Name: UNDER THE CVRS: "Perfect Day"(Lou Reed) by Twin Shadow
Duration: 3 min 29 s
Description: Get the new album ‘Eclipse’ here: http://smarturl.it/tseclipse

https://soundcloud.com/jeohmusic/fancy-fangs

Sounds like a empty carnival but still, it's awesome

Just added to: Tings Neverending Compilation

It's such a perfect day. I'm glad I heard you.

Get the new album ‘Eclipse’ here: http://smarturl.it/tseclipse

Free Download

UNDER THE CVRS: "Perfect Day"(Lou Reed)

What Difference Does It Make

Energy Vampire

Intro
 I see through your disguise
Feeding off your lies
But you won’t survive standing in my light
(Energy vampire)

V1
You take my kindness for weakness 
My smile for a curse, but I am well-versed 
In your kind— 
You steal the light then call me dim
The victim of your sin
But I see truth behind your mirrors 
You’ll pay your dues for my tears

C
Vampires
Crawling all around me  
Syphon off my energy
Try to make a name off my pain
Can’t drain what’s so divine 
I won’t make you famous in my mind
Energy vampire
Energy vampire 
Energy vampire

V2
You wear my pain like a badge 
Twist the story for applause 
But karma’s creeping in 
With fangs and claws
You haunt the weak, you fear the strong 
You think I’m meek, 
But I’ve known you for so long

C
Vampires
Crawling all around me  
Syphon off my energy
Try to make a name off my pain
Can’t drain my soul divine 
I won’t make you famous in my mind
Energy vampire
Energy vampire 
Energy vampire

Instrumental by nnnico beats: https://www.youtube.com/watch?v=7V7e5Os7gAs

Energy Vampire

Veteran Erased Tapes recording artist Peter Broderick set to release new studio album 'Partners' on 19th August 2016.

Order it on LP/CD/DL here: www.erasedtapes.com/store/index/ERATP088

In an email to Robert on February 3rd 2016: 

Dear Robert.

There’s a lot I’d love to tell you about this music.

The inspiration really came when I decided to learn to play John Cage’s In A Landscape on the piano . . . I listened to a recording I had over and over again, five seconds or so at a time, picking out every single note. Then cross referencing what I’d learned with other versions of the piece as well as the original score. The feeling of playing this piece really brought me close to the piano again, and brought new life to my own piano songs.

Beyond Cage’s music, his life and practice have interested me more and more, after having read about his love for foraging wild foods and using chance operations to compose music, in a sense taking his ‘self’ out of the music. I love his so-called ‘mesostics’ and began to write several poems using that method, around this phrase:

I    
N

A

L
A
N
D
S
C
A
P
E

When it came time to record in the studio, I rolled two dice to decide how many poems to read. I rolled 5. Then I assigned a number to each poem and rolled the dice to see which five poems would be read and in which order. That’s the first track Partners, which is also the last word of the last poem I selected through this chance-based process. Track two is my version of In A Landscape. I love playing that piece so much. Carried  is a piece I wrote in Berlin which I’ve played live from time to time. There was a soft vocal loop playing out through an amplifier in the room while I played the piano.

Under The Bridge is my first ever chance-based composition, written by assigning different numbers to different notes and then rolling dice to decide in which order to play those notes. Conspiraling is another piece I’ve been playing for a while. Actually a version of this was recorded in the session that became ‘How They Are’, but it didn’t quite feel right. I like to pretend my voice is like a synthesizer in this song. Then there’s Up Niek Mountain which is a piece I finished composing while in residence at a farm in the Netherlands back in 2010, and is named after one of the family farmers there, Niek, who passed away shorty after I was there. We miss you Niek. The last song is a cover of Brigid’s Sometimes. Brigid to whom I dedicate this recording.

And then there’s Tucker, Mr. Martine, who agreed to record this album without me ever hearing the mixes. We talked about all the sounds and he set up several devices with which to manipulate the sound live, as it was being recorded and mixed down to tape. Francesco also agreed to master the record without me hearing it. I like to imagine maybe one day, five or ten years from now, I’ll walk into a café or roadside diner and hear it for the first time, playing as background music while people eat.

OK surely that’s enough for now! Sorry for blabbing, Robert. Your support has really meant a lot to me. I’ve loved having you in mind while working on this project, knowing it could very well have a home on your sweeeeeet label. Hope all is well.

With love,
Peter

Partners

Sometimes

Buy LP/CD/DL

Peter Broderick - Sometimes

03 Remember To Bleed

Release Date: January, 29 on Kwaidan Records/ !K7
Pre order link: JayJay.lnk.to/JoonMoonCallMe

FB: www.facebook.com/JoonMoonMusic
Twitter: twitter.com/joonmoonmusic
Soundcloud: soundcloud.com/joonmoonmusic/
Spotify: play.spotify.com/artist/0SYUPmAqWcyik557LEq2Z0

Joon Moon’s story started in 2014 in Montmartre, Paris, in the studio of the excessively discreet Julien Decoret - with Phoebe Killdeer giving breath to his first lyric sheets. The indefatigable Moon's aim was to continue creating, after touring with Nouvelle Vague, Florent Marchet etc, and start his own project.
With all the creative decisions already made for keyboards, vocals and drums, Julien joined up with his pals Raphael Chassin and Sébastien Trouvé for both the studio recording and stage show that they had already collectively imagined. In early 2015, thanks to chance encounters and other musically-minded friends like Marc Collin and Hugh Coltman, Julien Decoret met another artist with an impressive live show (and someone just as reserved as he is) - Krystle Warren, born in Kansas City and recently arrived in France. The four had mutual friends, and after a few try-outs in the studio and a misunderstanding about a certain Alice / Juliette Lewis (a story that makes them all laugh even today) a real synergy came to pass, with Joon Moon the result - both in the studio and on stage.
This second & new "EP Call ME" released March the 25 after a short tour in USA and a stop at SXSW, showcases a mix of precise and impressive pop and soul arrangements, hinting that the album due in october 2016 will be an exciting discovery, joyfully crashing through numerous musical barriers.
The first EP has been supported around the world through airplays on sur KCRW, BBC2/3/6/, France Inter, FIP, Couleur 3, Flux FM and many more..
A word of warning though - the siren-like voice of Krystle Warren may have you addicted to Joon Moon before you know it! "Call Me" and Radiohead Cover "I Might Be Wrong" are the new tastes of a debut album undoubtedly full of surprises.
Chamberlain Remix – one of the newcomers of the french festival Les Transmusicales in last dec – makes "Call Me" as dreamy pop song

Joon Moon - Tiger

Beck - Need You Tonight (INXs cover)

In a unique world premiere Efterklang and the Sydney Symphony Orchestra conducted by Matthew Coorey performed the songs from Piramida - Efterklang´s 4th album - live in Sydney Opera House for the VIVID Live Festival 2012.

Piramida will be released in it´s studio album version on September 24th on 4AD
and Efterklang will go on tour with The Piramida Concert and perform with orchestras in Europe and NYC fall winter 2012.

For more info, pre-order, ticket links please visit WWW.EFTERKLANG.NET

The Ghost is written by Efterklang and arranged for orchestra by Missy Mazzoli.

Buy Piramida

Efterklang & Sydney Symphony - The Ghost (live from Sydney Opera House)

A story within a story, Blood Rushing is a glimpse into the world of Blushing, a heteronym of the artist Josephine Foster.  A rock-ballet chanté, the music is set to a Pueblo drum's metapulsing Pan-American heartbeat.

Recorded in Colorado by Andrija Tokic (Alabama Shakes) with the collaboration of her partner Spanish guitarist Victor Herrero, and musicians Paz Lenchantin (The Entrance Band), Heather Trost (A Hawk and a Hacksaw) and Ben Trimble (Fly Golden Eagle).

UNDER THE CVRS: "Perfect Day"(Lou Reed)

Twin Shadow

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