This track is in our top 20 favourite tracks of August 2013 :)

Hi can I upload a self recorded audio of a text that I garbed from https://www.crawlnow.com/blog/7-ways-web-scraping-helps-your-ecommerce-business? If yes, then whats its procedure

i am a radiologist in richmond texas, and i love this song.

They are the real deal! Saw them a year ago when they opened for Philip Philips and now they are opening for the Eagles, who will pale in comparison. Wishing you only the best now and always!

The New single from The Poet Junkies! just a taste of things to come in 2015!

E.q.uilibrium

"We Won't" is the second single from PigPen Theatre Co.'s sophomore album, "Whole Sun", slated for release on July 7th, 2015.

Produced by Ron Robinson Jr. 
Mixed by Jesse Lauter
Engineered by Michael A. Judeh
Mastered by Alan Silverman
Artwork by Derek Eads

PigPen Theatre Co. is:
Alex Falberg (Banjo)
Arya Shahi (Percussion)
Ben Ferguson (Guitar/Banjo)
Curtis Gillen (Bass)
Dan Weschler (Accordion/Keyboard)
Matt Nuernberger (Guitar/Keyboard)
Ryan Melia (Guitar/Banjo)


"We Won't"

Tied up like a noose we were walking
On the edge of a canyon me and my darling
Who should stand and stare and whistle
The air of a cannon the wind of a pistol

Should they make us fall again
Northern Southern Western 
I don’t care
Oh oh, oh no, we won’t, we won’t 

All my drawers opposed to closing
Gotta air out their teeth, their tongue, and their clothings
But who could blame them oh in this heatwave
It’ll melt your heart, your skin, make you crazy

Should they make us melt again
Summer Spring or Autumn 
I don’t care
Oh oh, oh no, we won’t, we won’t

Oh the martyr inside it comes back and tells me,
Oh the way the mind goes
Oh the way the mind goes
But the wonder inside it comes back and tells me,
Oh the way the mind goes
Oh the way the mind goes
Like a setting sun

But we’ll go home
No we won’t
No we won’t
No we won’t

We Won't

The Curious Incident's second single Please Don't Say from the PENNY LONESOME EP.

Out now: bit.ly/pennylonesome

******************************************************
WATCH THE OFFICIAL MUSIC VIDEO: 
www.youtube.com/watch?v=M3vCH8imOnU
******************************************************

www.thecuriousincident.com
www.twitter.com/curiousincident
www.facebook.com/thecuriousincident
www.musicglue.com/thecuriousincident

= = = = = = 
L Y R I C S

Oh oh oh oh

These things do not ever come easy
after we all see how much you push it
you push it too hard 
and you’ll never get out
of the web you’ve spun 
no matter how much you writhe around

Please don’t say (no!) 
what I think you’re gonna to say
my heart cannot take it anymore
despite how very cliche that might be
please don’t say (no!)
what I think you’re gonna to say

You sold me down the river then
I hope it won’t happen again
I wish you had never said those words
and I curse the day you did

I recall the last time
you beat me to the punch line
bruises heal, but I feel them still
words stream out of your mouth
make me wanna shout
I can tell 
I prefer show than tell

Please Don't Say

According to lead singer Dale DeLong, a good song "stops you in your tracks and paralyzes you for a moment," and Roman Candle passes that test. Although the song immediately sounds like an energetic, summery pop tune, the lyrics tell a different story:

"When I was 13, I went to see the fireworks, and during the display a girl my exact age was killed by one of the fireworks that fell over. I saw it shoot across the grass with my own eyes, and it could've very easily been me. The first verse - "stand back, they're gonna light it" - those could have been the last words she heard that night. This was an innocent girl who just wanted to see some beautiful colors as she looked up at at the sky that night. Writing this song, I started thinking about how the fireworks didn't stop after the accident, people kept on laughing and talking and enjoying their night, including me. So inside of this three minute pop song, I finally got to empathize with this girl and her family and say 'I'm sorry I cared so much about whatever I was doing to not stop and really truly feel what happened that night' - and the song reflects that contrast between a really happy, festive moment and this serious thing that happened."

Through high school friendships, two Craig's List ads (Musicians Wanted, not Missed Connections), and a few years of trial and error, OTTAWA was born on Cleveland's west side in the winter of 2014. Since then, lead singer Dale DeLong, guitarists Will Hooper and Tim Czajka, drummer Steve Crobar and bassist Chris Williams have developed a sound described by Cleveland Plain Dealer reporter Troy Smith as "a brand of garage pop that merges elements of indie-rock, blues and new wave that's quite melodic and hypnotizing."

After the release of Roman Candle on 01 July, Ottawa will embark on an eight-city tour spanning Northeast.

Dale DeLong: Vocals
Will Hooper: Guitar
Tim Czajka: Guitar
Steve Crobar: Drums
Chris Williams: Bass

Additional Instrumentation by Jim Stewart
Lyrics by Dale DeLong
Music & Performance by Ottawa
Produced, Mixed and Engineered by Jim Stewart
Recorded at Crushtone Studios & Jim Stewart Recording in Cleveland, Ohio
Mastered by Dan Millice at Engine Room Audio, NYC
Photo by Dominic Jurcisek, Design by Paul Eaton

Learn more at http://www.listentoottawa.com
Follow us on Facebook: https://www.facebook.com/listentoottawa

Copyright 2015 DeLong, Hooper, Czajka, Crobar, Williams. All rights reserved.

Roman Candle

Time For A Change! Please visit http://www.votetogether.ca for information on strategic voting. Don't forget to vote on October 19th!

Performed by Hey Rosetta! (NL) & Yukon Blonde (BC)

Hey Rosetta! w/ Yukon Blonde -  Land You Love

From "Alio", the new Fort Frances release coming 4/22/16.

Pre-order here: http://www.pledgemusic.com/projects/fortfrances

Produced and mixed by Sam Kassirer.
Mastered by Jeff Lipton.
Recorded at IV Lab Studios in Chicago, IL and Great North Sound Society in Parsonsfield, ME.

Building A Wall

'Animals' , taken from  'Dreamwaves' EP;  to be released 1st March 2016

Written  by Crash Island
Drums recorded with Andy Brooke
Guitars, synths, bass, vocals recorded by Jeremy Levy
Mixing by Daniel Rejmer
Mastering by Rogan Kelsey
Artwork by Yusuf Laher

Animals

Glory

Scraping Up The Pieces

Brothers (B-Sides)

California Sun

“I use my gut, and my gut don’t lie to me” is more than just a lyric in Twin Forks’ exuberant “Something We Just Know,” it is a kind of mission statement for the quartet. If you’ve ever been to a musical performance that made you lose all sense of time and place and give in to the cathartic feeling of clapping and dancing and singing along, you’ve already visited the sweet spot where Twin Forks have made it their mission to reside. “Whatever makes the audience stomp their feet and sing at the top of their lungs, that’s what I want to be doing,” says singer/guitarist Chris Carrabba. “I want to be generating that spirit from the stage.

Carrabba figured out the guiding principle for Twin Forks before he even knew exactly what the project would sound like. During recent solo tours, Carrabba -- whose Dashboard Confessional grew from an intimate solo-acoustic affair to a bona fide arena rock band during the mid ‘00s -- says he was reminded how important that audience connection had always been to him as a performer.

He also knew he wanted to craft a sound closer to the music he’d loved as a kid -- classic folk, country and roots music. Growing up outside Hartford, Connecticut in an area he describes as “half-rural, half-city,” Carrabba developed an early fondness for acoustic singer-songwriters he heard on the radio -- Cat Stevens and John Denver and Gordon Lightfoot -- as well as the more obscure Townes Van Zandt, Bob Dylan and Guy Clark LPs he found in his mother and step-brother’s record collections. “At the beginning of Dashboard, I wanted to write an acoustic record, but every time I played a D,C, or G chord -- which are called the ‘cowboy chords’ -- I would think about how Tom Petty or Cat Stevens or John Denver or Gordon Lightfoot did this already,” says Carrabba. “That’s when I started tuning my guitars all to hell and back, just so they sounded weird to me. I was probably playing DCG anyway, but I didn’t know anything about guitar, and that was how I could get myself feeling like I was in new territory.”

“When I started playing acoustic-based music, I wasn’t trying to avoid traditional folk because I didn’t love it -- I just loved it so much and didn’t wanna do an injustice to it,” Carrabba notes. “And I had other influences and I thought, why can’t I combine this punk and hardcore feeling with this classic folk feeling -- because they were both such massive loves of mine. But right now I’m more excited about utilizing the age-old, time-tested thing and trying to excel within the parameters of a traditional template.”

He still wanted to be in new territory, though, so when he started writing songs for the project that would evolve into Twin Forks, he wanted to add a new twist. So Carrabba spent three years teaching himself traditional fingerpicking technique. “There’s magic in that kind of playing, where you’re managing two guitar parts,” he says. “I have always found it fascinating and it just seemed like it was calling to me.” Equipped with that new set of skills, Carrabba started writing his most delicate, musically articulate compositions yet, temporarily setting them aside for he-didn’t-know-what. In the interim, making his 2011 covers album, “Covered In The Flood,” gave him the chance to explore his relationship with songs by some of his favorite folk and country artists, both classic and contemporary, including Clark, John Prine, Justin Townes Earle and Corey Brannan. He then worked up those covers for a performance at San Francisco’s Hardly Strictly Bluegrass festival.

The experience was a major awakening. “Onstage at HSB, we were elated. All I want to be is elated while I’m performing. Why else should we be getting onstage? We’re not up there to be some good-time charlie band, but we are not hiding the fact that we are elated to be onstage with you and we’re choosing the songs that are giving us the best edge to be able to do that.”

After Hardly Strictly Bluegrass, Carrabba returned home with a new sense of purpose and a clarity of vision for Twin Forks. In the previous two years, he had been sticking to a temporary rule he’d imposed on himself as a songwriter: “I had made this rule that I would not say ‘love’ or ‘heart’ in my lyrics,” he explains. “I would talk about those things but I wouldn’t say them. So when I came home from that festival and I did write the first song and it did say both ‘love’ and ‘heart,’ they felt like the right words, after not having used them for so long. I let the songs happen and found a tempo that suits what Twin Forks became.”

“Something We Just Know” came to him first, and then, the flood -- another eight songs in the following eight days. Twin Forks began tracking the new songs whenever they could, between tours with other projects, in a multi-purpose space Carrabba had converted into a studio. Over the course of several weeks starting last fall, they managed to record more than twenty tracks that they plan to whittle down to eleven or twelve for the debut LP they plan to release later this year. “We tracked everything live, and I have this tendency to get really excited about what everyone is doing and I’ll make a little hoot or shout, and you can hear all those things in the final versions of the songs,” says Carrabba. “On ‘Scraping Up The Pieces,’ everytime I listen to it and hear Suzie laughing, I’m dying to remember what could have been so funny. Then we additionally multi-track, which we figured was a thoughtful way of approaching the record. You get the error-prone thing that has all the magic in it, but that doesn’t mean you can’t chase a little more precision. But the goal is always to do our best to get it right in the same room with each other, looking at each other, laughing with each other. I think you can feel that all over the songs.”

Originally recorded with musician friends including mandolin player Suzie Zeldin, bassist Jonathan Clark and drummer Ben Homola, Twin Forks has evolved as a live band to include Kimmy Baranoski on backing vocals, Kelsie Baranoski on mandolin and Shawn Zorn on drums.

Scraping Up The Pieces

Twin Forks Music

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