Loving this track and have featured it on a recent mix. If you like this style of music and want to hear tracks with a similar vibe, you can check out my mix in HD Audio with full track listing here:  https://soundcloud.com/paolo-violante-683897036/souled-out-mix-vol5

Remix Tracks

Cr2 team up with legendary Ibiza nightclub Space yet again for another collection of huge house & techno tracks.

With each disc having a uniquely different flavour, in order to reflect the diversity of Space Ibiza, Cr2 boss MYNC has picked and mixed a selection of the latest hits plus classic tunes from Space’s past.

Featuring tracks from the likes of Bicep, Luciano and Mark Knight plus remixes from Richie Hawtin  and Carl Craig as well as the Massive Summer Hits from Chris Malinchak and Boris Dlugosch featuring Roisin Murphy this compilation is ready for the Terrace or the Dancefloor.

iTunes: http://goo.gl/3rIs2
CD Pre Order: http://goo.gl/fp8Tr
Spotify: http://bit.ly/spotifycr2
Rdio: http://goo.gl/Rqp0G
Facebook: http://facebook.com/cr2records
Twitter: http://twitter.com/cr2records

Sono - Keep Control (H.O.S.H Remix)

Faithless

This is real ?

Kollektiv Turmstrasse - Sorry, I'm Late

https://soundcloud.com/faberhaas

https://soundcloud.com/tec3no

FABI HAAS & TEC3.N.O - I DO NOT SLEEP

Sophi & Fabi House - Sunset

Solee - Impressed

Turbo 50
Tiga & Zyntherius
Sunglasses at Night Remixes

In Tiga’s Words:

Luck is everything, and it only takes an instant for your life to become your dreams. The fact that my life was changed, altered, and ultimately bettered by covering an MOR Canadian rockers 80's pop tune is a quirk of destiny that gives me faith in the magical comedy that we call existence. This is the short story of how the shit went down.

It was the winter of my discontent. I was supposed to travel to India with my family for Christmas 2000, but was unable to go for personal reasons. Upset but determined to make the most of the situation I invited Jori Hulkkonen to DJ with me at my club (SONA) for a NYE party. Jori had done a
mixCD for Turbo and we had cultivated a fine friendship based on ridicule, shared 80's obsessions and ridicule. I had a small home studio that was gathering dust and producing nothing more than frustration; and I threw out the idea (I think I did, although maybe he did) of "making some tracks". I didn't know what I was talking about.  My own creative career had followed a typical early 90's trajectory: houseclubs-ectasy-techno-rave-DJ-travel-raver-promoter-radio-recordstore-nightclub impresario etc... all successful ventures that, at the turn of the
millennium, had led me to a position of relative affluence and respect. But the elusive jewel in the crown was production; and this block  was slowly destroying me. Then came the J-fool.

My memory is bad. In school it was perfect, but it's been eroded by a potent cocktail of reefer, airports, timezones, sleeplessness, computers and time. Now, my memory is not to be trusted. I'll try my best: i think the show went ok. Jori probably played a few records I loved, and a lot that iI hated. It was very cold. New Years Day came, I think he was sleeping at my place. I had an MPC, a Nord Modular. an 808 and a JUNO, and a puppy named Uma. Recently, at a small record store in Calgary of all places, I had bought a copy of 'Sweet Dreams' by Miss Kittin & The Hacker. I thought it was incredible. It's hard to imagine now, but at the time the idea of covering a pop song in a techno style seemed interesting. This is before the world went crazy and eclectic. So we decided to try a cover.

I don't remember details of the day. I had no intention of "singing" but I couldn't really do anything else, so that became my job. I also had to walk Uma, make tea, take phone calls, make jokes. Jori did most of the work. We tried a criminally poor cover of "When Doves Cry" which thankfully is lost
to all mankind. We did a version of "Small Town Boy" with falsetto singing so bad that if you could distill the sound into a liquid it would be the pure essense of "embarrassing". We did a midi-file based cover of New Years Day, which I still love, that came out on an old Turbo comp. And then (I think it was last) we did Sunglasses At Night. Corey Hart was a Montrealer, it seemed fitting. Our lack of sample memory in the MPC combined with my hesitancy to sing complex notes (or ANY notes for that matter) is what resulted in the "genius" of eliminating the bridge and pre-chorus. I remember Jori thought it was amazing. I didn't really like it. Score one for Zyntherius.

I remember going to my record store , DNA, which was just on the corner and playing it: the first of hundreds of "listen to my new track" sessions..... my first taste of the cold sweat of public testing, and the sheer horror of hearing MY voice on speakers. I hated it.

A few months before that day in studio i had done a mixCD called Mixed Emotions, which is still one of the best things I have ever done: it featured an "electro-funk" cd and my face on the cover. Both attracted the attention of DJ Hell in Munich, who of course at the time was a hero of mine. I had a contact thru licensing a song from them, so I think I sent him the sunglasses demo. He fell in love as well. I still didn't like it.

The rest of the story is like a montage in a movie, albeit a small film, Hell came to montreal, burned dubplates, played 6 times at Love Parade,  SAN got huge in germany, , ended up selling a quarter million, doing TOTP,  and being one of the big "electro" anthems of the period. I got to ride my own
coatails  all the way to where i am now. All my dreams came true, including the one about being voted #41 on the DJ top 100 list.

I still marvel at how easily it could’ve NOT happened: My dog stepping on the power switch a little earlier, or Jori getting tired, or the phone ringing at the wrong time. And I cant help but wonder how different my life would have been. While I was never a huge fan of the record I will say that
it was a very pure creative effort, in its own way a real punk track: two friends making something without any label or plans or scene......and crucially without any expectations. To spend 90 minutes on that, in a vacuum, and to then feel your entire life altered by the results.... that
is the magic of pop culture, and testimony to the awesome transformative power of ....... the Roland Juno-60.

Love from Montreal, and love to Jori Z and a special shout out to Hell and Josef.

In Zyntherius’ words:

When I was a child I dreamt about being a god.
When I grew up I realized I could become one.
In 2000 I noticed that the post for the god of synthesizers was not taken. I didn't even have to apply for the job. No real god would have to do that. I just declared myself as ZYNTHERIUS - the god of synthesizers.
Nowadays I'm feeling much better, but occasionally I still get the urge.
Which is why you should be aware of the wrath of Z and respect the holy Oscillators.


Sunclasses at Night Remixes

Tiga & Zyntherius - Sunglasses At Night (Original 12  Version)

Oxia - Domino

Remix of the theme from the movie MIDNIGHT EXPRESS !

FREE DOWNLOADS HERE / TELECHARGEMENTS GRATUITS ICI: http://soundcloud.com/citizen-kain/giorgio-moroder-the-chase/download

CITIZEN KAIN ON THE WEB: 
• http://www.facebook.com/citizenkainmusic
• http://www.beatport.com/artist/citizen-kain/13526 
• http://www.myspace.com/xcitizenkainx 

BOOKINGS: citizenkain.booking@gmail.com

GIORGIO MORODER - The Chase (CITIZEN KAIN Remix) / Theme from MIDNIGHT EXPRESS

part 2 of TOCADISCO tracks... there much more... let us know which ones are missing!

and of course follow Toca is you are interested in whats new---

www.tocadisco.com
www.facebook.com/tocadisco
www.twitter.com/tocadisco

Tiga - Sunglasses at Night   Tocadisco Remix )

DJ Waikiki Live Mitschnitt Nachspiel Feb 2013 / Teil 1 ( 10 - 12 Uhr )

Neue Tracks und Classics im Mix 

Booking & More Infos: www.facebook.com/deejaywaikiki 




DJ Waikiki Nachspiel / Kit Kat Club Teil 1 Feb 2013

The first Kittball-release in 2013 is coming from the berlin based duo D-Nox & Beckers. With their debut on Kittball they present some Soundcreations that may pull up some confusions in most of the D-Nox & Beckers Fans. While listening to the A Side you might notice that the sound coming out of your speakers wouldn't be assigned directly to D-Nox & Beckers. Some beautiful melancholic melodies mixed up with warm synthies give you the handsup-feeling of a happy Summer rave. Same same on the Flip side, it keeps grooving it keeps tickling your stomach with well chosen frequencies. Enjoy this two masterpieces of music from D-Nox & Beckers.

D-Nox & Beckers - Confusion [Kittball]

To download these tracks for FREE and other exclusive Turbo content, subscribe to Turbo on Drip.fm: www.drip.fm/turbo-recordings

1) Tiga feat. Zyntherius - Sunglasses At Night

This track takes me right back to when I first started mixing techno, it was the 'go to' track for a change of pace and style. Only later did I find out about the original which became a guilty pleasure. This version of it though takes the best part of the vocal and strips it back, the drums and synth are perfect, nothing complex, just right. Check out the official video on youtube, LIPS.

2) Clouds - Those Cracks In Your face, Do They Hurt?

The vocal sample here is what does it for me. I mean the percussion, production, structure and that soaring synth/noise that builds around 3 minutes are all executed so well but the vocal sample elevates it to classic status.

3) Proxy - Who Are You - Pilo Remix

Well, this track is just disgusting. It takes me straight to a warehouse rave, shoves some pills down my throat and sets me off on a dancing mission, one of those dancing missions where your legs pay the price, for weeks. Pilo may have even out-filthed Proxy with this one.

Tiga feat. Zyntherius - Sunglasses At Night (Original 12" Version)

Thanks to all followers.....
the musik that i share are my Feelings....

Danke an meine follower,..
all die musik die ich hier teile, spiegelt meine Gefühle und Gedanken wieder 

Übrigens  mache ich Musik nur so zum selbstvergnügen.....
verwende fertige mixe und filter mir dort die tracks raus.....
die Sets die ich verwende stehen dann in der Playlist......

nehme für den SPAß hier meistens...

CrossDJ for Android von Mixvibes
und wenn alles wieder läuft auch Gerne Traktor von Native Instruments...

mfg,... Danny

Turbo Recordings was founded by Tiga in Montreal back in 1998. In addition to launching his own career, the label has been integral in the success of acts like Chromeo, Gesaffelstein, Duke Dumont and most recently, ANNA & Charlotte de Witte. Core talent includes ZZT (Tiga's collaboration with Zombie Nation), Jori Hulkkonen, BETON, Clouds, Harvard Bass, Pilo, Shaded, Dimitri Veimar and a host of new young producers in genres ranging from pure techno, electro, and house to pop. The list of artists who have released music on the label is a veritable 'who's who' of top-level talent spanning a broad musical range, and this, along with a commitment to beautiful design, has earned the label respect in the industry and a cult following among fans. 

“We started out singing into plastic bags and shipping them to stores as quickly as possible. Later, we discovered that vinyl sounds way better when delivered by kayak. I learned so much the first few years…Now, as I look towards the future, I can envision music for poor people, sonic odors for the hearing impaired, even MP3s for women....Vroom, sucka!” says Tiga, the lyrical lampsman lighting the way down Dance Avenue.

For licensing inquiries: licensing@turborecordings.com

Tiga feat. Zyntherius - Sunglasses At Night (Original 12" Version)

Turbo Recordings

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