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is LCEEM

Laboratory for Contemporary Electronic Experimental Music [LCEEM]

rec.name: " sun fix  "

credit : plugdata, 
date:18-11-2024
https://trampelfad.bandcamp.com
https://www.youtube.com/watch?v=Qz4emDQOOWI

The powerlessness of chance 

It's strange but the search for creative freedom often comes from a false starting point  pre-printed. We think that crossing boundaries is an effective means of gaining new knowledge and every structure created in this way can be a path to new music. There are no limits of music but the boundaries in our thinking and that usually remains rigid and influences our new thinking
Just like our old one. We don't need new border crossings, we should have borders as a formative factor question element. What is a composition? What are the specifications? Why does music have to be repeatable and therefore preserveable? Is fidelity to musical works even possible over time? Where is the potential, why new?Do we even have the power to recognize something new? Is new things always visible to everyone? Are freedoms? that we don't know to even question, lose, notice?

An example from electronic music:

A musician's self-disempowerment begins when he surrenders all musical parameters to chance and only his own cutting the length represents the decisive intervention. What is produced in terms of pitch and length is in the hands of one, two or more random generators that independently modulate and produce sound events. You can now deal with the result and examine what has been created like a stone find on the beach. That's what I do in this moment with my mood of the day I bring a special perspective to the beach and something catches my eye there today.What would have been overlooked by me yesterday shows that perception is also influenced by chance. Even those Conscious search for a certain form is influenced by many parameters and is never completely in our "power".
So what do we lose if what we are essentially concerned with is not in our power to be brought about? Can we know in advance that what we do today will be treated as a “great new discovery” tomorrow?  No and that is where its potential lies. It is the distance that is really important - yesterday what I invented as new was missing I haven't yet because it wasn't there yet. Today my invention has changed my perspective and when I think about it to save time, I even change an era. But that doesn't mean that anyone else will ever notice. It is my personal biography and my private era.

How can something that is not in my control be influenced by me - only through my perspective. I simply can overlook it or hide it from my perception - and our brain does that all the time anyway.
That's what makes us capable of surviving. In the end, short and long-term memories are the big judges of our perspective anyway on the value of our experiences. But that means: Beauty is in the eye of the beholder. This old rule is complete great. I am only as innovative as my inner limitations allow. I can expand my perception potential.That's the only thing that opens access...so it's much more important than what I do or have done....

[automatically translated]

No step Nova 3 Aleatoric Structure Music

liquid flowers hum
each donning Dali’s moustache -
Narcissus shatters
 
Enjoy the accompanying visuals at https://youtu.be/CSlIkpO5Vmw

This is an audio-visual meditation on Salvador Dali's Metamorphosis of Narcissus; one of my absolute favourite paintings. Find out more about the painting at https://en.wikipedia.org/wiki/Metamorphosis_of_Narcissus ... The haiku grew out of my playful collaboration with AI art and video tools. Watch the painting spring to life in various ways!!

Haiku by Darren Bourne

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

visuals (YouTube)

halF surreaL [naviarhaiku568]

6Dec24

My naviarhaiku570 track 
https://naviarlab.tumblr.com/post/768930810231472128/naviarhaiku570-washing-up-the-mountain
:D

waters unseen [naviarhaiku570]

Vocation

By chance (always a favourite way for things to happen), I was working on just such a drone, ie developing complexity and then relinquishing it, when this dropped.

Based on a very old abandoned project using a recording of Also Sprach Zarathustra. Not sure what was done to it originally (alright, I can’t remember), this mix added some duplicated passages pitched down, stretched slightly and repositioned in order to create tonal contrasts.

----------------------------------------------
The Assignment: Record a drone that goes from simple to complex to simple.

Step 1: You may, yourself, be experienced recording drone music, or you may never have recorded any. You may not even be sure what drone music is, in which case read up a bit. Not matter your experience and familiarity, please give some thought as to what constitutes drone music.

Step 2: Now think about what makes a drone simple and what makes a drone complex.

Step 3: Now record a piece of drone music that begins simple, gets complex, and then gets simple again. And note: The simple drone at the end needn’t necessarily be the same sort of drone with which the piece opens.

More at https://disquiet.com/0675/

More on the Disquiet Junto at: https://disquiet.com/junto /

Strauss factor [disquiet0675]

Track notes are here: https://llllllll.co/t/disquiet-junto-project-0675-arc-of-the-drone/69838/23

**Disquiet Junto Project 0675: Arc of the Drone**  
The Assignment: Record a drone that goes from simple to complex to simple.

Step 1: You may, yourself, be experienced recording drone music, or you may never have recorded any. You may not even be sure what drone music is, in which case read up a bit. Not matter your experience and familiarity, please give some thought as to what constitutes drone music.

Step 2: Now think about what makes a drone simple and what makes a drone complex.

Step 3: Now record a piece of drone music that begins simple, gets complex, and then gets simple again. And note: The simple drone at the end needn’t necessarily be the same sort of drone with which the piece opens.

Disquiet_Junto_0675] Short Dazzle

Chapter 213 of 266

Enter the enigmatic world of "TAFFETA," a musical tapestry woven from the threads of dreams and tragedy. Born from a single night of profound dreaming, this ambitious project embarks on an exploration of the human psyche through the language of instrumental music.

This is a five-year project, comprising of what will eventually end at 266 chapters, each is a standalone piece of sonic artistry, "TAFFETA" unfolds like a novel, with each composition serving as a chapter in a larger narrative. Crafted with meticulous care and creative fervor, every piece is birthed within the span of a week, capturing the essence of inspiration in its purest form.

But "TAFFETA" is more than just a collection of songs; it's a journey of the soul. Set against the backdrop of loss and longing, the project follows the story of a woman who slips into a coma following the untimely death of her husband. Through the evocative power of music, listeners are transported into her world, where emotions ebb and flow like the tides of a restless sea.

Week by week, each chapter of "TAFFETA" unfolds on SoundCloud, inviting audiences to immerse themselves in its haunting beauty. From cinematic compositions to haunting electronic soundscapes, each piece adds a layer to the intricate tapestry of sound, weaving a narrative that transcends the boundaries of language.

As listeners embark on this sonic voyage, they are invited to ponder the mysteries of existence, to confront the depths of sorrow and the resilience of the human spirit. "TAFFETA" is not merely a musical project; it's an experience—a testament to the transformative power of music to touch hearts, stir souls, and awaken the imagination.

If you wish to take a dive into everything that has come before:
The TAFFETA Albums each contain 15 consecutive tracks and are available for free, exclusively on Bandcamp.

TAFFETA VOL. 13 release is out now exclusively on Bandcamp .https://belialpelegrim.bandcamp.com/album/taffeta-vol-13

TAFFETA VOLUMES 1-13 are all available on Bandcamp. 

COVER YOUR TORSO WITH TAFFETA! Check out the official TAFFETA t-shirt!
https://belialpelegrim.bandcamp.com/merch/belial-pelegrim-official-taffeta-design

The TAFFETA Playlist is always kept up to date:
soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical?si=d46fc7ad1b50446dadc7ce3ffe1a1b02&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Taffeta 213

TAFFETA | 213

the fourth—I think!—collaboration between as.dB and ANSOUND (Thomas Sander)

scrip

Muter rumbles

“The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.” - H.P. Lovecraft

Track created entirely with Behringer VS Mini synth, recorded and manipulated using AUM on iPad.

A World Not Desperate To Explain Itself

Snögubben-Tvättstormen

You must hear this: https://vimeo.com/52766051

*****

Ed Brunsden was kind and patient enough to interview me for  his blog Desert... Mountain... Dust...  - you can read it at https://desertmountaindust.blogspot.com.au/2017/02/tuonela-primitive-progressive.html

After silence, that which comes nearest to expressing the inexpressible is music. ~ Aldous Huxley

All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it. ~ Jean Cocteau

All music is beautiful. ~ Billy Strayhorn
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I've become addicted to drone. Again. I was the kid with his head on the piano, listening to the overtones die away, or pressing his ear to the steel hull of the ferry, enthralled by the sounds it created. I was the kid who formed wordless songs to accompany the sound of train wheels on a long journey, or hummed along with the fan on a hot day.

In the 60s I used to play my 45s on 16, or backwards, or by hand using razor blades as stylii.

I made cut-up tapes on a cheap cassette recorder in the 70s and experimented with reel-to-reel in the 80s. 

Thank you Subotnick, Lygeti, Coltrane, Jimi, Mimaroglu, Eno, Cluster, Tangerine Dream, Klaus Schulze, Frank Zappa, Pink Floyd, Kraftwerk, Throbbing Gristle...

I am not a musician. I am a scavenger of sounds. I use the most basic software to process those sounds, stretching and filtering until something emerges that makes a joyful noise. Or not...

Strauss factor [disquiet0675]

Tuonela

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