Name: Glass Credit by Lorica/Avbvrn
Duration: 4 min 20 s
Description: Emptying out my archive of music with the first part of a set of tracks from 2012-2021 that never quite found a home.

from the forthcoming cassette "Toward Zero Death" by Karl Raymar

A sentient chill passes through and awakens a resting body in the cathedral. Faintly heard in its wake are repurposed tape-looped fragments of commercial Halloween kitsch that excavate earliest memories of the season. The sound is eventually lent an atemporal quality by an overlaying of chorused strings, occasional voice, chilly electronic tones, possible magnetic tape EVP. Karl Raymar brings you this personal soundtrack of the season where, as years pass, we more deeply contemplate and celebrate the shift of natural cycles, acknowledge that Death is inevitable but also part of the process in which new things grow; where, with joyful and serious intent, we pay tribute to those we were fortunate to know in the brief window of our lives, an understanding of impermanence to deepen our appreciation of the present moment. Time collapses in the glow of static, leaves redden and decay, souls march through the woods, we light a candle and ring a bell.

Karl Raymar - First Day of Fall

RELEASE DATE: Nov. 4th, 2022

http://www.misanthropicagenda.com

Prerequisite is the first collaboration between Network Glass and
Jason Crumer.

Developed from an adaptation of John Cage’s “Fontana Mix,” came a
long brewing but unlikely marriage of contrasting attitudes and
approaches to sound work. Through the vocabulary of modern noise into
the ether of the distorted and fucked, hours of source material were
shaped into a concentrated six piece album. Years of friendship,
foehood, shit talk and gushing led to this auditory thesis on the
state and history of noise.

On “Prerequisite" the olde folk theory "Incapacitants are just
distorted fontana mix" gets tested and proven very right and very
wrong. Don't worry, noise can take it. A modern look at
America's great noise Prerequisite.

- Network Glass and Jason Crumer

Prerequisite

Network Glass and Jason Crumer "Prerequisite"

Lost In Ether | P R E M I E R E | Bride - Brittle Winds Coming [Post Hoc]

taken from: PH004
release date: 041022
shops links: https://post-hoc.bandcamp.com/album/v-a-summers-end-vol-2-ph004

explore more:
https://soundcloud.com/posth0c
https://www.facebook.com/p0sthoc/
https://soundcloud.com/posth0c
https://www.instagram.com/p0sthoc/

Lost In Ether | P R E M I E R E | Bride - Brittle Winds Coming [Post Hoc]

From album Ryterski - “Gaymers’ Cheatsheet”
Releases October 24, 2022
Pre-order: https://pointless-geometry.bandcamp.com
Limited edition of 60 copies / C-55 cassette
POINTLESS GEOMETRY 2022 / POINT#50

Music by Rafał Ryterski / www.rafalryterski.com
Recorded in Warsaw 2021-2022
Mastered by Fausto Mercier / @fausto_mercier
Artwork by Joanna Dyba / www.instagram.com/hyper_matter

“Gaymers’ Cheatsheet” was born in the realms of camp. It’s pretty obvious from the 1st notes of bubblegum-like, fluorescent energy explosions. It is also quirky and hyperpop - from the first to the last second. It’s an ode to the frivolous, queer and colourful domain. It almost feels like RYTERSKI exploded it out of his very own body in the shape of a spectacular rainbow. The sound of it is very far from what we assume to be “contemporary music” (remember Rafał Ryterski has exactly this academic background as a composer) and what we love about it is that it feels like the manifesto of boundless creative freedom and imaginative sound design taken to the highest hights. Please don’t forget it’s also the tribute to RYTERSKI’S fav video games. For example Blacephalon is a Pokemon. Its slender torso and wide hips are yellow with alternating blue and pink stripes - and maybe that’s the best blurb for this piece of music.

Gaymers’ Cheatsheet

Ryterski - Blacephalon / POINT#50

The latest release by Australian, Berlin-based artist Felicity Mangan collects a series of works created during 2020 and 2021 and reveals the artist’s fascination with all things water and other related phenomena. Featuring a wide scope of works – a recording of a performance utilising biorhythms and timbres collected from river banks sits next to a monophonic installation piece inspired by both amphibians and amphitheaters or recordings of a human-frog conversation – ‘Wet On Wet’ is fascinating both in concept and sonics, continuing to expand on Mangan’s previous interest in biophonic patterns, quasi-bioacoustics and aural illusions.

Wet On Wet

Felicity Mangan – Digging The Pedospheric Vibes I

Emptying out my archive of music with the first part of a set of tracks from 2012-2021 that never quite found a home.

Glass Credit

Yesterday, I drank with two friends for the first time in a long time.
It was a very interesting time with them, but I can't remember the proper nouns that came up in that conversation.

221124

TRACKLIST:
Ryuichi Sakamoto & David Sylvian - World Citizen_I won’t be disappointed (Hildur Guðnadóttir Remodel)
Schönberg Ensemble & Barbara Sukowa - Im Wunderschönen Monat Mai
Nicholas Collins - Broken Light I. Corelli 
Clarice Jensen - BC
Dumb Type - Forest of Memories 
Stefano Pilia - Stand Behind the Man Behind the Wire
Simon Fisher Turner - All Paths Lead to Rome 
Marin Marais, Sophie Watillon - Chaconne Reportée (Mr. Sainte-Colombe)
Stefano Pilia - XIII
Dumb Type - In A Spin
Dumb Type - Ring-a-rosy
David Torn - The Entire Wish Spent Timing
David Torn - Acosay Phone Mojo
Susumu Yokota - Long Long Silk Bridge 
David Sylvian - Approaching Silence
Claudio Rocchetti - The Work Called Sitano
Simon Fisher Turner - The Dead Travel Fast
Mark Hollis - A New Jerusalem
Simon Fisher Turner - I Love You More Than My Eyes
Ryuichi Sakamoto & David Sylvian - World Citizen_I won’t be disappointed

Guest Mix 231222 x Holy Similaun @ Paranoise Radio

Lush

Clay

OG trak -> https://soundcloud.com/sublabmusic/fatal-temper

Fatal Temper - Sublab (Slowed)

bookings/questions: lorica@ubinas.net

@earlyreflex @displayseries @decisionsrecords @ph17music 

@two-hands-cup

fka Avbvrn

Glass Credit

Lorica/Avbvrn

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