All submissions to Haiku 369:

https://www.naviarrecords.com/2021/01/27/naviarhaiku369-hidden-among-the-trees/

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.

- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram

- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

haiku #369: hidden among the trees – / a shrine with mice and / red leaves on the ground

Fading lives,
Fading memories,
Fading senses,
All fades...

On All Saints' Day and All Souls' Day, let us remember those who have passed away and surround with love those who are slowly leaving us.

Simple improvisation turned into track with only 6 instruments:
Arturia Analog Lab V – Mini V3/Stage-73
Arturia Pigments
Arturia Augumented Brass
Heavyocity Foundations Emotive Choir (NI Kontakt Player) (free)
Spitfire Originals Intimate Strings

I hope You like it.

This piece was created by a human without the use of any generative A.I.

Cover photo from Freepik

As You Slowly Fade Away

As mycelia, seeds, bulbs, and all manner of vegetation find the right conditions within the dark nurturing surround of the earth they find themselves in, they awaken, and grow. Ultimately they break surface and reach upwards towards the Light. 

In this 'one mic-one take' improvisational conversation, Tim Elliot (on his Telecaster) and I (playing his ancient upright Grand Piano) found ourselves experiencing a similar process.
 
From within a space of Deep Listening, we almost immediately found ourselves being led into a kind of tonal awakening....a kind of sonic soaring...
discovering subtle grooves that seemed to be the outer manifestations of the synchronicity we felt whilst exploring the spaces between the notes.  😊 

May you enjoy.

(c) Anomon & Elliot 2025

Awakenings *

Non Narrative Drift

David Heath

the milk man's baby

Accel In Corner [impro] 20200624

Recorded with MULTITRAK synthesizer via internal sequencer, MFB512 drums synced, SPX90 reverb in 1986

Luftschlösser    LP001

Leisure

Heute fege ich den Boden,
Haushaltsarbeit mag ich sehr.
Hurtig schwinge ich den Besen,
feiner Staub fliegt hin und her.
So geht es durch jedes Zimmer,
auch in dieser Ecke war ich schon.
Fegen lebt von Wiederholung,
wie aktive Meditation.

Ach, des Nachbars' Sauger
ist ein wahres Ungetüm:
durch die Wand kann man ihn hören,
Hund und Katze hassen ihn.
Ich bevorzuge den Besen,
der ist ruhig, brauch keinen Strom.
Heute fege ich den Boden -
aber das sagte ich ja schon...

DJ Deppenhorst
Frankfurt, Oktober 2020

Heute fege ich den Boden

Wanderer

For https://llllllll.co/t/disquiet-junto-project-0467-toolbox-show-tell

Thanks to the lockdown and the lack of proper work on these past 2 months I decided to (finally) open and old box of DAT I got from my storage place in Argentina when I was forced to close it and decide what to keep (bring it home on the plane), what to sell, what to discard.
These DAT (my go-to recording/archival media in the 90s)  included loads of tapes with Jams and impromptu encounters that I recorded there live and never ever listened to.
I realize now how good that attitude was,( just tape everything that happens at home or archival purposes), I did that all the time, stopped later, I promise to do it again in the future.

I discovered many gems, funny and intense moments, I include here one rehearsal for a song I composed in 1985 (one of my first proper composition) . I make a little bass solo that's pretty lame, but my partners live-at-home performance is awesome and I'm glad to make this available for you to listen and criticize.

This happened in Buenos Aires, March 9th 1995 at my home/studio in the Julian Alvarez street of the Palermo Viejo area. Recorded live to DAT (one mic for the guitar, one for the bass, a stereo AT mic for the percussion set.

Gabriel Kirschenbaum: spanish guitar
Ricardo Hambra: percussion (tabla, bombo) @udfmusic1
Daniel Diaz: acoustic bass guitar


Photo: Palermo Viejo, Plaza Cortazar by DD, Circa 2000.

La China (live studio rehearsal) - disquiet0467

I remixed/remangled/reimagined a previous ice-originated piece, one that had already been through numerous incarnations, all based on my original ice recording in 2013 (I think).

Interestingly, you can still hear moments of tinkling iciness buried in the noise…


----------------------------------------------

The Assignment: Record the sound of ice in a glass and make something with it.

Welcome to a new year of Disquiet Junto communal music projects. This week’s project is as follows. It’s the same project we’ve begun each year with since the very first Junto project, way back in January 2012. The project is, per tradition, just this one step:

Step 1: Please record the sound of an ice cube rattling in a glass, and make something of it.


More on this 471st weekly Disquiet Junto project — Phase Transition / The Assignment: Record the sound of ice in a glass and make something with it — at:

https://disquiet.com/0471/


Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Glacial phases [disquiet0471]

hidden among the trees –
a shrine with mice and
red leaves on the ground

haiku by Mizuta Masahide https://en.wikipedia.org/wiki/Mizuta_Masahide

picture by Daniel Angele https://unsplash.com/@danangele

For more information visit http://www.naviarrecords.com/about/naviar-haiku

flash Henri

halF shrinE [naviarhaiku369]

A minimal little song on a late-autumn/early-winter mood but with some playful energy left from the summer..
Single release re-titled "Idea Minima" here: https://open.spotify.com/album/6stZ2zSDYuM8O7zrHq1Pjj

Composed and performed by DD January 2021.
Charango
Flutes
Vibraphone
Percussion
Upright bass

For this Haiku:

hidden among the trees –
a shrine with mice and
red leaves on the ground

haiku by Mizuta Masahide 
picture by Ricardo Gomez Angel

@naviar-records
https://www.naviarrecords.com/2021/01/27/naviarhaiku369-hidden-among-the-trees/

red leaves on the ground (naviarhaiku369)

hidden among the trees –
a shrine with mice and
red leaves on the ground

Mizuta Masahide was a 17th century Japanese poet and samurai who initially studied under Shohaku, but later became a disciple of Basho.

Seven days to make music in response to the assigned haiku: to participate, visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 3rd February 2021

haiku by Mizuta Masahide https://en.wikipedia.org/wiki/Mizuta_Masahide

picture by Daniel Angele https://unsplash.com/@danangele
@soundcloud.com/naviar-records

Made with hand drum and VST's

Hidden Shrine [naviarhaiku369]

This track was created for the Naviar Haiku group.
369 week haiku
naviarlab.tumblr.com/

2021-01-29

hidden among  the trees  ( Naviarhaiku 369 )

hidden among the trees
a shrine with mice and 
red leaves on the ground

naviarhaiku369: hidden among the trees

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

This is the home of my Disquiet Junto and Naviar Haiku submissions. 
To hear more of my music feel free to explore tunnelwater.bandcamp.com where I will be releasing a free series of albums of older music, and eventually some brand new material.

naviarhaiku369: hidden among the trees

Tunnelwater

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