Name: Sketchbook by TVtower
Duration: 1 min 31 s
Description: Single from my recent album "Sketchbook", available on Bandcamp

Second Death

Manyy Toys Used to Make Bubbly Noise as Usual !!! 😊😊😊
   Peace & Music To You All !

Bublin' in The Rain

Peace to this Day

The following recordings are spliced from a 30 minute session aimed at reflection and honesty.

Enjoy,
Charlie Knott

If It's Still Here

The Direction is SOUND is...
kinda like a buddy movie, without images, about sound.
Episode 1 is the first of a six part series about the history of recording and the turntable. 
Guest: Noted audio historian and discoverer of the earliest recording of the human voice in existence, David Giovannoni discusses the invention of recording. 33mins

TELL EVERYONE YOU KNOW ABOUT THIS :)

The Direction is SOUND, Episode 1

100% Elektron Model:Cycles, mastered in Ableton

These sounds are available for purchase at
https://shadowband.gumroad.com/l/hexasex1

<<< Sample version coming soon >>>

HEXASEX vol. 1 by SHADOWBAND - Performance Demo

Odyssey (demo)

Pocket Tanks (intro)

Premiered at the Kitchen in New York city in 1971, this recording was made by Phill Niblock at his Experimental Intermedia Foundation on December 16th, 1988. The performers were Yoshimasa Wada and myself.  The occasion was the 15th Anniversary Celebration of the Experimental Intermedia Foundation.

The recording was released on The Table of the Elements Records (TOE 073) in 2006.  I believe that it is now out of print, so I’m posting the piece in its entirety on SoundCloud. The duration of the piece is about an hour.

Here are the somewhat hyperbolic record notes, written by TOTE founder Jeff Hunt:

“The hour-long Two Gongs fills the entirety of this disc with its ethereal, droning psychedelia. While written in 1971, the '89 recording documented here features Chatham, along with fellow composer Yoshimase Wada coaxing heavy, overlapping tones out of a pair of Chinese gongs. The instruments buzz and hum, moving in waves from deafening rattles to soft, muted drones. The monstrous noise that Chatham concocts is far more akin to the seismic crashes of monstrously distorted guitar feedback than that of two unprocessed slabs of metal, and it proves the composer's interest in creating a similar world of sound out of whatever instrument currently proved his muse. On disc, the performance is jaw-droppingly powerful, a monumental chunk of glorious noise.”

Sketchbook

TVtower

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