Fikret Kızılok & Tehlikeli Madde - İnsan Mıyım, Mahluk Muyum, Ot Muyum - 1974

Once again, past master Klaus Schulze appears to be in top shape on his twelfth solo album. There is almost no-one who can hold a candle to him as a live musician performing on the synthesizer. (Elmshorner Nachrichten / Germany, November 1980)


The Meta Musik festival at the National Gallery in Berlin, from which the “...Live...” track “Sense” was taken, was an event arranged by Walter Bachauer. He was the head of programs at radio station RIAS [founded in 1946 by Americans, the acronym means “Rundfunk im amerikanischen Sektor or Radio in the American Sector”]. He also was a big fan of minimalist music. [Under the pseudonym Clara Mondshine, W.B. released the albums “Luna Africana” (1981) and “Memorymetropolis” (1983), both produced by Klaus Schulze. 

The entire Berlin scene was into this new minimalist music at the time, which was precisely the reason why Bachauer had invited me. He had probably said to himself, well this time we’ll also engage a German guy for this event who does something in that style. I just happened to fit into the concept. While the other musicians had their hand-made minimalism, I made it electronically.

The bonus track “Le Mans au premier” is taken from a concert at the abbey L'Epeau near Le Mans in France on November 10th 1979. My music is very emotional and spontaneous, so I play in a quieter mood in a church or an abbey than at the Palais des Sports in Paris for instance. The atmosphere of the place always strongly influences me; that’s why “Le Mans au premier” is also one of my quieter live recordings but a very nice one nevertheless.

Klaus Schulze - Sense

There were no samples used in the making of this. Everything you hear is serum + a few fx

Forest Sound Design

Klaus Schulze - Bonjour, Monsieur Courbet

IN C #4 for Terry Riley

Apollo: Atmospheres And Soundtracks

Like I Was A Spectator

#2117: Oct. 1, 2019: He had known, just as she thought
Today's pure primal piano music here. Happy if this  makes you feel peaceful.. : )　

======== my creation note today ========

An important direction was missing. It presents daily short music as it is. Each one is short and simple music, but it can be thought of as a collection of music born out of the same feelings. The concept of a huge work as a collective rather than a single piece of music. New but inevitable flow. Once completed, it will be a total of 163 hours of music.

======== New Selection Album just released! ========

Happy if you enjoy this and add these tunes to your playlist.

https://linkco.re/Es09nqXG?lang=en

Piano Ten Thousand Leaves: 15th selection album
In every Streaming Music Service

*** 11 hours spotify play list ****
https://open.spotify.com/playlist/0zy2Xupajd9G6W8dJbTHGi?si=R-UeW1lqQIOxufTtDgsqIw

Regards,
Hitoshi Yasui, chair house, roppongi, tokyo, japan
http://www.chairhouse.club/

15th selection album

He Had Known Just As She Thought - #2117 By Chair House 10012019

From the album Silent Spring by Linda O'Keefe out October 14 on FP.
An exploration of natural and human soundscapes, with a focus on the new sounds associated with renewable energy.

Silent Spring (excerpt) - Linda O'Keeffe - out October 14.

Boson Spin - Ambient Bite 453

Taster

Marco Lucchi : synth, tape and digital treatments

morphing and playing along
"A warm horizon" by Zuhé
https://soundcloud.com/zuheodosha/warm-horizon

5 ottobre 2019

"Nel secondo modello, che è quello di Eriugena, il paradiso - cioè la natura umana - è affatto estraneo al peccato e la storia della caduta narrata nella ‘Genesi’ deve intendersi avvenuta fuori di esso. Non vi è propriamente una storia della salvezza, perché la natura umana è già sempre salva. Il paradiso - la vita in tutte le sue forme - non è mai stato perduto: è sempre al suo posto e permane come modello intatto del bene anche nel continuo abuso che l’uomo ne fa, senza riuscire in alcun modo a corromperlo. Il paradiso celeste, che non si distingue da quello terrestre, in cui l’uomo non è ancora penetrato, coincide con la natura originaria, che, intatta e indelibata, attende fin dall’inizio dei tempi tutta l’umanità."

Giorgio Agamben - Il Regno e il Giardino

Bandcamp

Zuhé & Marco Lucchi - Il Regno e il Giardino

This track was created for the Naviar Haiku group.
303 week haiku
naviarlab.tumblr.com/

2019-10-24

Whenever I speak ( Naviarhaiku 303 )

whenever I speak
my lips are
chilled - Autumn wind

naviarhaiku303: whenever I speak

Whenever I speak
My lips are
chilled— Autumn wind.

mono ieba
kuchibiru samushi
aki no kaze

haiku by Matsuo Basho https://www.poetryfoundation.org/poets/basho
picture by Grzegorz Mleczek https://unsplash.com/@noctous_

For more information visit http://www.naviarrecords.com/about/naviar-haiku

lips

halF chilleD [naviarhaiku303]

naviarhaiku303

Whenever I speak
My lips are
chilled— Autumn wind.

mono ieba
kuchibiru samushi
aki no kaze

Autumn has finally arrived here in Italy as well, so this week I opted for this Fall themed haiku by Basho. My understanding is that this poem has become a well-known Japanese proverb, meaning “It is better to leave many things unsaid”.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Untitled

Glass Dream

Glass Dream (naviarhaiku303)

Live At CBGB's, New York City,

the taj-mahal travellers - les rallizes denudes Oz Days Live 1973 (Excerpt 3)

Theme from Stalker (1979), By: Andrei Tarkovsky

Edward Artemiev - Meditation

This is the home of my Disquiet Junto and Naviar Haiku submissions. 
To hear more of my music feel free to explore tunnelwater.bandcamp.com where I will be releasing a free series of albums of older music, and eventually some brand new material.

naviarhaiku303: whenever I speak

Tunnelwater