Great, Ian. Very, very nice atmospheric.M:-)

what a sound, a great place to be, feels warm and safe to me...

All submissions to Haiku 222:

http://www.naviarrecords.com/2018/04/04/naviarhaiku222-ghostly-melody

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- Upload your song on Soundcloud and message me privately with the track's URL (if you don't have Soundcloud or can't message me, visit www.naviarrecords.com/about/naviar-haiku for more options)

- Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku145)”

Your track may be included in Naviar's weekly podcast and monthly free (pay-what-you-want)compilation. Please set the track as downloadable on Soundcloud and allow others to remix it by using a Creative Commons License.

Haiku #222: Ghostly melody / follows me into my day / fragment of a dream

released in Jan 2025 - nomatesensemble.bandcamp.com/album/i-am…m-with-you.

Then She Reaches for the Gun was formed in 2021 by Mat Ward. At its essence is sound collage, Ward invites musicians, sound artists, poets and anyone interested to send him files to be used, abused and showcased ‘as suggested by the work’. They are not always musical but field recordings, spoken word, engine noises and drunken rants. Animals participate a lot too! The raw material is arranged with one phrase asking for the next in an alchemical and intuitive process that will most often feature dozens of tracks weaving in and out of each other, colliding, harmonising, arguing and laughing along the way.

Both the aesthetic and the compositional methods use what Frank Zappa called Xenochrony - the mixing together of separately recorded and rhythmically opposing musical phrases to create polyrhythmic and polytempi compositions.The work also features fragmented story telling with the human voice (in many languages) appearing unannounced throughout the tracks offering up snippets of thoughts, conversations, jokes and existential angst. The absurdity of humanities desperate claim to have any real understanding of its place in the universe is revealed through the recorded follies and genuine emotions of the artists. The project is a celebration of chance, diversity and community. It pays homage to all musical tastes and genres whilst maintaining a sense of humour and irreverence that is needed to stay sane in the climate of 21st Century contemporary culture.

Then She Reaches For The Gun is

Humans

Adam Meredith - Ford XD with XF front mods/Voice
Ambient Annie - Electronica/Field Recording/Voice
Andrew Harper - Field Recordings
Angostura Elwar - 2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano
Antonella Eye Porcelluzzi - Text/Voice
Ariad Music - Clarinet/Percussion/Piano
Axel Weiß - Electric Guitar/Robot Voices
Banalytic - Experimental Electronics
Belial Pelgrim - Digital Strings/Electronica
Brendan Corey Benson - Electric Guitar
Carolyn Wigston - Voice
Chicago Word Brigade - Electronica
Dan Hewins - Bass Guitar
Dane Renshaw - Drums/Voice
Dani Kirby - Keyboard/Piano/Voice
Dylan Banks - Intonarumori/Voice
Frank Wilke - French Horn/Trombone/Voice
Garbage Truck Disco - Drum programming/Electric Guitar/Joyous Pop Punk
Glenn Ward - Electric Guitar/Skyhooks
Hakan - Moog Voyager XL
Hverheij- Drums/Electric Guitar/Synth
Johnny Python- Bass Guitar/Drum Programming/Electric Guitar/Text/Voice
JZsuperstar - Electric Guitar/Field Recordings/Keyboards
Lady ElectroTrek - Organ
Libby Laksmi - Jazzy Loops/Synth Bass
Loop(c)y - Electric Guitar
Malo Bernard-O’Meara - Drums
Maxx Black - Guitar/Ukulele
Minimal Drone Girl - Cat Wrangling/Field Recordings
Oberlin - Eurorack/Piano
Paolo D’Emilio - Electronica
Paul Miller - Electronic Percussion/Keyboards/Phat Electro Bass
Phil Bywater - Saxophones/Voice
Raul Mainer - DAW Programming/Heavy Metal
Robert Jefferson - Akai Rhythm wolf/GakkenSX-150 ll/Korg Kaosilator/Percussion
Rosin Dust - Violin/Field Recordings
Sarah Megahertz - Speedway Noise
Scratch Kelly - Beats/Electronica
Stan Magendanz - Electronica
Ten Atmospheres - Field Recordings/Synths
Texmex Shaman - Electric Guitar
The Windscale Blues Experiment - Clarinet/Flute/Saxophones
Timothy Korstad - Demons/Electronica
Thomas Bergheim - Bass Guitar/Electric Guitar
Tobias Schmitt - Electronica/Processed Organ/Text
Tuonela - Demons/Electronica
Vartch - Drones/Things/Trousers (not T-shirts)/Voice
Widar’s Spiritual Front - Electronica/Ms Pacman
W:I:L-o’ the-wisp - Bass Guitar/Electric Guitar/Electronica
Wivresse - Electronica/Voice
Zanshin - Acoustic and Processed Drums

Mat Ward - Arrangements/Bass Guitar/Double Bass/Field Recordings/Intonarumori/Marimba/Noise/Percussion/Piano

Dogs
Boogie
Brophy
Buddy
Hancho
Jack
Momo
Neska
Poldo
Senna
Shyamsundara
Star
Oily (cat)
And many cows from Milis, Sardinia

Cooking Hard Boiled Eggs in a Cheap Motel In Adelaide Part 1

DRUMAX  No. 68 // Galactic Journey ...
@joerxworx > Composition, Instruments, Arrangement, Tenor Saxophone, Mix
@docfritz > Rhythm Design, fabulous Drums, Percussion & Artwork
© 2025 by joerxworx and docfritz / DRUMAX PROJECT

COSMO JAZZ

Marco Lucchi : synthesizers and tanpura & tabla app

E.F.S. chautaal in C#

Cyber Dive

Quelenis is a musical journey through a moment of choice. At the heart of the piece lies a crossroads: one path is endless and mechanical, silent yet inevitable, embodying reason and structure. The other is a human, shadowed path—unpredictable, raw, and filled with emotion and desire.

True to Olttaoff’s signature exploration of duality in sound, Quelenis weaves IDM’s intricate beats along the path of the infinite, while the improvisational spirit of Jazz illuminates the dark, human side. The intertwining of these sonic worlds creates a labyrinth that challenges the listener, pulling them between logic and instinct, certainty and chaos.

In a world of diverging paths, which will you choose? Quelenis offers an immersive experience of choice and the depths of sound itself.

Quelenis

ghutous_01

Feel The Acid On Wave

Ｔ　Ｒ　Ａ　Ｍ　Ｐ　Ｅ　Ｌ　Ｆ　Â　Ｄ

is LCEEM

Laboratory for Contemporary Electronic Experimental Music [LCEEM]

rec.name: " Mixtures 2  "

credit :,innix
date : 23-08-25
Support us :
aleatoric music compositions at:
trampelfad.bandcamp.com
video :
https://youtu.be/KnGzufhe4i8

Spickcy So Funny

live recording here https://youtu.be/LW-CiUkFZ1o?si=p2CtO6DCxEJcveUC

glitchy metal jar of jam

29/8 2025
it's downloadable if anyone ...

Moog synthesizers:
model D Minimoog
Voyager XL
Sub 37

photo: Skeneby

the Ox

This track was created for the Naviar Haiku group.
222 week haiku
naviarlab.tumblr.com/
yamaha mx 49

2018-04-05

Ghostly melody (Naviarhaiku 222)

Piano
Soundscape (synths and samples)
Reverbs
Delays

April 2018, Paris France

"Ghostly melody
follows me into my day
fragment of a dream"

Poem by Jason Richardson http://highku.blogspot.co.uk

Picture by Casey Horner https://unsplash.com/@mischievous_penguins

A Ghostly Melody (Single)

A Ghostly Melody

Buy/Stream

A Ghostly Melody (naviarhaiku222)

Made for naviar Records' 222nd haiku challenge.

See http://www.naviarrecords.com/2018/04/04/naviarhaiku222-ghostly-melody/

Into my day [Naviarhaiku222]

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

UK creatives should listen to this: https://www.youtube.com/watch?v=yK4wBWiozyM

You must hear this: https://vimeo.com/52766051

*****

Ed Brunsden was kind and patient enough to interview me for  his blog Desert... Mountain... Dust...  - you can read it at https://desertmountaindust.blogspot.com.au/2017/02/tuonela-primitive-progressive.html

After silence, that which comes nearest to expressing the inexpressible is music. ~ Aldous Huxley

All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it. ~ Jean Cocteau

All music is beautiful. ~ Billy Strayhorn
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I've become addicted to drone. Again. I was the kid with his head on the piano, listening to the overtones die away, or pressing his ear to the steel hull of the ferry, enthralled by the sounds it created. I was the kid who formed wordless songs to accompany the sound of train wheels on a long journey, or hummed along with the fan on a hot day.

In the 60s I used to play my 45s on 16, or backwards, or by hand using razor blades as stylii.

I made cut-up tapes on a cheap cassette recorder in the 70s and experimented with reel-to-reel in the 80s. 

Thank you Subotnick, Lygeti, Coltrane, Jimi, Mimaroglu, Eno, Cluster, Tangerine Dream, Klaus Schulze, Frank Zappa, Pink Floyd, Kraftwerk, Throbbing Gristle...

I am not a musician. I am a scavenger of sounds. I use the most basic software to process those sounds, stretching and filtering until something emerges that makes a joyful noise. Or not...

Into my day [Naviarhaiku222]

Tuonela

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