Tam ihtiyacım olan şey. Sağol Kurt Adam. 

Masterpiece...speacialy after 1h just mindblow me after that ...quality , sounds , story ,  ....1 of  a kind! 

SÖYLE BULDUN MUUU..,ARADIĞIN AŞKI SÖYLEEEE..,YOKSA YALNIZMISIN SEN YİNE...

Seher Vakti Çaldım Yarin Kapısını(Neşet Ertaş

Thanks to the musicians who brought these sounds & structures into our world. 
This selection contains dubby and psychedelic tracks particularly from the area known as the 'Orient'. 
The release date is of no relevance.

Tracklisting:

1.	Orchestre International du Vetex – Total Tajine
2.	Oceanvs Orientalis feat. Fairuz - Al Bint El Chalabiya
3.	Zoobazar-  bint al shalabiya
4.	Ron Goodwin & his orchestra – al bint al shalabiya
5.	Aylin Urgal - paran, pulun senin olsun 
6.	Ahmed Fakroun - nisyan 
7.	Figen Han – Pisi Pisi
8.	Zafer Dilek – Cicekler Ekiliyor
9.	Cheikha Rimitti – Nouar
10. Kenan – Viens dans ma vie
11. Makyo – Natasha
12. Erkin Koray - Cumbur Cemaat
13. Giota Sylba - to Moro
14. M. Menidites – Give me Peace
15.Gus Vali – Andolu
16. Ümit Besen – Sigarasi Yaldizli (Fattish reedit) 
17. Burhan Ocal & Pete Namlook – part VI
18. Nickodemus – Sips & Magic
19. The Spy from Cairo - Road to Ryhad
20. Ü mit Besen - hos' go r diyorlar (fattish'in 70'lik editi)
21. Mesut Kumanova – Kumanovas Arab Discotheka
22. Boom Pam feat Radio Trip -- Hashish
23. Turk Jerk - Dalunar Ballona
24. ta prota Tsiftetelia – Tsiftetelli Oriental 
25. Önder Bali - Koca Dünya
26. unknown - Shish Kebap 




Oriental Tropical - HaŞiş Kebap

Eliyo is Ali Sari’s electronic music project. He is a multidisciplinary Social scientist, researcher and art worker. He attended Marmara University, Mimar Sinan University and EHESS Paris for his undergraduate and graduate studies in sociology, philosophy, political science and geography. Over the past decade, he has worked with Academia thinkers/workers such as Hamit Bozarslan and Yıldırım Şentürk and tried to understand the Social Science traditions –Ibn-i Haldun, Ecole Chicago– and the references built through these spheres of knowledge in academia until 2022. 


*What pushed you towards music production? Where did the inspiration come from?
I loved listening to electronic music, and one day Safak and I were talking about his music and he mentioned my passion for music and asked me why don't you make music. I then said to myself "why don't I do it?" and took the plunge very quickly. However, I didn't know much about computers etc., Turker and Ciwan were very supportive in the first process. 

* Do you think music interconnects with culture? How does the environment you live in affect your music?
In its crudest form, culture can be defined as all the tools used by man to increase his knowledge and to develop and improve the faculties of his mind, especially his reasoning and taste. Music, by its very nature, is the naming of sounds with specific forms (rhythm, harmony, story; in the case of electronic music, mix and sound selection). In this context, music is both a part of culture and a vast universe that encompasses it. 

I have a dialectical connection with the environment I live in, it shapes me and I shape it. This inevitably reflects in my music. 

* Do you get inspired by any other form of art?
Of course, how can we consider the field of art as a singular field? I am personally very fascinated by cinema and verbal culture/litterature, because even the way verbal culture tells a story tells us a lot about the rhythmic structure of the universe in which it exists. 

* What makes a set a good one?
What makes something beautiful is our aesthetic perception. My personal understanding of aesthetics is that a product tells a story. In this context, a good set is actually like a long version of a track when you think about it from beginning to end. So what we focus on in a 5-10 minute track is what makes it unique is the sounds you choose and how you make those sounds heard. A set, on the other hand, is still based on the choice of sounds, but unlike a track, it offers a longer narrative. In this context, a good set is based on the chosen sounds telling their own story. 

* What’s the process you follow when bringing tunes together? Is it instinctive only or do you plan ahead?
There is an expression called whatever God has given :). It is shaped a little bit by that, and I started to see it as a process of patience for people to get to know themselves. Since the mood of the human being is constantly changing, the production process cannot be handled independently of the human being. Sometimes even if you have a draft in your mind, it doesn't give the same result in the production process. 

* What would you like to say about your podcast?
Most of my life has been spent as a student and researcher. But at the end of the day, the main point I came to was this: despite the fact that it affects people's lives so much, the phenomenon we define as "identity" is in fact a "blank slate" and does not evoke a specific connotation in the minds of the people who are also social constructions. These issues were on my mind when I started preparing the set. This set, which is a collection of songs I have been playing for years, is a reflection of this uncertainty.

Kantocast 020: Eliyo - "Vagueness Of Definitions"

1. Ayla Algan- Gonlumdeki Saraya (FOC Edits Rework) 
2. MFÖ - New York Sokaklarında (fattish rework)
3. Hediye Guven - Suya Orak (kaan duzarat vocal mix)
4. Ozdemir Erdogan- Vitrin (Dogu Civicik Edit) 
5. Tanju Okan - Hasret (Behcet edit)
6. Ajda Pekkan - Alismak Sevmekten Daha Zor Geliyor (FOC Edits Cut)
7. Sezen Aksu - Bu Gece (Discolog)

Turkish Edited

alcalinité fantastique

A smart person said: the music needs to breathe — it should hold the emotional depth without collapsing into melancholy. It needs to move — gently, hypnotically — like identity slowly surfacing through memory and motion.

Shaped by Falling

Full tracklist + download this way ~ http://blrrm.tv/HDAktJ

Kaan Düzarat Boiler Room Istanbul DJ Set

Hello, i am Kozmonotosman a turkish producer and DJ.

Follow guest:
https://soundcloud.com/kozmonotosman
https://www.facebook.com/kozmonotosmanofficial

facebook

Serenades Podcast #14 - Kozmonotosman

Hi everyone! I have been quiet here for some time, as I was mostly focusing on live performances and radio shows over the last few months. In August, I did a Turkish music special program, on my monthly radio show Archetype, at Melodic Distraction, Liverpool. I received lots of support and interest for the show (please check my mixcloud for the recording). Then I thought, why not I do another podcast dedicated to my home country's music. This time a bit shorter, cleaner with no chatting, and slowly building in tempo.

Here, you will hear mostly contemporary edits of some classic Turkish tracks that I have grown up with. They vary from Turkish Anatolian funk, folk, pop to disco and classical. Although the edits are mostly recent releases, original tracks' release times also vary, mostly from 70s and 80s, and a few from 90s and later on.

I really hope you enjoy this one :) And if you do, any kind of support would make me very happy <3 I will share the track list soon! But my special thanks goes to @fattish for sharing all his edits with me :)

--Artwork features Turkish artist and icon Zeki Müren--

Track list is here: https://www.facebook.com/subcora/posts/1658643257602129


/// Sevgiler <3    


Meanwhile, let's connect :)
Facebook: www.facebook.com/subcora/
Mixcloud:www.mixcloud.com/subcora/

Turkish Music Special Mix

Kurt Adam Turkish Edits Podcast

Muhlis Berberoğlu Yazımı Kışa Çevirdin

new and old Turkish tracks made to sound great on the dancefloor... we just aggregate and collect :)))

Kurt Adam Turkish Edits Podcast

Turkish Edits

Recent comments

hhuseyin

9Stairs

Okay

Cem Sertkaya

Related tracks