Stay focused ! ♥
...ya know what I mean...

Emapea - Tantra
Spaze Windu - Comin Tru (Cuts by Repete23)
Koralle - Metro
Les Bonmots - Singular (prod. by Hast)
FloFilz - Transit(ions)
JuJu Rogers - Hungry (prod. by Bluestaeb)
Damu the Fudgemunk - Time Leak Remix (Instrumental)
Teknical Development.IS feat. Noritsu - Take a Flight (prod. by Figub Brazlevič)
Klaus Layer & Figub Brazlevič feat. Teknical Development.IS - We heal the Corrupt

All Good (still)

Willy's First Flight

III-Snippet

Marina

Let Me Free (Remastered).mp3

Pouring Calm

Playing with Dilla's beats is just another way for me to practice and improvise, guess I'm not the only one doing that.
 
There's no losin' game when playin' with Love 
that's what I've learned from you, Dilla.
 
Blessing

1. What's up (Detroit 98)
2. I believe in a love Supreme (Let me be the one)
3. What a color (Colors of you)

Art Work by J.Lamotta Suzume

About Love #1 (Dilla Tribute)

About “The Egyptian Second Line” 

In the spirit of reclaiming that which colonization sought to destroy, I'm releasing the first single from my upcoming album Afro-Caribbean Mixtape at the top of Columbus Day weekend. Like a piece of African patchwork, this track is comprised of a lot of different elements — some old, some new. The main body of this record was constructed from the end vamp of a tune I wrote for Dr. Greg Carr (chair of African-American studies at Howard University) called, “Kimathi.” In fact, throughout the piece, you can hear my turntablist, DJ Lady Fingaz, scratching a sample I chopped from one of his interviews. I constructed a new work by cutting and pasting the best moments of Kevin Hays and I playing keyboards on top of the extended jam, and superimposed that over the groove laid down by bassist Vicente Archer, drummer Joe Dyson, and percussionist Daniel Sadownick. I did this with the help of my mix engineer, Blake Leyh (The Wire, Treme). 

Towards the beginning of the piece, you'll hear a chant from vocalists Yolanda Robinson, Jolynda Phillips, and Christina Machado. It's from a thing my father made up while walking through his childhood neighborhood of 13th Ward New Orleans back in the 1940s, “Na-na ni-ta ho-ho. Left, right. Left, right.” Thirty years later, as an elementary school band teacher at McDonogh #15, he had us chant this whenever we marched in second line parades. It recalls the syllabic prayers of ancient languages used in modern dance songs like Mani Dibango's “Soul Makossa,” of which Michael Jackson borrowed for “Wanna Be Startin' Something.”  


The centerpiece of the single is my recitation of a poem I wrote back in 2006 in the aftermath of the flood commonly referred to as “Katrina.” It's called “The Egyptian Second Line.” The gist of the poem toys with the theory that somehow Africans submitted to slavery in an attempt to become better versions of themselves. After the ladies chirp the hook, I step away from the keyboards and embrace the instrument I'm most known for — the trumpet — and blow a few before we take it out. With this song, I am channeling the energy of the ancestors to help give Africa back to herself in the best way I know how, through the power of music. 


In New Orleans, a “second line” is the procession where we dance in the streets to music played by a brass band to celebrate either life or death. When I think about what an Egyptian second line looks like, I think of the imagery of that photo of Louis Armstrong serenading his wife, Lucille in front of the Sphinx — again Africans giving Africa back to herself.
credits
released October 7, 2016 

Nicholas Payton: trumpet, spoken word, Fender Rhodes, Hammond B-3, Clavinet 

Kevin Hays: Fender Rhodes 

Vicente Archer: acoustic bass 

Joe Dyson: drums 

Daniel Sadownick: percussion 

DJ Lady Fingaz: turntable, sampler 

Yolanda Robinson: background vocals 

Jolynda Phillips: background vocals 

Composed by Nicholas Payton (BMI) 

Produced by Nicholas Payton 

Recorded, mixed, mastered, and designed using the PAYTONEsonic™ programming process 

Recording Engineer: David Stoller 

Assistant Engineer: Emily Eck 

Mixing Engineer: Blake Leyh 

Recorded at The Shed, New Orleans, LA 

Mastering: Michael Fossenkemper, Turtletone Studios, NYC 
turtletonestudio.com 

Art Direction: Nicholas Payton 

Cover Painting: Ayanna Bassiouni 

Cover Design: Ayanna Bassiouni

The Egyptian Second Line

Towards Dilla's bday, I'm back with the 3rd edition of the "About Love" series, which is my yearly tribute for him (this time written in Australia!)
Thank you for all the inspiration that you are giving me, Dilla. Your music never die!

Hope you enjoy it,
J.Lamotta Suzume

Track list-
1.Slum village - Climax - (Fantastic, Vol. 2)
2. Beat number 11   - from "The king of beats" release  
3. Beat number 16  - from "The king of beats" release
4. Beat number 32 - from "The king of beats" release
5.Soul vibe - Unknown album

All beats written by J Dilla
Lyrics, melodies trumpet and artwork by J.Lamotta Suzume
Trombone (beat number 2) by Frankiy.D

About Love #3 (Dilla tribute)

mastered by https://soundcloud.com/philanthrope1

Dj Cam Quartet - Tribute to J Dilla
Mr Brown - Taoist Moon
Torb the Roach - Svart kaffe jam
Philanthrope – SoulAndBody
Juju Rogers & Bluestaeb - Black Thoughts
BADBADNOTGOOD - Structure No. 3
Walter Wanderley Set feat. Anamaria Valle - Just My Love and I
Maple Syrup - St. Petersburg
Teknical Development.IS - Who got the Jazz (prod. by AK420)
Dude26 – Nehslyg
Beatvadda - The Drum Machine
Woodo Wolcan – Coast
João Donato - Me Deixa

Willy's First Flight

Twit One

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