Recorded live at Home Studio.
Open for release proposals. More records on request.
June 2019.

Gear used: Alisa 1377, x0xb0x, Yamaha DX7, LM 1229, DL-301A, Alesis Quadraverb Plus, Mackie CR-1604, Akai GXC-725D.

Abiocoen — Black

Premiera w Radio Kapitał! Zapraszamy na odsłuch niepublikowanego jeszcze utworu "FUKURAMASiCO" autorstwa ALchin Bond oraz Ifs / @fischerle @kook-on z nadchodzącej kompilacji “grids 2". Kaseta ukaże się nakładem labelu outlines / @outlineslabel
Premiera 15 października > https://outlineslabel.bandcamp.com

Więcej nowości i przedpremierowych odsłuchów usłyszycie co wtorek i czwartek o 12:00 w audycji Świeżynka > radiokapital.pl/shows/swiezynka

V/A - grids 2

FUKURAMASiCO

ALchinBond + Ifs - FUKURAMASiCO (outlines)

3 X Serum + ODD sound MTS-ESP with a Self Made tuning

trying this new  tuning

Mystery 1

Following on from releasing on the various artists compilation on 3024 - “It Was Always There Vol 1”, Planète returns with a long awaited 4 track exploring new territories and sound landscapes.

Shuffling away from straight grooves of earlier muses, Planète takes time to explore the irregular pulses of broken beat rhythms whilst maintaining introspective colour on this new EP. Central to the messages in his explorations, "Eternal Now" represents a reconfiguration of sonic interpretation and reflection.

Opener 'Stony Creek Reserve' rattles and throbs, consuming a poly-rhythmic bass bedrock and dubbed stabs with crisp and glitched crackles whilst 'Passing Through' lightens the deep with a skipping kick drum and memorable percussion melodies guided by an anchored bass hit.

On the flip, echoing and spooky wooden hits fill the terrain whilst stark bass movements in 'Meteor' rain and mutate a broken techno groove. Closing up, allowing the energy to release, 'Eternal Now' gives rise to vast space in reverberated strikes and wobbled stabs under the hood of slow thuds and thin hisses.

This return shows versatility and growth in sonic descriptions, edging towards a bridge of found sounds and clinical club music. His latest contribution shows the breadth and current appetite for bass centric curations and meticulous high frequency attention refining his signature for evolving storytelling.

Passing Through

first tune from forthcoming collaboration ep by Abu Ama and Autonomaton for the Mahorka.net label from Bulgaria. Big bass on this one with gongs and sirens on the desret ride. enjoy it loud!

Abu Ama And Autonomaton - Desert Gongs And Sirens Reality's (free dl + forthcoming on Mahorka.org)

Playlist:

Kilbey Kennedy - Radio SuperNova
Dali Muru & The Polyphonic Swarm - Bath Philosophers 
Lewsberg - All Things (Continued)
pmxper - Quiet Night
Blind Mr. Jones - Flying With Lux
Blackwater - Overload 
Brannten Schnüre - Feldweg
Maria - No Need To Go There
The Crying Nudes - Angel Heart 
Tarwater - Miracle Of Love
Scala - Fuser
Normil Hawaiians - Slums Still Stand
Air Miami - Afternoon Train
The Creatures - Thumb
Rain Dogs - Perilous Woman
Freak Heat Waves - Nothing Lasts Forever 
Rap - Bright Blue
Mica Levi - Waves
Dean Blunt - Johnny Cash Hurt Type Beat

Can God Rewind? | 29.01.24 | TEDER.FM

ABS-17

This composite track consists of edits from many different Harry Bertoia compositions included in the Complete Sonambient Recordings box set available on Important Records.
This 11 CD box set contains a 114 page book. Digital downloads are also available directly from the label. 
Purchase the box physically or digitally here: 
http://importantrecords.com/


Harry Bertoia Complete Sonambient Collection - Composite Mix

Sugai Ken - 土獅峠 - Toshi Touge

Homo Machina is the first work composed as part of the suite Der Industriepalast. The piece is deeply influenced by the work of infographic pioneer, Fritz Kahn (1888-1968). Kahn’s most pivotal work was the life-sized poster “Der Mensch als Industriepalast” (Man as Industrial Palace) of 1926, which this piece is based upon.  Such is the inspiration of his work, it has influenced children’s anatomy books, comics (e.g. Numskullz) and even movies (e.g. Fantastic Voyage).

The visual crossover between industrialization and science in Fritz Kahn's artwork demonstrates the means by which human nature became culturally encoded by placing the knowledge of the human anatomy within the context of the modern, industrial world. Kahn produced lots of illustrations that drew a direct functional analogy between human physiology and the operation of modern technologies of the times. Therefore, by illustrating the body as a factory, Kahn was able to relate the body’s complex organic interior to the industrialized space so common in society during  the 1920’s.

As the work is intended as an introduction to a far longer suite, it is intended to provide an overview to the sounds that Kahn may have imagined as he was creating his remarkable graphics. It is therefore structured into 6 sections. 

Introduction: 00:00-00:21
Lungs: 00:22-02:03
Heart: 02:04-04:01
Brain: 04:02-06:05
Digestion: 06:05-07:59
Homo Machina : 07:59-10:07

Homo Machina

Radiophonic work in 10 parts, duration - 30min.
Production: Radio Television Serbia - Radio Belgrade 3
Produced partly in Electronic Studio Radio Belgrade using EMS Synthi 100
Premiere: May 30, 11:10PM, Radio Belgrade 3
Artwork (sculpture): Goran Stojčetović - Art Brut Serbia
Photo: Milan Milutinovic - Black Sheep Produkcija
VIDEO: https://youtu.be/7bu6HcFKI1k
*Winner of the Serbian most prestigious composition prize "Mokranjac" for 2020

Post-excavation activities (teaser)

Experimental ambient electronica from Minsk, Belarus. Vintage gear, mostly. Open for release proposals. More records on request.

Follow https://t.me/abcn37 for ambient reposts.

WAV 96/32 on request.

Gear used: Roland SH-101, Roland Juno-106, Yamaha DX7, Yamaha TG33, Roland TR-606, Akai S3000XL, Korg M1, TOM 1501, Alisa 1377, Polyvox, Roland D50, Roland XP-50, Roland MC-505, Korg ESX-1, Korg EMX-1, x0xb0x, Technics ST-S1L, Horizont Okean-209, Korg Monotron Delay, Shure SM58, 3x LM 1229, DL-301A, Alesis Quadraverb Plus, Alesis Midiverb 2, Alesis Microverb, Yamaha SPX990, Mackie CR-1604, Alesis 3630, RNLA7239, Tascam Portastudio 424 MK3, Akai GXC-725D.

Recorded on TDK D and BASF FE tape.

Abiocoen — Black

Vasya Tvorski

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