Name: i got a controller by two smoov (sheldon charlot on spotify) in The Upload 146
Duration: 30 min 42 s
Description: mixed some of my favorite songs on this site finna practice my djing

you are the best I've heard straight up don't ever stop!!!!!!!!Rare breed!!!

The Upload 146

Today i'm sharing a new single i've made in a collaboration with the homies over at Cultura Records that's operated by Maple Syrup - A collaboration between them and also the Urbnundrgnd movement. I hope you'll vibe to the new beat i've made! It's available on all streaming services today! 🥳

🎧Stream

Watanabe

Spotify: https://open.spotify.com/track/41IFWwfQmazoGRI0Uok0Fl?si=388814988411445d
Apple Music: https://music.apple.com/us/album/lifetime-impression-instrumental/1585999527?i=1585999528

Instrumental for: https://soundcloud.com/tapeheadloops/lifetime-impression

I had to go all out when I mixed this beat. The drums are all layered so thick, there’s about 4 hi hats, 6 kicks, and 6 snares which are all mixed together to give the drums weight. The way I chopped this sample left some vocals in for split seconds, which sounded like scratches because of them being right at the end of a chop and cut off, like how a fader cuts out a scratch when the DJ spins a record back. I thought this sounded cool but it only happened once in each 2 bar loop of the sample, so I decided to add some of my own scratches from a few break records I have. I used ‘Super Seal’, and recorded some scratches of snares and the famous ‘yo’ sample at the BPM of the beat. Layered with the drums this sounded crazy to me, it gave the beat a different vibe, I’ve definitely said before how much I love how scratching sounds, and it was cool to incorporate it into this beat in a more permanent, less obvious way, not just something for the hook. I also layered the sample 3 times, 2 filters, one high one low, and a standard mix, which I layered, soloed etc throughout the track. This was unbelievably long to do without quantization (which is how I flipped the sample originally), so all 3 had to perfectly match each other, which took hours to sequence. I fully kept giving up but knew the beat needed the layers on the sample to really do it justice (especially the groove that’s added by filtering the lows), so I just stuck by it, and sequenced each chop individually, so I was hitting the pad at the exact right time, which ended up with the beat sequence being 30 tracks on the MPC (they’re usually 15 or so). It was definitely necessary to do this, because the contrast of the smooth flows of the low end to the scratches and samples really gives the track variation, and gives it a lot more presence throughout, definitely was worth the time and effort.

Peace!

Lifetime Impression (Instrumental)

mixed some of my favorite songs on this site finna practice my djing

i got a controller

See Dee - Special Way

c'est la vie [kilamdapro]

stream on spotify https://open.spotify.com/artist/36r4ltZmLqtiDBdAs9XSqn?si=eclzdQPOTW2GlYnuiF2trw&dl_branch=1

A Lot Of Noise For Nothing

girlfriend

inspired by @pearlchilds

ig: https://www.instagram.com/itsbucketslol/
twitter: https://twitter.com/buckets223

in too deep

chaptr_sevn

support me / tracklist / bandcamp:
https://takeyouthere.bandcamp.com/album/takingyouthere-11

this about to be my new main account bc im out of unlimited uploads on the OG acc and i refuse to pay the new bullshit ass price of $16 a damn month for soundcloud pro

https://youtu.be/5K867PUqQSc

takingyouthere 11

Made this on stream back in July lol follow to see me when I'm live! https://www.twitch.tv/waypast_

More drops coming very soon, be on the lookout!

Sacred Grove Bartender

Mr. SWIM é um projeto que se distancia das ideias exploradas nos meus trabalhos anteriores. Aqui, busco uma sonoridade que provoque a nostalgia interior do ouvinte, uma memória sonora que não precisa ter sido vivida para ser sentida. O álbum foi masterizado com a intenção de simular a qualidade de dispositivos de décadas passadas, trazendo uma textura envelhecida e intencionalmente imperfeita.

Agradecimentos especiais a fuxkxav, responsável pela master que deu vida ao conceito, 4kboinear pela mixagem das faixas, e wxristine pelo desenvolvimento visual que traduz exatamente o que o som carrega.

ｂｌｏｗ ｍｙ ｌｏａｄ

FOREVER BOOMBAP RMX

^THAT BOY^

getting better w leads and chords

@legend216

cover by @chokokid

photo by me

two time w/ legend

stream !!

rule

Bumping Music Since '98
Hardcore Listener of Superb Tunes 

-Live Your Life Homies & Homiettes-

b-sides, throwaways, drafts, n whatever i feel like uploading

i got a controller

two smoov (sheldon charlot on spotify)

Recent comments

ateezy

EASYWEEZY🎱🧑🏾‍🦯

BISKET <3

BISKET <3

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