"One of the best techno full-lengths of the year"
- Resident Advisor
"9/10 Album of the month"
- Mixmag

Just a few years into their career, CLOUDS have already been playlisted and supported by some of the most respected heavyweights in electronic music. At 21 and 22, these Scottish prodigies have already developed a sound that has made fans out of Richie Hawtin, The Chemical Brothers, Marcel Dettmann, Michael Mayer, Sven Vath, Chris Liebing, Boys Noize and Martin Gore - a cross-section that reflects the range, quality and inventiveness of their music. All this attention through a rapid-fire succession of four singles on Tiga's Turbo Recordings. But these were mere club bombs: now the kids have grown up.
TURBO presents their debut album – GHOST SYSTEMS RAVE – an immersive 14-track journey into the heart of Techno's Future. This record should put CLOUDS in the ranks of the elite UK techno vanguard. Comparisons to the work of Blawan, Zomby, Actress are justifiable and inevitable. What is critical - and hopefully obvious to the careful listener - is that none of this is derivative. That these connections will be made simply speaks to the level of artistry on display, as opposed to any specific tricks, sounds or motifs. Wherever they try their hand, they find an original way forward. For instance, when they take on HARDCORE on the awesome FUTURE 1 and FUTURE 2, it is their own private resurrection of the spirit nexus heyday of early 90s UK jungle and techno, a historic time that also literally birthed both Liam and Calum. This is the sound of rave's undertow, dredging up toxic grit and grime, as well as beautiful shards and glimmers.
Almost nothing on this record is obvious. The melodies never resolve. The vocals are consistently unintelligible. The drums are at once dirty, punchy, and repetitive, but never too abrasive to put you off. The bass growls. Textures breathe, brush, grate and glisten. Everything sounds as though it exists in an alien world of impossible dimensions, complete with its own physics, logic and secrets. 
This record is more than fully formed. It's perfect. Made in a few weeks of total isolation in a barn in Scotland by two kids with a laptop and total conviction. Welcome to the FUTURE. It's theirs.

Turbo LP037 | Clouds - Ghost Systems Rave

A quarter into the century, Swedish producer-DJ-song writer Johan Blende has found his passion for making music again. With a record out last year on Sweden label Studio Barnhus, forthcoming releases on some of Europe’s leading electronic music record labels and more material in the bag than ever before, 2025 is oﬀ to a bright start. During the 2010s he was enjoying success releasing records mainly on Belgian disco label Eskimo Recordings collaborating with singers Mattie Safer, Gustaph, Kelli-Leigh,

Mickael Karkousse & Rebecca Scheja, along with remixing a variety of acts such as Lana Del Rey, Ms Dynamite & DJ Fresh, Korn, Skrillex, Goose and Klaxons, producing for bands like Fenech Soler & Le Galaxie and playing records in nightclubs across Europe, the US and Asia. To follow, a long overdue break was needed in order to explore things

outside music further and to try and get his inspiration back, a break which is now coming to an end.

Born in Stockholm he currently resides in warmer climates down south in Athens, Greece. The long love for all things disco is still there to be heard but the new material is also expanding on his more eclectic & electronic music roots whilst also slowly getting back into his first love in music craftsmanship that dates back all the way to the mid ‘90s

- DJ-ing.

Written & Produced by Johan Blende
Published by Copyright Control.
Mastered by Lopazz.
Distributed by Kompakt.
Artwork by studio mizuiro.

Also available on Bandcamp and all the other digital platforms.

Label: Live At Robert Johnson, 2025
Catalog No: Playrjc 125

Buy/Stream

Oliver Dollar & Seven Davis Jr. - Speakers Bleed

Easy Lee

Easy Lee (Random Factor Remix)

Deep house legend Franck Roger returns to Vibe Me To The Moon for a second sophisticated EP. The accomplished Frenchman serves up a trio of timeless tracks for Nightsteppaz's cultured NYC imprint.
   
Franck Roger has long been integral to deep house. A dedicated crate digger and master beat maker, he's been defining the genre for more than 20 years with timeless tracks on his own Home Invasion as well as cult outlets like Nu Groove Records and more. He has made an art of deepness with supple grooves and tactile synths that are meticulously crafted and perfectly reduced. He has already served up his ‘Can U Believe EP’ and a remix of Nightsteppaz on this label this year and now backs it up with another standout offering. 
 
Opener ‘The Truth’ distils everything that makes Roger’s sound so compelling — sultry spoken word, warm, late-night pads, and elegantly slinky drums that ease their way into both body and mind. It’s a masterclass in mid-tempo house, elevated by rich, immersive sound design and an emotional undercurrent that lingers long after the dancing stops. ‘The Calling’ follows with elastic rhythms and a celestial blend of painterly pads and twinkling melodies. There’s a spaciousness to the mix that invites you in deeper, while the rolling kicks keep hips engaged and hearts lifted. Closing cut ‘The Passage’ shifts into a denser, more grounded groove. Its weighty kicks and textured toms build a persuasive rhythm while dreamy pads and drifting synth motifs swirl above. It’s effortlessly danceable and a fitting final note for an EP that’s equal parts soul and sound system.
 


PREMIERE : Franck Roger - The Passage [Vibe Me To The Moon]

Novaj 新し Sensations & feelings


Listen on Youtube
https://youtu.be/lff7BedD5ic

Get it
https://deejay.de/__1166314

"MCRV017 – Transient States. Feedback is an evocative four-track compilation that captures the deep essence of dub techno—equally suited for the dancefloor and for immersive, focused listening. Label veterans Eric Louis, Genning, Osman Oz, SUBMINIMAL (with a Tvardovsky remix), and Etzu Mahkayah all contribute. From the very first listen, the EP draws in discerning ears with its richness and detail.

Each track unfolds smoothly, evoking deep emotional textures and building a sensuous, introspective atmosphere. The release moves from subtle cues to vast sonic terrains, weaving through warm harmonics and resonant low-end thumps that captivate the body as much as the mind.

These tracks are ideal for transitional moments in a DJ set, yet stand strong on their own. Whether elevating the narrative arc, introducing mid-set tension, or closing a journey with emotional depth, each piece functions as a zealous tool for navigating sensation—crafted not just for movement, but for lasting memory.

Transient States exudes quiet power beneath a deliberate veil of restraint. Emotionally charged, sonically rich, and full of nuance, this release is a standout addition to any selector’s arsenal."

Genning
https://soundcloud.com/maxim-genning

Mixcult Records
https://mixcult.bandcamp.com/
https://soundcloud.com/mixcult
https://www.youtube.com/MixCultPodcast
https://www.instagram.com/mixcult_radio/
https://www.facebook.com/MixCultPodcast

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Listen on Youtube

PREMIERE: Genning - Mysterious Fields

Let's Get Down

V/A - Edition Four
BUY LINK: https://machinecult-amsterdam.bandcamp.com/album/edition-four
label: Machine Cult (https://soundcloud.com/machinecult_amsterdam)
https://www.instagram.com/machinecult_amsterdam/
> 2:29 (https://soundcloud.com/2_29)
https://www.instagram.com/_two_twentynine_/

Machine Cult — the Amsterdam-based electronic platform run by Déandrah and Garçon Taupe — returns with the Edition Four release party at OT301 on 7 November.

The new V.A. compilation features tracks from Garçon Taupe, Bertram, 2:29, Beau Wanzer, Déandrah, and Masha Wordpress. At the launch, all contributing artists will play DJ sets, with Déandrah providing live visuals throughout the night.

Expect an evening of potent electronics and immersive visuals, celebrating the forefront of the underground.

Every motion leaves an echo.
A delay so small it feels like memory,
folding back into what made it.

Some parts of us cancel out — out of phase, out of step —
while others ring louder,
resonant at their point of friction.

The closer we listen,
the more we hear the shape of time itself:
not in repetition, but in resistance.

Turn the gain high enough,
and every system...  afficher plus
crédits
paraît le 7 novembre 2025

Artwork by Déandrah and graphics by Garçon Taupe.
Mastered by Déandrah.


BUY LINK

PREMIERE : 2:29 - Dirt Is Chasing You

Duro Label prepares to ignite the late-year circuit with a high-voltage collaboration between two Madrid-based masters: Chilean DJ and producer Fernanda Arrau and Polish house veteran Ketiov. Their "Mexico Tour" EP, landing December 5, 2025, is a masterful exchange of global house rhythms, completed by a powerful remix from Duro co-head, Theus Mago. 

Fernanda Arrau, a driving force in the South American electronic scene, anchors her sound in the infectious energy of 80s and 90s synthesizers and dynamic Latin rhythms. Ketiov, the deeply personal project of Voitek Taranczuk (half of Catz ’n Dogz), indulges his boundary-breaking instincts, crossing genres with innovative rhythmic play and a deep history in house, disco, and techno. Their combined vision results in an EP that is both a nostalgic nod and a decisive step forward. 

The journey begins with the "México Tour (Original Mix)", a cut purpose-built to scorch the dancefloor. It’s an energizing track powered by an electrifying bassline, distorted vocals, and a solid drum foundation accompanied by relentless, frenzied cowbells.  

The EP then takes a twisted detour via a remix from Duro’s co-head, Theus Mago. Known for his acid-laced house bombs and ability to "weird out" the dancefloor, the "México Tour (Theus Mago Remix)" features a playful bassline and percussions, complemented by melted melodies and a characteristic acid touch. It’s a signature Theus Mago transformation: subtly glitched beats blending into rave-damaged heart. 

Finally, Ketiov offers his own interpretation with the "Mexico Tour (Ketiov Remix)", steering the energy toward classic house sensibilities. This is a secret bomb for the after-hours, built on a solid drum framework, seductive pianos, driving percussions, and a resonant, pushy bassline that propels the groove relentlessly forward. 

Mexico Tour

Fernanda Arrau & Ketiov - Mexico Tour (Theus Mago Remix)

DOWNLOAD

Alvaro Cabana & Human Halo - Your Laughs (Original Mix)

@hey_cabrera - Dont Stop
Label - @loveattackrecords

All Sinchi premieres available on 
Youtube: https://www.youtube.com/@SinchiMusic
Spotify: https://open.spotify.com/playlist/7sd3nFrzl9itGooHqItGFG
Instagram: https://www.instagram.com/sinchicollective
Soundcloud: https://soundcloud.com/sinchicollective/sets/sinchi-exclusives

♫ Info + Buy ♫

PREMIERE - Hey Cabrera! - Don't Stop (Love Attack)

"One of the best techno full-lengths of the year"
- Resident Advisor
"9/10 Album of the month"
- Mixmag

Just a few years into their career, CLOUDS have already been playlisted and supported by some of the most respected heavyweights in electronic music. At 21 and 22, these Scottish prodigies have already developed a sound that has made fans out of Richie Hawtin, The Chemical Brothers, Marcel Dettmann, Michael Mayer, Sven Vath, Chris Liebing, Boys Noize and Martin Gore - a cross-section that reflects the range, quality and inventiveness of their music. All this attention through a rapid-fire succession of four singles on Tiga's Turbo Recordings. But these were mere club bombs: now the kids have grown up.
TURBO presents their debut album – GHOST SYSTEMS RAVE – an immersive 14-track journey into the heart of Techno's Future. This record should put CLOUDS in the ranks of the elite UK techno vanguard. Comparisons to the work of Blawan, Zomby, Actress are justifiable and inevitable. What is critical - and hopefully obvious to the careful listener - is that none of this is derivative. That these connections will be made simply speaks to the level of artistry on display, as opposed to any specific tricks, sounds or motifs. Wherever they try their hand, they find an original way forward. For instance, when they take on HARDCORE on the awesome FUTURE 1 and FUTURE 2, it is their own private resurrection of the spirit nexus heyday of early 90s UK jungle and techno, a historic time that also literally birthed both Liam and Calum. This is the sound of rave's undertow, dredging up toxic grit and grime, as well as beautiful shards and glimmers.
Almost nothing on this record is obvious. The melodies never resolve. The vocals are consistently unintelligible. The drums are at once dirty, punchy, and repetitive, but never too abrasive to put you off. The bass growls. Textures breathe, brush, grate and glisten. Everything sounds as though it exists in an alien world of impossible dimensions, complete with its own physics, logic and secrets. 
This record is more than fully formed. It's perfect. Made in a few weeks of total isolation in a barn in Scotland by two kids with a laptop and total conviction. Welcome to the FUTURE. It's theirs.

Ghost Systems Rave

Clouds - The Rights Of Artificial Life Form

Clouds - Roche Lobe (System)

Clouds - Gothic

Clouds - (9600) 1991 UB

Clouds - Future 1

Clouds - Uondapaturu

Turbo Recordings was founded by Tiga in Montreal back in 1998. In addition to launching his own career, the label has been integral in the success of acts like Chromeo, Gesaffelstein, Duke Dumont and most recently, ANNA & Charlotte de Witte. Core talent includes ZZT (Tiga's collaboration with Zombie Nation), Jori Hulkkonen, BETON, Clouds, Harvard Bass, Pilo, Shaded, Dimitri Veimar and a host of new young producers in genres ranging from pure techno, electro, and house to pop. The list of artists who have released music on the label is a veritable 'who's who' of top-level talent spanning a broad musical range, and this, along with a commitment to beautiful design, has earned the label respect in the industry and a cult following among fans. 

“We started out singing into plastic bags and shipping them to stores as quickly as possible. Later, we discovered that vinyl sounds way better when delivered by kayak. I learned so much the first few years…Now, as I look towards the future, I can envision music for poor people, sonic odors for the hearing impaired, even MP3s for women....Vroom, sucka!” says Tiga, the lyrical lampsman lighting the way down Dance Avenue.

For licensing inquiries: licensing@turborecordings.com

Clouds - The Rights Of Artificial Life Form

Turbo Recordings

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