really good to listen to gonjasufi every time in a while. It peace your soul

Low End Theory 2016

Raekwon & Ghostface killah - Slim Thick Remix (Dirty)

Raekwon & Ghostface KIllah- All About The Money  Remix  (Dirty)

This is an ATTEMPTED compendium of all the covers Alex Chilton recorded and released from 'Like Flies on Sherbert' onwards- there are a few editorial and logistical omissions. Tried to not double dip but Allan Page's A and B sides are two good not to include (released and produced by legendary Memphian Cordell Jackson.) TBH as I edited this down it just reminds me of a pretty tricked out and iconoclastic oldies radio station late at night-which I am sure Alex and the oceanic jukebox of his mind would approve of. Track list as follows-
1. Chris Kenner - Sick and Tired
2.Allan Page- Stranded on a Dateless Night
3.Troy Shondell- Girl After Girl 
4.Lowell Fulson-Make a Little Love
5.The Seeds-Can't Seem to Make You Mine
6.Jimmy C Newman-Alligator Man
7.Lou Christie-I'm Gonna Make You Mine
8.The Bell Notes-I've Had It
9.Danny Pearson-What's Your Sign Girl
10. Domenico Modugno- Volare 
11.Rosetta Howard- If You're a Viper 
12.Joe Groundhog Richardson- Take It Off
13.The Troggs- With a Girl Like You
14.Adriano Celentano- Il Ribelle 
15.Nina Simone- My Baby Just Cares For Me
16.Gary Stewart-Single Again
17.Ernest Tubb-Waltz Across Texas
18.Ollie Nightingale - You Got a Booga Bear Under There 
19.Buddy Johnson -Save Your Love For Me
20.Eddie Floyd- I've Never Found a Girl (To Love Me Like You Do)
21.Willie Tee- Thank You John 
22.Jan and Dean-New Girl in School
23.Carla Thomas-B-A-B-Y
24.Slim Harpo-Te Ni Nee Ni Nu
25.Allan Page-She's the One Who's Got It
26.Chet Baker-Time After Time
27.Nat King Cole-Somewhere Along the Way
28.Ella Fitzgerald-All of You
29. Furry Lewis- I Will Turn Your Money Green

December Boyz

ice cave 3 75 bpm 22625 take 1

A selection of tracks from Rupert Clervaux & Beatrice Dillon's 'Studies I-XVII for Samplers and Percussion'. 

Available on LP and as a download.  All LPs come with the download included.

II – by Rupert Clervaux & Beatrice Dillon

The song is 4/20 of the Red Bull 20 Before 16 series – 20 days, 20 artists, 20 exclusive tracks to take you into 2016. For more tracks and free download head to 20before15.redbull.com


Free Download

Classical Moog (Red Bull 20 Before 16) [from the forthcoming album The 13th Floor)

Top Dawg Entertainment | 10 Years | 30 Albums 

MixedByAli's TDE Throwback Mix | 1-1-16 | Week 1

High Enough (Halsey Flip)

Hippies Wearing Muzzles - Kakapo Strigops
From the album Animist Pools

Watch the video here: https://youtu.be/EU9wt12bzKw
Bandcamp Pre-Order: http://smarturl.it/hp07-bc

©2016 Human Pitch / www.humanpitch.fm

Hippies Wearing Muzzles - Kakapo Strigops

MU.ZZ.LE
http://bleep.com/index.php?page=release_details&releaseid=33055

MU.ZZ.LE

Nikels and Dimes

Gonjasufi - Nikels and Dimes

Noah's Ark

Bisonours

Ursula Bogner: Winkel Pong
Format: 7” Vinyl/DL
Label#: faitiche15
Release date: Sept 8th 2017
 
Faitiche is delighted to announce the release of a new Ursula Bogner record (faitiche15). Winkel Pong contains three previously unreleased pieces from the archive of the sound researcher who died in 1994. In 2008, Jan Jelinek put together a first album from Bogner’s tape archive (CD/LP Recordings 1969-1988, faitiche01). A second followed in 2011, compiled this time by Andrew Pekler (CD/LP Sonne = Blackbox, accompanying the book of the same name with texts, photographs and Bogner’s graphic oeuvre). For Winkel Pong the tape archive was passed on to Lucrecia Dalt. The Berlin-based Colombian sound artist and musician chose three tracks from the 1980s (exact dates unknown), editing the tape recordings for their release on Winkel Pong.
 
Gundrun Gut (Malaria!, Einstürzende Neubauten), an activist and reluctant chronicler of Berlin’s underground scene since the 1980s, has worked with Lucrecia Dalt. She is also familiar with Ursula Bogner’s work. Reason enough to ask her for an interview:
 
Jan Jelinek: Gudrun, how does it feel to be constantly obliged to talk about the 1980s Berlin underground as someone who was there at the time?
 
Gudrun Gut: I’ve learned to live with it as there are clearly too few people who witnessed it first-hand. Maybe it’s even important to do these interviews as a woman – so that someone actually says that women, too, have written music history. Men tend not to mention this. But it’s true, people do always ask the same questions.
 
JJ: Did you know about Ursula Bogner in the 1980s? Did you ever meet her?
 
GG: No, I never met Ursula Bogner in person and I only discovered her in 2008 thanks to Faitiche. But that’s no surprise: firstly, I don’t know every single woman artist, and secondly, far too many women artists never see the light of day. In the male-dominated art and music market, women are not considered important – or worse still, they are not understood. Look at artists like Sonia Delaunay, Eva Hesse, Bebe Baron, Delia Derbyshire and Daphne Oram. Some of them have now been discovered – but only recently. A lot has changed in the last few years: there is a growing awareness of art and music made by women.
 
JJ: But isn’t it annoying that the conventional distribution of roles still applies? One example: in many articles, Ursula Bogner has been presented as an “electronic housewife”.
 
GG: When Ursula Bogner is referred to as an electronic housewife, then sadly that reflects the situation of many women artists at the time. Women could only pursue artistic activities in private – transcendence was reserved for men. This has still not been overcome. But today, the home has become a site of professional production for all. I’m talking about bedroom producers: it is totally normal to make art and music at home. And that makes things interesting, because “working at home” is no longer associated solely with women.
 
JJ: For Winkel Pong, Lucrecia Dalt compiled and remixed three pieces from the Bogner archive. You know Lucrecia and you’ve already worked with her. How did you meet?
 
GG: I met Lucrecia through MySpace – I think it was 2007. Back then she was still living in Medellin, Colombia. Lucrecia’s father made loop machines for her that she still uses. The Sound of Lucrecia was part of my 4 Women no Cry compilation series on Monika Enterprise, each with four producers from different countries. She’s great fun to watch as a performer because she has a unique sense of rhythm and feel for music. Above all I’m impressed by her sustained approach as an artist, someone who can and does think around corners. I’m thinking specifically of her album Ou, for which she ploughed her way through post-war German cinema, using it as a source of inspiration for a soundtrack. This is proof that she thinks like an engineer – so it makes perfect sense that she would want to explore the work of Ursula Bogner.
 
Berlin, 2017

Ursula Bogner: Atmosphärische Energie (edited by Lucrecia Dalt)

Taken from New Hymn To Freedom:
http://szunwaves.bandcamp.com/album/new-hymn-to-freedom

Szun Waves - Temple

Nº4
Kranky records
https://christinavantzou.bandcamp.com/album/no-4
www.kranky.net
RELEASED APRIL 6, 2018

1.  Glissando for Bodies and Machines in Space 
2. Percussion in Nonspace 
3. At Dawn 
4. Doorway 
5. Some Limited and Waning Memory 
6. No.4 String Quartet 	
7.  Staircases
8. Sound House
9. Lava 
10. Garden of Forking Paths 
11.  Remote Polyphony ft. Steve Hauschildt

Nº4

Hoodlum !

Spacemen 3, led by Pete Kember (Sonic Boom) and Jason Pierce have never been more influential, and now their distinctive style and sound can finally be properly recognized and enjoyed in their original form.

The debut album "Sound Of Confusion" is now presented on 180 gram white vinyl. Released in 1986, it was a blistering affair - establishing their love of the two-chord song and also expressing their admiration for the likes of MC5, The 13th Floor Elevators and The Stooges. Sound of Confusion was 7 tracks of overdriven assault, with a strange bleakness and despair creeping through the hypnotic sprawl. R Hunter Gibson would later say: "It boosts the value of unlit rooms, unpaid debts and unfeigned terror and it would rather tackle the gradients than settle for level best."

Keep up to date with Fire Records at facebook.com/Firerecords


Gonjasufi - Nikels and Dimes

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