Geilo

bokma - join the journey

Fusion 2023 - still speechless! Thank you Tanzwüste

Oliver Huntemann Fusion Festival 2023 I Tanzwüste FULL SET

bokma - Klangkulisse Clubnacht 03.02.24

MonoGroove @ Zirkus-Geburtstag Klangkulisse 20.1.2024

RED SUNSET

Please meet Ricardo Vincenzo, your shaman from Sao Paolo for the next hour in the next Urban Cosmonaut Radio podcast #24.

But he’s not just a shaman - he’s also an avid collector of samples and an audio collage enthusiast with exquisite taste in forgotten old songs and Brazilian tropicalia infused music. In a melange of leftover samples, organic shamanic sounds and spiritual tunes, we are immersed in sounds and spheres unique to him. 

Having learned the piano as a kid, Ricardo had been making experimental music for a few years before starting his solo project, which he describes as having more dance floor friendly elements. His productions are inflenced by funk carioca music, which also produced as live sets with samples, repetitive phases and vocal percussions. 

Like a chef creating a culinary experience, we’re hungry to discover the sound scapes he has cooked for us and say: Bom apetite!

Find R. Vincenzo here:
@rvincenzo
www.facebook.com/rvincenzomusic

Samplelist

UCR #024 by R Vincenzo

This month we present the lovely Jeanette Trèsbien from our hometown Hamburg.

https://soundcloud.com/jeanette-tr-sbien
Tracklist by request.

Forthcoming in August: Olivier Gobelet (The Magical Flying Love Lab, Leipzig)

Pingipung Podcast 70: Jeanette Trèsbien - Hitschleuder

Live recording of Frechbax and Hotzenplotz b2b Set from 10.02.2017 @ Hans-Bunte Areal in Freiburg)

https://www.facebook.com/frechbax
https://www.facebook.com/soundHotzenPlotz

DJ-Set

FRECHBAX b2b HOTZENPLOTZ @ Psychedelic Impact 2017 Part 1 (Techno @ 125bpm)

bisquit from reality

heart-core

First single "ICARUS: RISE" from the new album "SPECTRAL" 
Shop: https://www.catsandbreakkies.com/shop 
Facebook: https://www.facebook.com/catsandbreakkies
Instagram: https://www.instagram.com/p/BwubQXLhWNU

TOUR 2019:

28.06. - DE-Lärz - Fusion Festival
06.07. - DE-Hildesheim - Wallungen
13.07. - DE-Halle - Neuwerk 7
26.07. - DE-Camps Tipsy
27.07. - DE-Neubrandenburg - Detect Classic Festival
30.08. - DE-Plauen - Rampa Zampa 
28.09. - DE-Berlin - Mensch Meier
03.11. - DE-Berlin - Sisyphos

Johannes Gottschick (piano & synths)
Benedikt Schnitzler (guitar) 
Bastian Kaletta (bass) 
Raphael Kaletta (drums & percussion) 

composed and produced by Cats & Breakkies at Tiny Bay Studios Berlin mastered by HP Mastering Hamburg 
artwork by Cats & Breakkies and Stephanie Scholz 
many thanks to Udo Masshoff for lending us his amazing custom built drumset!

Spectral

ICARUS: RISE

This nearby forgotten mix/compilation I did years ago for my friend Hugues,  after he asked me, what my musical roots are...

Recollection

sonne sticht, sekt in sicht

Neue Episode, altes Material - bevor Corona in Österreich zum Thema wurde, haben sich die Nachtigallen mit den Anfängen des Technoclubbings in Wien beschäftigt, und wir ließen uns für unsere eigentliche erste Episode zu einem Wiener Techno-DJ-Godfather einladen.
Gerald Scheiber aka Scheibosan erzählt uns in seiner "Wiener Technogeschichte" von italienischen Indianern in den tiroler Alpen, weißen Handschuhen im wiener Untergrund, und klärt auf, wie Clubkultur und Kommunalpolitik für eine nachhaltige Ordnungsplanung sorgen könnten.
Hört rein in unsere neueste, älteste Aufnahme!

Mit dabei sind diesmal Samples von
* DJ B.D & T.B.C in the Mix, unknown sample (https://www.youtube.com/watch?v=tkzBHO9wQBU ab 24:00)
* Transparent 303 - Reverberation
* Rino(IO)DJ - I Am Not Your Juke Box (Markus Dohelsky & Scheibosan Remix)

#02 DJ Scheibosan - Wiener Technogeschichte

@acidpauli
facebook.com/therealacidpauli
twitter.com/acidpauli
instagram.com/therealacidpauli
@ouiemusic
facebook.com/ouiemusic
instagram.com/ouie_music

“Basically my albums have developed into my personal field of experimentation” says Martin Gretschmann, aka Acid Pauli. Known primarily for his psychedelic, leftfield club sounds that weave between slo-mo beats and deep burners, his EPs, remixes and collaborations have generally been more focused on the dancefloor. With his latest album, MOD (his third full-length released on his own Ouie label), Gretschmann goes in a tangential direction, drawing inspiration from modular synthesis and the scene that has flourished around it over the last years. The result is an album produced almost entirely with modular systems, inspired by the possibilities and restrictions of carefully shepherding machines that sing to themselves. 
“I know a lot of people who somehow found themselves and electronic music in a boring dead-end alley, and who have now found completely new worlds through modules”, he explains. Experimental as MOD may be, it certainly isn’t ‘difficult’ or inaccessible - or as someone put it, the nine tracks here are “soft, elegant, fluent, dreamy - the tracks achieve the effect of space-time morphing - magical states”. 
The album is best heard as one continuous piece, allowing it to unfold its delights gently. Most of the tracks were recorded live in one take - often with Gretschmann recording up to 10 different versions before choosing the final piece. 
Propagating Flip Flops starts things off - its glitchy textures and sync-shifting set the scene for the album - the sounds evolving and developing before resolving into a warm, ethereal tone. Intellijel Bell is made up of deep loops of rhythmic sounds, while metallic sounds and a submerged jazzy undertone hint at the classic Acid Pauli sense of fun. Acid On Yusef uses looped up rhythmic pulses and bass tones, joined by modulated beeps and blips. A touch of that iconic liquid acid sound pulls it together and gives the track its name. Sublime Frequencies Of Cairo is another beatless, floating collection of loops that shift and morph - seemingly suspended in space, before an ambient orchestral element resolves the track. 
As the title suggests, Du Brecht, Ich Dub revolves around a bass heavy sound, building up a rhythm of disparate elements that develop into a tense yet somehow weightless groove. Life Polarizer is further evidence that an Acid Pauli album will always somehow drift back towards the groove. The track works the effects pretty hard - sounds pinging between left and right and ebbing and flowing into the mix. Peace Waer Schoen also makes heavy use of delay to create a dubbed-out, wonky feel. The freedom of getting away from computer based production is referenced sardonically in Quantize Hell - its bleepy sounds find a rhythm and progression outside of the grid. Finally, No Kick, No Cry brings the journey to a close - it’s the first and only kick drum of the album and adds a structure to the magical unpredictability of the looped sounds. 
The album’s artwork perfectly reflects these sounds within - created by musician and artist Billy Caso. Each track is also accompanied by a minimalist video, created with a device from this modular world - the "Vidiot". It’s clear that in MOD, Gretschmann has produced a homage to the modular scene that might inspire as many people as it delights.

Acid Pauli - No Kick, No Cry

Sunday Afternoon, behind the dike, in the middle of nowhere, the endless wides of the north german countryside. 
Here I was invited and alloud to play my very first time a ecstatic dance. 
For me one of the biggest pleasures as a Dj, playing infront of this people and give everything in this short time ...and it was just great ( ͡° ͜ʖ ͡°)

THX FOR THE MUSIC :) !!!
Barbarella // DJ Nirso // Thornato // Quantic Music // Dominik Eulberg

ƸӜƷ https://consciouscelebration.com/
ƸӜƷ https://www.claritamaria.de/

Download

Ecstatic Dance Mix @ Conscious Celebration Festival 2020

Du Bunter Vogel

Never trust a DJ who can’t dance.

∞∞∞∞∞∞∞
24.04.2020 -> Aka-Tapes at Hotel Bar (Zürich/CH)
07.03.2020 -> Ladys Night @ Klangkulisse (Jesendorf/D)
07.02.2020 -> Aka-Tapes at Hotel Bar (Zürich/CH)
24.12.2019   -> Furikui Weihnachtsritual Kaschemme (Basel/CH)

heart-core

• tyna-mite •

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