Bed16'

We’re proud to present you our offical remix for Matt Simons ‘Catch & Release’!

Show some love on Hypem: http://bit.ly/1Ev6wEW

Supported by:
Thomas Jack - Klingande - Kav Verhouzer - Lost Frequencies - Sam Feldt - De Hofnar - Felix Jaehn - Autograf - Vijay & Sofia Zlatko - Dennis Kruissen - Alex Cruz - Nicolas Haelgh - Henri Pfr - Cemode - Zwette - Roul & Doors - Ping Pong - MÖWE - Giel Beelen (3FM) - Gostan - Sebastien - Lou Van - Sonny Alven - Niklas Ibach - Lulleaux

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Matt Simons - Catch & Release (Deepend Remix) - [OUT NOW!!]

my soul is with god

Tick Tock Suno A.I cool Sax edition

Hey!

Welcome to my new bi-monthly mix series the 'Blueprint'. Kicking off 2016 with a bang... I found some very interesting and awesome new music along with a couple of classics!
Enjoy, press play and don't hesitate to leave a comment, always appreciated :)

JB x

Tracklist:

01.Jonas Blue - Fast Car (Feat. Dakota)
02.Tez Cadey - Seve
03.Nora En Pure & Sons of Maria - Uruguay [EDX's Dubai Skyline Remix]
04.Coldplay - A Sky Full of Stars [Robin Schulz Remix]
05.SNBRN - Beat The Sunrise (Feat. Andrew Watt)
06.Moonbootica - June [Robby East Bootleg]
07.Nhyx - Weekend Milliardaire [Beatsession Remix]
08.Sam Feldt - Show Me Love (feat. Kimberly Anne) [EDX Remix]
09.Oliver Heldens & Shaun Frank - Shades of Grey (Feat. Delaney Jane) [Nora En Pure Remix]
10.Watermät & TAI - Frequency
11.DJ Snake - Middle (Feat. Bipolar Sunshine)
12.Calvin Harris - Sweet Nothing (Feat. Florence Welch) [Diplo and Grand Theft Remix]
13.Exlau - Moments
14.Jess Glynne - Hold My Hand [Chris Lake Remix]
15.Tiësto & Oliver Heldens - Wombass
16.Lost Frequencies - Are You With Me (Calvo Remix)
17.Dillon Francis & Kygo - Coming Over (Feat. James Hersey)

More info :
www.facebook.com/jonasbluemusic
www.twitter.com/jonasbluemusic
www.instagram.com/jonasbluemusic

Fast Car

Fast Car (feat. Dakota)

NEW MUSIC! 'Never Be Like You feat. Kai'. We were sending ideas back and forth online, then met up in NYC and this is what we did.

Order the Skin vinyl at http://flu.me
Watch the "Never Be Like You" film clip: http://smarturl.it/FlumeVEVO

Stream Skin: http://smarturl.it/SkinStream
Spotify: http://smarturl.it/SkinSpotify

Download Skin on iTunes: http://smarturl.it/SkiniTunes
Amazon: http://smarturl.it/SkinAmazon
Google Play: http://smarturl.it/SkinGooglePlay
Beatport: http://smarturl.it/SkinBeatport

Follow @Flume
Facebook: https://www.facebook.com/flumemusic
Instagram: https://www.instagram.com/flumemusic
Twitter: https://twitter.com/flumemusic
Spotify: http://smarturl.it/FlumeEssentialsSP
SoundCloud: https://soundcloud.com/flume
Apple Music: http://smarturl.it/FlumeConnect

Follow Kai
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SoundCloud: @listentokai
Website: http://www.listentokai.com

Download 'Skin'

Never Be Like You feat. Kai

Christine and the Queens

Tilted

The Very Best Of

Light My Fire

Pink Floyd - Learning To Fly

 The story of UB40, and how this group of young friends from Birmingham transcended their working-class origins to become the world’s most successful reggae band is not the stuff of fairytales as might be imagined. The group’s led a charmed life in many respects it’s true, but it’s been a long haul since the days they’d meet up in the bars and clubs around Moseley, and some of them had to scrape by on less than £8 a week unemployment benefit. The choice was simple if you’d left school early. You could either work in one of the local factories, like Robin Campbell did, or scuffle along aimlessly whilst waiting for something else to happen.

By the summer of 1978, something else did happen, and the nucleus of UB40 began rehearsing in a local basement. Robin’s younger brother Ali, Earl Falconer, Brian Travers and James Brown all knew each other from Moseley School of Art, whilst Norman Hassan had been a friend of Ali’s since school. Initially, they thought of themselves as a "jazz-dub-reggae" band, but by the time Robin was persuaded to join and they’d recruited Michael Virtue and Astro – who’d learnt his craft with Birmingham sound-system Duke Alloy – the group had already aligned themselves to left-wing political ideals and forged their own identity, separate from the many punk and Two Tone outfits around at that time. The group had nailed their colours to the mast by naming themselves after an unemployment benefit form. Their political convictions hadn’t been gleaned second hand either, but cemented in place whilst attending marches protesting against the National Front, or rallies organised by Rock Against Racism.

By the time Chrissie Hynde invited them to tour with the Pretenders during the summer of 1980 and their debut single "King b/w Food For Thought" had sailed into the UK Top 5, all the essential elements of UB40 were already in place. Their line-up will remain unchanged for almost thirty years, and they will continue playing a mix of original material and inspired choice of reggae covers in a style that’s instantly accessible with its bright melodies and sweeping horn arrangements – one that’s allied to a formidable rhythm section, capable of holding its own with anything from Jamaica.

UB40’s first album was released the following September, on Graduate Records. Their deal allowed them more creative freedom than if they had signed with a major label. The cover artwork memorably duplicated an unemployment benefit card, with the title "Signing Off" rubber-stamped in red, but it was the music that quickly worked its way into the affections of a young, mainly student crowd with its knowing lyrics, solid reggae rhythms and dubby, instrumental passages, offset by warm horn solos and Jamaican style scatting. There was nothing else like it at the time. As a multi-cultural band from Birmingham, UB40 weren’t drawn into trying to sound "authentic," and there was considerably more depth to their music than that of many punk and 2Tone bands. "I’m a British subject, not proud of it, whilst I carry the burden of shame," they sang on one of the tracks. Accepting the truth of their own situation amidst a sea of other reggae songs proclaiming black heritage gave us a valuable insight into where UB40 were coming from. They were unafraid to stand up and be counted, and British audiences instinctively loved them for it. "Signing Off" duly went to No. 2 in the UK and stayed on the nation’s album charts for 72 weeks.

On September 2nd, 2013, UB40 released their latest album ‘Getting Over The Storm’ on Universal/Virgin Records.

Light My Fire

UB40 Official

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