Very fitting, a beautiful Haiku in its own...meditative, pause-inducing, reflective...

stimulating pillow ( pillhigh) , subtle atmospheres

Naviar Haiku challenge 101 - 150

Under the influence of the heavenly body, every morning, the rarefied air of the Baekdu temple silently begins to move (the sacred wind). It causes the Syrs or Tabits (the gods of song) to resonate in the vaults, gradually filling the space with strange sounds similar to drones.

On the shortest day of the year (Yule), in addition to the drones, percussive sounds (the telluric presence) can be heard distinctly in the nave, quickly culminating in a powerful rhythm.

The recording we offer, though imperfect, attempts to recreate the generative acoustics of Baekdu with terrestrial instruments.
--
Go check out Babacane, his music is great: https://soundcloud.com/babacane
FoF: original drum samples
Babacane: turning those samples into this beauty, composition, concept, mix and master

The Baekdu temple

Original song: https://stonedgypsywanderer.bandcamp.com/track/pad
Check out my boutique at https://nouchu.wordpress.com/

"Pad" (Remix)

Ottoaso Ahsove (I Can't Turn Around)

made with stylophone, pump organ, zoom h1, and NCH

just playin around with the stylophone and the pump organ

Fanailova

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

Rec.name : " Dance Music Vol 33 "
credit : ipad 9 ,digitakt 1

date : 16-10-2025
Part One :
https://trampelfad.bandcamp.com/track/whats-that-again

PLEASE VISIT OUR MAIN PAGE :

trampelfad.bandcamp.com
and
maxelzholz.bandcamp.com
Live 10/2025
https://www.youtube.com/watch?v=w3_yn4gVTek

Live 2024 :
https://www.youtube.com/watch?v=Y52VDBHP-cc
Robots 2015 :
https://www.youtube.com/watch?v=8DKtzLNZfvo

IRONBRIGDE 1779

Evening session. Sequencing two Behringer 2600 with a Korg SQ-1, lead synth is Roland Gaia. Keeping it simple.

Surkål | Sauerkraut

Video: https://www.youtube.com/watch?v=u9wmaVl5HqE

Shimmer

Anel da renúncia

A grande indiferença das estrelas

Designed for Naviar Records Haiku 141. 

See http://www.naviarrecords.com/2016/09/14/naviarhaiku141-perfect-calm/

On a grass pillow [Naviar Haiku #141]

This track was created for the Naviar Haiku group.
142 week haiku
naviarlab.tumblr.com/

2016-09-22

One note of the shakuhachi (Naviar Haiku 142)

one note of the shakuhachi / resounds endlessly / piercing the winter clouds

all tonal sounds except the background pads and drums are created from a broken shakuhachi sample-CD, sampled in real time. 

sampled, mixed and mastered by www.stachy.dj

Naviarhaiku 142

stachy.dj

hofuku sochi 報復措置 - one note of the shakuhachi (or two?) [Naviarhaiku#142]

went literal: one held shakuhachi note, resonating at C1 - C6

.............. .      .             .

The haiku of the week was written by Sôen Nakagawa, a key figure in the transmission of Zen Buddhism from Japan to the Western world.

The shakuhachi is a Japanese end-blown flute that was originally introduced from China into Japan in the 8th century. If you’re curious to hear how it sounds, check out this video: https://www.youtube.com/watch?v=f7s-wXZWT5o

Seven days to make music in response to the assigned haiku poem. To participate, visit http://www.naviarrecords.com/about/naviar-haiku

DEADLINE: 28th September

Poem by Sôen Nakagawa

Picture by Anne James

shakuhachi d  r   i    f     t (naviarhaiku142)

Written as companion to the following Haiku by Sôen Nakagawa:

One note of the Shakuhachi
resounds endlessly
piercing the winder clouds



For more information and to participate: http://www.naviarrecords.com/about/naviar-haiku/

Piercing Clouds

Piercing Clouds [NaviarHaiku142]

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

UK creatives should listen to this: https://www.youtube.com/watch?v=yK4wBWiozyM

You must hear this: https://vimeo.com/52766051

*****

Ed Brunsden was kind and patient enough to interview me for  his blog Desert... Mountain... Dust...  - you can read it at https://desertmountaindust.blogspot.com.au/2017/02/tuonela-primitive-progressive.html

After silence, that which comes nearest to expressing the inexpressible is music. ~ Aldous Huxley

All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it. ~ Jean Cocteau

All music is beautiful. ~ Billy Strayhorn
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I've become addicted to drone. Again. I was the kid with his head on the piano, listening to the overtones die away, or pressing his ear to the steel hull of the ferry, enthralled by the sounds it created. I was the kid who formed wordless songs to accompany the sound of train wheels on a long journey, or hummed along with the fan on a hot day.

In the 60s I used to play my 45s on 16, or backwards, or by hand using razor blades as stylii.

I made cut-up tapes on a cheap cassette recorder in the 70s and experimented with reel-to-reel in the 80s. 

Thank you Subotnick, Lygeti, Coltrane, Jimi, Mimaroglu, Eno, Cluster, Tangerine Dream, Klaus Schulze, Frank Zappa, Pink Floyd, Kraftwerk, Throbbing Gristle...

I am not a musician. I am a scavenger of sounds. I use the most basic software to process those sounds, stretching and filtering until something emerges that makes a joyful noise. Or not...

On a grass pillow [Naviar Haiku #141]

Tuonela

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