wow. these kids know how to make a fucking techno tune

Techno Tracks

Patrice Baumel - Roar (Original Mix)

Exploited Club warmly welcome in Pleasure Voyage who step up to the plate and do as they do best: casting out a wide musical net, gathering in influences from Breaks, House, Disco, Balearic and Funk whilst pulling in a hefty dose of fun, flair and ecstasy to boot.

'Cuánto Cuesta' is a simmering pot of pure joy. A bubbling bass line has the track on a low boil throughout while luscious, buoyant synths intimately jostle alongside bold but allaying piano chords. Classic breaks snap in the back while a gently acidic lead flexes in and out of focus and the resultant groove sends out a clear and cosy invitation to get loose.

A regular on Johannes Albert's Frank Music's label and Tensnake's True Romance, Claus Casper chips in with his 'No Tengo Dinero' remix - a fortified revision that packs an extra punch with a layered snare, cow bells and an open hat that seasons the groove with a little bite and snap.

Rolling snare fills punctuate the track as Claus creates ramps for sections that showcase his indisputable chops on the keys. The passion and heat of the orignal remains intact as progress tumbles towards a long, spine-tingling breakdown that pops wide open in a manner that will send the floor absolutely nuts.

Artist: Pleasure Voyage
Release: Cuánto Cuesta ?
Label: Exploited Club
LC: 96788
Cat: EXP164
Publishing: Exploited Ghetto Music Publishing/Sony ATV
Beatport Pre-order: 03.10.25
https://www.beatport.com/de/release/cuanto-cuesta/5149947
Release Date Streaming/Beatport: 10.10.25
Release Date Global Download: 24.10.25

Cuánto Cuesta

Buy / Stream

Cuánto Cuesta (Exploited Club)

boys be kko - Nagasawa
BUY LINK: https://blisspoint.ffm.to/nagasawa
Label : Bliss Point (https://soundcloud.com/bliss-point-sound)
https://www.instagram.com/blisspointnyc/
> boys be kko (https://soundcloud.com/boys-be-kko)
https://www.instagram.com/boysbekko/

Having established himself as one of the most exciting contemporary dance producers with a string of stellar EPs and LP HENSA, Japanese producer boys be kko returns triumphantly with the Nagasawa EP, four floor cuts bursting with emotion, shimmering in Tokyo technicolor, and perfectly at home on Bliss Point.

Nagasawa kicks off with a bang. “ChuKii” is a peak time heater: breaks, chopped vocals and punchy toms sear over a low end groove that proves body music can funk. Melodic acid explodes like a firework mid-track, taking the dance floor to psychedelic new heights.

The club psychedelia continues with “Mold Mold”, a minimal, subterranean system roller adorned with swells, bells, and deep, guttural growls dubbed to the vanishing point.

“Sant Esteve (kko Edit)” is melancholic and contemplative jazz house, eschewing cliché and twinging with nostalgia for that moment you felt most free.

“Humor is an important part of my music”, boys be kko reflected over lunch as Izakaya smoke billowed past his face. “Oignon”, the fourth and final track on Nagasawa, is an airy and joyful cut of sampledelia that makes good on this promise. An enormous smile of a track sending listeners off with a slice of sonic sunshine and, dare we say, hope.

Bliss Point is proud to welcome boys be kko to the label, and to share with you this incredibly special music.

Nagasawa will be available digitally and on limited edition 12” vinyl Friday, September 5.

Artwork & layout by Chris Harnan
Mastering by Ruy Mariné at Dubplates & Mastering, Berlin
Distributed by Bordello A Parigi, NL


BUY LINK

PREMIERE : boys be kko - Oignon

Right On, Right On

Right On, Right On (Darren Emerson's Detone Dub)

More music: https://wearesoundspace.com/premiere-pbr-streetgang-chasin-perry
Submit your repost: https://wearesoundspace.com/submit-your-repost

Instagram: bit.ly/soundspaceinsta
YouTube: bit.ly/soundspaceyoutube
Facebook: bit.ly/soundspacefb
Spotify: spoti.fi/3QKRWCl

Buy this track: https://sprechen.bandcamp.com/album/ein-null-10-years-of-sprechen

PBR Streetgang
https://soundcloud.com/pbrstreetgang

Sprechen
https://soundcloud.com/sprechenmusic

MORE MUSIC

Premiere: PBR Streetgang - Chasin Perry [Sprechen]

All tracks produced by DJ Tennis & Ashee. All tracks written by Manfredi Romano & Joseph Ashworth, with additional writing by Gaia Weiss (Tell Me Something), Campbell King (Blink To Check Its Real), Caitlin Stubbs (I Can See Now & Blindside), Mona Yim (Memories). Digital Mixing and Mastering by Matt Karmil. Vinyl Mastering by Matt Tilston at Abbey Road. Digital Distributed by Above Board, Physical Distributed by Running Back ℗+© 2025 Street Cinema
Music written & recorded between Paris, London, Saint Martin, Ibiza, between 2020 and 2025

Tell Me Something (feat Gaia Weiss)

Mermelada EP
Label - Fortunea Records
Released - 10th October 2025
BUY FROM - https://fortunea.bandcamp.com/album/mermelada-fortunea038-preorder

Recognized worldwide for his delicate musical selection in dance floors from around the world, Manuel Sahagun’s productions found a place in the bags of the best recognized DJs in the house music scene.

Support ➟➟
https://www.instagram.com/djmanuelsahagun
https://www.facebook.com/djmanuelsahagun
https://soundcloud.com/djmanuelsahagun
------------------------------------------------------------------------------------------------------------
Gazzz696 on Facebook ➟ https://www.facebook.com/Gazzz696
Support Gazzz696 ➟ https://www.paypal.com/paypalme/Gazzz696
Buy Me A Coffee ➟ https://ko-fi.com/gazzz696
Gazzz696 on Soundcloud ➟ https://soundcloud.com/gary-j

Bandcamp

PREMIERE: Manuel Sahagun - I'm In Love

GHEIST, 8Kays - Flowers & Guns
BUY LINK: https://gheist.join.fans/flowersandgunsft8kays
Label: Embassy One (https://soundcloud.com/embassy-one)
https://www.instagram.com/embassyonerecords
> GHEIST (https://soundcloud.com/gheistmusic)
https://www.instagram.com/gheistmusic/
> 8Kays (https://soundcloud.com/8kays)
https://www.instagram.com/ira8kays

Berlin’s live-electronic visionaries GHEIST join forces with Ukraine’s melodic house prodigy 8Kays for Flowers & Guns, a collaboration that blurs the lines between indie dance and progressive house. Following GHEIST’s Searching Places EP, which drew acclaim for its original tracks and remixes from Mark Hoffen, Oliver Koletzki, and Unfazed, this partnership marks a new chapter of artistic synergy.

"This track is the most special one for me so far," shares 8Kays. "It was born from hearing a spectacular and profound idea from GHEIST, which immediately inspired me to start working on it, incorporating a live piano performance and the arrangement I wanted to embrace with the sound I produced. Later, GHEIST shaped the project into the final version we hear today: a tender and emotionally deep piece of music that I am truly grateful to be part of."

Flowers & Guns merges GHEIST’s textured, dramaturgically rich electronic approach with 8Kays’ signature melodic depth and eloborate arrangements, weaving shimmering synths, rounded basslines, and live piano into a soundscape both expansive and intimate. Each artist’s hallmark - GHEIST’s cinematic layering and tension-driven structures, and 8Kays’ emotive, harmonically adventurous touch, interlocks seamlessly, creating a track where every rhythm, chord, and crescendo feels deliberate and deeply expressive.

Lyrically, the song is both bold and poetic, with lines like “Hand me a bullet / I bring you flowers and the sun” blending raw intensity with vivid imagery. The result is a track that captivates both the dancefloor and reflective listening sessions, equally at home in euphoric club moments, late-summer farewells, or personal playlists that demand emotional depth.

With Flowers & Guns, GHEIST and 8Kays demonstrate how collaboration can transform individual vision into something greater: an electronic anthem that is as heartfelt as it is electrifying.


PREMIERE : GHEIST, 8Kays - Flowers & Guns (Club Mix)

exclusive | Phil Evans - Eazin' | Freizeit Records

There’s a certain grace in consistency - and few embody it quite like Phil Evans. As the founder of Pager Records, he’s quietly shaped the sound of contemporary House with a signature blend of warmth, precision, and forward-thinking groove. Over the years, Evans has turned Pager into a breeding ground for refined producers such as Vitess, Christian Sarde, and Tiago Walter, but "E-Motions" feels like his defining statement: a double LP that doesn’t just compile tracks, but unfolds as a full-scale listening experience - equal parts club weaponry and emotional introspection.

The A-side closes with “Eazin”, a tribal-tinged Deep House cut that merges shimmering synths with hypnotic percussion. There’s a loose, organic flow reminiscent of Pacific State’s Balearic mystique, yet the production feels wholly contemporary - crisp, detailed, and alive. It’s a reminder that Evans doesn’t copy moods; he modernizes them. “Eazin'” captures that late-morning dancefloor serenity - all motion, no tension.

Buy the LP: https://www.yoyaku.io/release/phil-evans-phil-evans-e-motions-freizeit01lp 

Artist & label information
Phil Evans: @philevans_sc // https://www.instagram.com/philevans_ig
Freizeit Records: @freizeitrecords // https://www.instagram.com/freizeitrecord

Visit & follow Torture the Artist at:
https://torturetheartist.net​
https://facebook.com/torturetheartist​ 
https://soundcloud.com/torture-the-artist
https://instagram.com/torture_the_artist​ 
https://linktr.ee/torture_the_artist
https://youtube.com/torturetheartist​
https://tiktok.com/@torturetheartist

Buy the LP

exclusive | Phil Evans - Eazin' | Freizeit Records

"You Make Me Feel" was the first outtake from Steve Bug's second Poker Flat album "Sensual". Slowly but unmistakebly building up a hypnotic groove with a rolling percussion loop, ice-cold snare and hollering vocal (reminiscent of Gainsbourg's "Bonny and Clyde"), Bug forces you flashing your sharpest dancing routines even before he throws in that distorted, take-no-prisoners, Saunderson-style organ-bassline. Flip over for another version that's served up straightened-out and stripped down yet still manages to come up with a higher percentage of FUNK. Another totally satisfying five star menu for the Poker Flat gourmet.

more

You Make Me Feel (Version 1)

You Make Me Feel (Version 2)

Here's a clip from Dial on TRUNCATE5 - more of a broken beat DJ tool

Buy at Beatport

Truncate - Dial

AnD white label techno series - Limited hand stamped run of 500 vinyl - coming very soon 

AnD - 001 / 0101 - AnD001

Every wondered what the breaking system of a Leyland Daf truck would sound like turned into a drum kit....... yea me neither.

Chris Jarman, previously known as Raiden, now known as Kamikaze Space Programme. Get used to it. WNCL Recordings is proud to present KSP’s debut vinyl offering where we see the producer bringing his found-sound recordings (bits of old truck and a pocket full of coins amongst other things) from the field to the warehouse…

Kamikaze Space Programme - Leyland Daf 45 (WNCL15) Out July 1st

Crookers VIP version of @pushat's Number On The Board. 


Follow Crookers
► www.crookers.net
► www.facebook.com/crookers
► www.twitter.com/crookersdotnet

Follow @ciaorecs
► www.ciaorecs.com
► www.facebook.com/CiaoRecs
► www.twitter.com/ciaorecs

Pusha T - Numbers On The Board (Crookers VIP version)

"One of the best techno full-lengths of the year"
- Resident Advisor
"9/10 Album of the month"
- Mixmag

Just a few years into their career, CLOUDS have already been playlisted and supported by some of the most respected heavyweights in electronic music. At 21 and 22, these Scottish prodigies have already developed a sound that has made fans out of Richie Hawtin, The Chemical Brothers, Marcel Dettmann, Michael Mayer, Sven Vath, Chris Liebing, Boys Noize and Martin Gore - a cross-section that reflects the range, quality and inventiveness of their music. All this attention through a rapid-fire succession of four singles on Tiga's Turbo Recordings. But these were mere club bombs: now the kids have grown up.
TURBO presents their debut album – GHOST SYSTEMS RAVE – an immersive 14-track journey into the heart of Techno's Future. This record should put CLOUDS in the ranks of the elite UK techno vanguard. Comparisons to the work of Blawan, Zomby, Actress are justifiable and inevitable. What is critical - and hopefully obvious to the careful listener - is that none of this is derivative. That these connections will be made simply speaks to the level of artistry on display, as opposed to any specific tricks, sounds or motifs. Wherever they try their hand, they find an original way forward. For instance, when they take on HARDCORE on the awesome FUTURE 1 and FUTURE 2, it is their own private resurrection of the spirit nexus heyday of early 90s UK jungle and techno, a historic time that also literally birthed both Liam and Calum. This is the sound of rave's undertow, dredging up toxic grit and grime, as well as beautiful shards and glimmers.
Almost nothing on this record is obvious. The melodies never resolve. The vocals are consistently unintelligible. The drums are at once dirty, punchy, and repetitive, but never too abrasive to put you off. The bass growls. Textures breathe, brush, grate and glisten. Everything sounds as though it exists in an alien world of impossible dimensions, complete with its own physics, logic and secrets. 
This record is more than fully formed. It's perfect. Made in a few weeks of total isolation in a barn in Scotland by two kids with a laptop and total conviction. Welcome to the FUTURE. It's theirs.

Ghost Systems Rave

Clouds - Future 1

                 ☟☟☟LIKE MUSIC☟☟☟

Drum&Bass / Jungle / Breakcore / Dubstep / Grime / Juke〜Footwork / Moombahton / Zouk / Gorge / Trap etc ... ghetto bass and all heavy bass lines

House

Techno

Psychedelic Trance

Abstract Hip Hop〜Trip Hop

Alternative R&B

Dub / Reggae
etc ... all roots rasta musics

Electronica / IDM

Chillwave〜Glo-fi / Hypnagogic R&B



                      ☟☟☟Twitter☟☟☟
            http://twitter.com/tochanmanFJTR
                    ☟☟☟YouTube☟☟☟
http://www.youtube.com/user/tochanmanFJTR?feature=mhee
                    ☟☟☟Instagram☟☟☟
             http://instagram.com/tochanman
                      ☟☟☟e-mail☟☟☟
               tochanman-fjtr@hotmail.co.jp



Turbo Recordings was founded by Tiga in Montreal back in 1998. In addition to launching his own career, the label has been integral in the success of acts like Chromeo, Gesaffelstein, Duke Dumont and most recently, ANNA & Charlotte de Witte. Core talent includes ZZT (Tiga's collaboration with Zombie Nation), Jori Hulkkonen, BETON, Clouds, Harvard Bass, Pilo, Shaded, Dimitri Veimar and a host of new young producers in genres ranging from pure techno, electro, and house to pop. The list of artists who have released music on the label is a veritable 'who's who' of top-level talent spanning a broad musical range, and this, along with a commitment to beautiful design, has earned the label respect in the industry and a cult following among fans. 

“We started out singing into plastic bags and shipping them to stores as quickly as possible. Later, we discovered that vinyl sounds way better when delivered by kayak. I learned so much the first few years…Now, as I look towards the future, I can envision music for poor people, sonic odors for the hearing impaired, even MP3s for women....Vroom, sucka!” says Tiga, the lyrical lampsman lighting the way down Dance Avenue.

For licensing inquiries: licensing@turborecordings.com

Clouds - Future 1

Turbo Recordings

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