Best RAVE Track (tech,drumcode, ecc..)

Shed - Boom Room (Fünf)

Carlos Sanchez  -  At Somewhere

Mathias Kaden's 'Freedom' on Rekids receives the remix treatment with a new version from Kaden, as well as a dub mix from Radio Slave. 

Featured: https://klubikon.com/2025/07/31/premiere-mathias-kaden-freedom-radio-slave-dub-mix 

'Freedom (Remixes)' EP will be available after August 1st https://orcd.co/rekids250x 

KLUBIKON 
https://klubikon.com 
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https://www.instagram.com/klubikon 
https://www.tiktok.com/@klubikon 
https://www.youtube.com/klubikon 
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PREMIERE: Mathias Kaden - Freedom (Radio Slave Dub Mix)

Part Of: Nagasawa
Catalog: BP011
Release Date: 05.09.25
Buy Link: https://blisspoint.ffm.to/nagasawa

Bliss Point
SoundCloud | https://soundcloud.com/bliss-point-sound
Bandcamp |https://blisspointsound.bandcamp.com

Release Text: 
boys be kko is back!

Having established himself as one of the most exciting contemporary dance producers with a string of stellar EPs and LP HENSA, Japanese producer boys be kko returns triumphantly with Nagasawa, four floor cuts bursting with emotion, shimmering in Tokyo technicolor, and perfectly at home on Bliss Point.

Nagasawa kicks off with a bang. “ChuKii” is a peak time heater: breaks, chopped vocals and punchy toms sear over a low end groove that proves body music can funk. Melodic acid explodes like a firework mid-track, taking the dance floor to psychedelic new heights.

The club psychedelia continues with “Mold Mold”, a minimal, subterranean system roller adorned with swells, bells, and deep, guttural growls dubbed to the vanishing point.

“Sant Esteve (kko Edit)” is melancholic and contemplative jazz house, eschewing cliché and twinging with nostalgia for that moment you felt most free.

“Humor is an important part of my music”, boys be kko reflected over lunch as Izakaya smoke billowed past his face. “Oignon”, the fourth and final track on Nagasawa, is an airy and joyful slice of sampledelia that makes good on this promise. An enormous smile of a track, it sends listeners off with a ray of sonic sunshine and, dare we say, hope.

Bliss Point is proud to welcome boys be kko to the label, and to share with you this incredibly special release. 

-------------------------------------------------------------------------------------------------------------------------------------

Berlin House Music
Instagram | https://www.instagram.com/berlinhousemusic
YouTube | https://www.youtube.com/c/berlinhousemusic 
SoundCloud | https://soundcloud.com/berlinhousemusic

PREMIERE: boys be kko - ChuKii [Bliss Point]

Out now: https://orcd.co/REKIDS270

London-based artist Hilit Kolet returns to Rekids, collaborating with New York’s The Illustrous Blacks, the project formed by Manchildblack and Monstah Black, for the ‘Transatlantic Kiki’ EP, landing 29th August 2025 via Radio Slave’s Rekids. Legendary father-daughter duo Floorplan remix the single, with the release following up Kolet’s 2024 ‘Snap Talk’ EP, which won support from artists like Dam Swindle, Chloé Caillet, Bradley Zero, and more.

“This record is pure, bottled fun - a sassy shout-out to the twin cities that define club culture. The Illustrious Blacks' vocals were a producer's dream, so the edgier 'First Class Mix' just had to happen. To then receive a remix from Floorplan is a massive honour; their interpretation is a masterclass, and I'm thrilled to share it.”
– Hilit Kolet

“ 'Transatlantic Kiki' was written in celebration of the iconic nightlife of two of our favorite cities in the world, NYC and London. It also serves as a tribute to our instant musical connection to Hilit.”
– The Illustrious Blacks

With lyrics that connect London and New York, ‘Transatlantic Kiki’ is a tough, funk-fueled roller true to Hilit Kolet’s signature production style, infused with an unmatchable personality via The Illustrous Blacks’ playful, vogue-like vocals. It’s hypnotic, bold, and irresistible, with the pair supplying a loopy ‘First Class’ mix that introduces vocal elements not featured in the original, amplifying the track’s qualities to hit even harder, and works the dancefloor into a sweat.

Robert and Lyric Hood, known together as Floorplan, remix Hilit Kolet & The Illustrous Blacks’ ‘Transatlantic Kiki’. Equally infectious as the original, they transform its rhythm into a drummy late-night cut. Stabs and vocal chops ride the groove, culminating in a proper lose-yourself-in-the-dance House cut that also comes with an instrumental version.

London’s Hilit Kolet came up through the former Soho Black Market Records shop, and has since become synonymous with the city’s House scene via releases on Defected, Snatch!, Domino, and Rekids, with a #1 debut on Music Week’s Upfront Club Chart and support from BBC Radio 1, Jamie Jones, HAAi, Skream, and more. NYC duo The Illustrious Blacks, comprising Manchildblack and Monstah Black, blend Afro-Electro, Funk, Disco, and House across releases on Soul Clap, Classic Music Company, and Defected, as well as collaborations with artists such as Osunlade, DJ Minx, Seven Davis Jr., and David Morales.

Hilit Kolet x The Illustrious Blacks - Transatlantic Kiki (Floorplan Remix)

Vocal Tune

Artist: David Böning
Title: Next Stop
Track Title: Snapping Hands (Tilman Remix)
Label: Pleasant Systems
Cat #: PS012
Release date: 29.08.2025
Format: vinyl, digital

@avidoening
@pleasant_systems
@tilman

Frankfurt-based producer David Böning delivers his debut EP on Pleasant Systems with Next Stop - a four-tracker rooted in warm, groovy and stripped-back 90s-style Deep House.

The originals Pearl Street and Snapping Hands reflect Böning's taste for timeless rhythms and understated charm, while remixes by Manuel Darquart and Tilman round out the release with equally soulful and floor-friendly interpretations.

Timeless house music - deep, distinctive, and made for discerning selectors.


grab your 12"

Premiere | David Böning - Snapping Hands (Tilman Remix) [PS012]

ÈBONY - Shades of Meridian [Turbo 251]
Stream & Buy - https://turborec.lnk.to/ShadesofMeridian

In the wake of their widely-acclaimed album Union, JUNO-nominated duo Èbony rematerialize on the dancefloor with the otherworldly Shades of Meridian EP, projecting a waking futurist dream haunted by echoes of Detroit techno, Chicago house, South African melodies, and the rich mythology of Ancient Toronto. 

Opener “Break My Skin explores a hidden pocket of after-hours techno space-time with an ethereal vocal by James Baley, leading into the tense, disembodied jack of “Forever.” Next, “Dull Side First” rides a spectral break through a sepulchral warehouse trip, “RIFT” invokes peak-time witchcraft, and closer “My Daylight” entrances even the most self-possessed sound-and-lighting guys to spam the smoke machine until reality itself is occluded. 

And to those who say that working with JUNO-nominated artists proves that Turbo is just a cog in the CanCon cabal, we would like to familiarize you with the facts: Canadian Tire refused to carry our 2023 Bryan Adams remix LP and we have rejected five separate demos from Justin Trudeau’s tech-house alias “Arabian Nights.” It’s called integrity — try looking it up sometime.

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Stream & Buy

Dull Side First

Robotland

BUY : https://formsandfigures.bandcamp.com/album/back-in-the-days

Originally "Back in the Days" released in 2004 on Resopal Schallware marked Tigerskin as a torchbearer for pop-oriented groovy House, reviving the raw energy of early 90s bleeps, swung beats, and untamed dance floor spirit but transforming it with the technical possibilities of the early 00s into his trademark romantic vision.

From the pulse of “Dance Now” to the cringey charm of “Party in My Car,” Tigerskin proved that Back in the Days was more than a look backward - it was a bridge between era's: a reminder that the roots of club culture still grow, still breathe, still move people.

Two decades on, this re‑release doesn’t just bring back nostalgia - it reminds us that reminiscing every once in a while can push creativity. The album and a few EPs around it were the start of a pretty different approaches to club music for Tigerskin, that led to several big tracks and remixes, some now considered to be classics by many. 

The three formerly unreleased and slightly more club-oriented bonus tracks had been recorded the same year but were amongst many that didn’t make it to the album.

Prod. Alex Krüger.

Back in the Days

Tigerskin | Give Me More Music | Forms & Figures

Out now: https://orcd.co/REKIDS275

Berlin’s Tal Fussman returns to Rekids with the ‘Walking on Mars’ EP, releasing 7th November 2025. It follows the Survival Tactics boss’ recent album on Binh’s Time Passages, as well as his ‘Definition’ (2024) and ‘I Feel’ (2025) EPs on Rekids, with Fussman’s fresh spin on classic House and Techno winning support from the likes of Raresh, Cromby, DVS1, Saoirse, Carista, Honey Dijon, and many more.

The ‘Walking on Mars’ EP opens with ‘Crystallized’, a cavernous cut exclusive to 12”, where Tal Fussman pares back his signature percussive style in favor of a rolling groove set against a deep, atmospheric backdrop. ‘Who’s Who?’ follows, its wild sequences and skewed drumlines colliding in restless motion, before giving way to ‘Sea of Blue’, a pure rhythmic trip infused with dub textures and a hypnotic, evocative vocal sample.

The title track, ‘Walking on Mars’, drives forward on hard-hitting drums that gradually unfold into a soulful house melody, setting the stage for ‘Knowledge_Machine’, a razor-sharp electro finale of snaking synths and an apt robotic vocal. Fussman’s versatility shines throughout, with the EP already winning support from Antal, Rene Wise, Marcel Dettmann, and Fred P.

Founded in 2006, Radio Slave’s Rekids has since launched the Techno-focused Rekids Special Projects in 2017 and its latest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been instrumental in developing emerging artists and remains a trusted home for House and adjacent sounds, recently featuring names such as Hilit Kolet, Frankey & Sandrino, Mathias Kaden, Huxley, and many more.

Buy/Stream

Tal Fussman - Walking on Mars - Rekids

Out now: https://orcd.co/rkd014

House lynchpin Rocco Rodamaal debuts on REK’D with ‘The NYC Chronicle’ EP, a two-tracker paying homage to two of New York’s most iconic clubs, The Loft and The Tunnel, landing 12th December 2025. Active as a producer and DJ for three decades, Rodamaal belongs to a circle of innovators who continue to shape the scene through releases on COD3-QR, Defected, Freerange, his own Memories label, and now Radio Slave’s Rekids oﬀshoot, REK’D.

With ‘The NYC Chronicle’, the French artist delivers two opposites in minimalism: the heads-down, early-hours loopiness of ‘The Loft' and the bright, uplifting arps that bring daylight to the former arches of ‘The Tunnel’.

“These two tracks were born from a deep emotional connection to two legendary venues in New York—places I never had the chance to experience firsthand, yet whose spirit has long resonated with me. Through the countless artists who performed there and the timeless music that echoed within their walls, I imagined the atmosphere, the energy, the soul of those spaces. This project is more than just music; it’s a tribute. A tribute to the legacy of these cultural landmarks, to the artists who shaped them, and to the inspiration they continue to oﬀer. Each version reflects my personal interpretation of that legacy—blending my own sonic language with the echoes of a past I never lived, but deeply feel. For me, creation is about honoring memory while pushing forward. These tracks are my way of bridging eras, of channeling the essence of house music’s roots into something that speaks to today.” -Rocco Rodamaal

Matt Edwards launched REK’D in October 2024 to release no-nonsense house music without the limitations of parent label Rekids. It has since become a home for dancefloor-focused EPs from artists including Avision, Ketiov & Edvvin, Uncertain, James Curd, Denney, and more.

Rocco Rodamaal  - The Loft - REK'D

Glad to be a part of the sensational 15 years of Drumcode compilation, out now on Beatport and on CD.

Gregor Tresher - At The Fall Of Night (Drumcode) (Snippet)

Bringing It Back EP

Mateo Murphy - Jack 2 Jack

"To me this track is my way of saying that Im back as Petter B, putting an end to a proud era as part of the duo Hertz. More determined than ever to do my kind of swedish techno." - Petter B

"‘Second Coming’ is the next offering with Petter B using recurrent percussion to full effect to create a purposeful, heavy hitting techno track." - Drumcode staff

Early support from personal heroes such as:
Gary Beck, Cisco Ferreira aka The Advent, DVS1, Detroit Grand Pubahs, Markantonio and Truncate to name a few.




Second Coming

<p>In the same vein as her recently launched MOOD imprint, Believe is suited to a number of atmospheres and settings. Across the nine original productions and one collaboration with label boss Adam Beyer, Nicole has crafted a sonically diverse long-player of sounds which draw on the plethora of styles electronic music has to offer. From her accustomed techno to twisted house and everything in-between, the stylistic variety on offer means cuts Believe will easily feature in more intimate settings and big-room venues alike. Believe features a host of tracks aimed squarely at the clubs. From the moody Movin On, the bass-heavy Do Your Thing, to the industrial techno grooves on Come And Lay and the hypnotic chanting vocal on Get On It, the techno-aficionados will not be disappointed with what is sublime set of cuts that will no doubt destroy any dance-floor. </p>

<p>In contrast however, there are more intimate moments to be found. For example the rhythmically entrancing yet uplifting Fly With You, to Liberum Spirita with its mazy ethereal breakdown, and the synth-heavy percussive builder Lumière Tamisée. Nicoles further flexes her production muscle with the stripped back dub-flavours of Big Love With No Apology, and a robotic groove-laden funk on the standout Can I Get Some. Believe delivers a consummate body of work with which Nicoles considerable abilities in the studio are clear for all to hear. A wide-range of sounds that is sure to appeal to the idiosyncratic tastes of the various sub-sections of electronic music community. Furthermore, it lives up to the high-standards of previous Drumcode long-players and is an engrossing and impressive debut; and one that offers a smooth segue into the next chapter of an already exciting career.</p>

Nicole Moudaber - Come And Lay (Original Mix) [Drumcode]

Turbo Recordings was founded by Tiga in Montreal back in 1998. In addition to launching his own career, the label has been integral in the success of acts like Chromeo, Gesaffelstein, Duke Dumont and most recently, ANNA & Charlotte de Witte. Core talent includes ZZT (Tiga's collaboration with Zombie Nation), Jori Hulkkonen, BETON, Clouds, Harvard Bass, Pilo, Shaded, Dimitri Veimar and a host of new young producers in genres ranging from pure techno, electro, and house to pop. The list of artists who have released music on the label is a veritable 'who's who' of top-level talent spanning a broad musical range, and this, along with a commitment to beautiful design, has earned the label respect in the industry and a cult following among fans. 

“We started out singing into plastic bags and shipping them to stores as quickly as possible. Later, we discovered that vinyl sounds way better when delivered by kayak. I learned so much the first few years…Now, as I look towards the future, I can envision music for poor people, sonic odors for the hearing impaired, even MP3s for women....Vroom, sucka!” says Tiga, the lyrical lampsman lighting the way down Dance Avenue.

For licensing inquiries: licensing@turborecordings.com

Mateo Murphy - Jack 2 Jack

Turbo Recordings

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