When It's Raining

I Won't Do (All The Things That You Do)

My man

an edit and slight remaster, trying to familiarize myself more with peak limiters and clippers so i'm not relying solely on Ozone for such things. Shelley says the song is essentially about rumours and madness. original can be found here: https://soundcloud.com/david-attic/birds-1?in=david-attic/sets/the-sisters-sournois&si=7eea2492ee2048a78a978daf200a9595&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Birds (corrupted courier edit)

[Verse 1]  
She says,  
It helps with the lights out.  
Her rabid glow  
Is like braille to the night.

[Verse 1 – Shift]  
She swears  
I'm a slave to the details.  
But if your life is such a big joke,  
Why should I care?

[Chorus]  
The clock is set for nine,  
But you know you're gonna make it eight,  
So that you two can take some time—  
Teach each other to reciprocate.

[Verse 2]  
She feels that my sentimental side  
Should be held with kid gloves.  
But she doesn't know  
That I left my urge in the icebox.

[Verse 2 – Shift]  
She swears  
I'm just prey for the female.  
Well then hook me up and throw me, babycakes,  
'Cause I like to get hooked.

[Chorus – Variation]  
The clock is set for nine,  
But you know you're gonna make it eight.  
All the people that you've loved—  
They're all bound to leave some keepsakes.

[Chorus – Reprise] 
I've been swinging all the time.  
Think it's time I learned your way.  
I picture you and me together—  
In the jungle, it will be okay.

[Bridge]  
I'll bring you when my lifeboat  
Sails through the night—  
That is supposing that  
You don't sleep tonight.

[Verse 3]  
It's like learning a new language,  
Helps me catch up on my mind.  
If you don't bring up those lonely parts,  
This could be a good time.

[Verse 3 – Shift]  
It's like learning a new language—  
You come here to me.  
We'll collect those lonely parts  
And set them down.  
You come here to me.

[Outro]  
She says brief things,  
Her love's a pony,  
My love's subliminal.

She says brief things,  
Her love's a pony,  
My love's subliminal.

She says brief things,  
Her love's brief,  
My love's subliminal.

[Coda] 
She says brief things,  
Her light is brief,  
My darkness eternal.

———

A fractured post‑punk hymn to fleeting connection, ironic intimacy, and the ticking pulse of time.

“The Clock” is a jagged meditation on intimacy and irony, ticking through fractured verses and surreal confessions. With Interpol‑inspired guitar work and post‑punk detachment, it captures the ache of connection that never quite lands — a love that’s brief, subliminal, and always half a beat off.

———

Genre: Post-Punk Revival
Key: F Major
BPM: 150
Time Signature: 4/4

———

Inspired by the legendary band 'Interpol'.

———

Artist: Kareem Tyler 
https://www.instagram.com/tylercraftsart

© 2025 Kareem Tyler. All Rights Reserved.

The Clock

The Ground is Soft and Glowing Pt. 2

You walk through doors that once were closed,
with secrets only silence knows.

[Chorus]
Alone—
you haven’t felt love in years.
Alone
not sure if someone missed you through the tears.
That feeling…
is the one you truly miss.

[Verse 2]
So now, go on, reshape your mind,
trade old beliefs for new design.
You turned your gold into the mud,
a kingdom crumbled into dust.

What once you had, you didn’t buy,
now you know the cost of that old lie.
You see how blind you’ve always been—
in love, in loss, in your own skin.

[Chorus]
Alone—
you haven’t felt love in years.
You don’t want to
be alone—
no memory that someone held you dear.
And that ache…
that’s what you truly fear.

[Bridge – dreamy instrumental / falsetto echoes]
“All that I am, I gave away…”
“The mirror cracked, but still I stay…”
“A wave of love, it pulled me out…”
“She changed me—there’s no doubt.”

[Final Chorus – full band, emotional lift]
You changed yourself and the world turned new,
a wave of love, it carried you.
Out of the cage, the golden haze,
away from guilt, away from blame.

[Outro – repeated, fading]
Yeah… yeah…
That’s the feeling…
That’s the feeling…
you were mi

empty phrases

Falling through the cracks of the night
No stars just shadows no light
A maze of mirrors twisting tight

Eyes closed but wide awake
The walls hum and quake

Take me out take me far
Past the edges where we are
Where the echoes whisper dust
Nothing left nothing to trust

Colors drip like melting glass
Time bends won't let it pass
Every second an endless mass

Take me out take me far
Past the edges where we are
Where the echoes whisper dust
Nothing left nothing to trust

The ground is breathing
The air is bleeding
Feel it feeding
Feel it needing

Dust

Borrowed Voices

The Love I Found in Space

i love the taste of perfume

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Project KT (Knowledge Transfer) is the solo vision of Kareem Tyler—a multidimensional artist navigating the limits of the physical realm through immersive, genre-blending sound. Fusing progressive rock, symphonic fusion, post-punk ambience, and metallic catharsis, Project KT crafts cinematic soundscapes led by violin, orchestral depth, and raw poetic tension.

After a life-altering accident caused partial vocal cord paralysis and ended his ability to play piano, Kareem rebuilt his artistry through digital composition and visual design—transforming personal trauma into transcendent expression.

That rebirth came to life in Echoes of the Void (2025), a symphonic progressive metal epic charting entropy, solitude, and rebirth across expansive movements. Its companion, Beyond the Void, reimagined the work as a cinematic and orchestral odyssey, featuring Canadian singer-songwriter Valeria Rusnak, whose operatic vocals added radiant contrast to Kareem’s baritone foundation. Together, they forged a dialogue of shadow and light, entropy and grace.

Though Project KT remains firmly Kareem’s vision—writing, producing, and shaping every detail—he is actively seeking a female vocalist to further embody its still-untold emotional core. With an evolving presence on Instagram, BandLab, and SoundCloud, Project KT continues to weave cross-medium narratives that fuse sound, image, and meaning.

For listeners and collaborators drawn to gothic romanticism, cinematic drama, and genre-fluid experimentation, Project KT offers more than music—it is an echo unfolding into infinity.