Art History Lectures

Speakers: Adrian Hearn (Melbourne), Ariel C. Armony (Pittsburgh); Chair: Paulo Drinot (UCL-IA) - This presentation examines Latin American perceptions of deepening Chinese trade and investment. China’s growing influence in Latin America is evident in the growth of bilateral trade to $240 (£143) billion in 2013, and a new wave of investment announced during Xi Jinping’s July 2014 regional tour. Alongside mining and energy, agriculture has become critical to Sino-Latin cooperation, driven by unprecedented demand for food as Chinese cities progress toward the target of one billion residents. Chinese acquisition of Latin American land for food production has proven more contentious than investment in other primary sectors, mainly because of local suspicion of Chinese state-owned enterprises. In Brazil, which provided 45 per cent of China’s 2013 soybean imports (amounting to 33 million metric tons worth $17.2 billion), President Rousseff has warned that 'inane xenophobia' may ward off Chinese investment.


UCL Americas Seminar: China and LatinAmerica: from Cyberspace to the Farm Gate

This paper, originally given as the Luis González lecture at the Colegio de México in early 2014, compares the (neglected) military dimension of the Mexican Revolution to the First World War in Europe, using the concept of 'total war' as the bridge; it defines 'total war' (in two distinct senses) and argues that, notwithstanding the dismissive comments of some historians of Mexico - for whom the armed revolution was a chaotic fiesta de balas, a 'carnival of bullets' - the revolution involved very costly mass conventional warfare. The argument, involving both demographic and military analysis, concludes that, in Mexico as in Europe, total war profoundly affected society, leaving a legacy of violence, veteran activism, and an incipient 'social pact' that underpinned the social reform and state-building of the 1920s and '30s.

UCL Americas Seminar: Mexico - Europe 1914 Total War

In this episode, Awa and Lavin discuss diasporic consciousness, focusing on the themes of belonging, identity, and home. Drawing on their experiences and reflecting on Warsan Shire's poem "Home," they explore what it means to feel at home.

Diaspora Diaries Episode 2: Diasporic Consciousness

Discussion of Gargi’s research and the new module designed to open conversations about how we might understand the interplay between global politics and the global economy in this moment of rapid realignment.

Speakers:
Gargi Bhattacharyya, Paige Patchin, Luke de Noronha

In Conversation with the SPRC: Geopolitics, catastrophe and trying to comprehend the world

Live dissections, Leonardo da Vinci and vodka on the brain ... 

Professor Dilwyn Knox (UCL School of European Languages, Society and Culture) provides some background to 'Neuroscience in the Renaissance', on 26 May. https://www.ucl.ac.uk/festival-of-culture/events/neuroscience-and-renaissance

The focus of the session is natural philosophers’ understanding and depiction of the human brain during the Renaissance.

Neuroscience in the Renaissance

What role does writing play in an age of austerity and rapid digital evolution?

Dr Nick Shepley talks about One Day in the City, UCL English’s bi-annual celebration of London and Literature, the high-octane conclusion to the UCL Festival of Culture on 27 May.

Come and listen to, question and rub shoulders with some of the greatest living poets, novelists and writers in London: https://www.ucl.ac.uk/festival-of-culture/events/one-day-in-the-city




One Day in the City

From the Civil Rights movement to the modern efforts to legalize gay marriage, the 14th Amendment to the US Constitution has been central to many of the most important issues in American history. UCL historian Adam Smith takes us through its significance. |

Read along while listening at our Medium: bit.ly/2aEpNZE |

Narrated by Adam Smith and Vidish Athavale | Music by Sergey Cheremisinov and Kai Engel |

Adam is a Senior Lecturer in the History Department at UCL and a frequent broadcaster on BBC Radio 4. An expert on the nineteenth century United States, his latest book is ​'The Stormy Present: Conservatism and American Politics in an Age of Revolution, 1848-1877', shortly to be published by the University of North Carolina Press.

Why Martin Luther King had the US Constitution on his side | Adam Smith

Iwan Morgan, Ronald Reagan’s first British biographer, discusses Reagan’s life from small-town Illinois boyhood, through his Hollywood years, to his political career – first as California governor, then as national conservative spokesman, and finally as US president – in his newly published book.

Iwan Morgan's 'Reagan: American Icon' Book Launch

Professor John Mullan (UCL English) reads one of his favourite festive poems,  T. S. Eliot’s, ‘Journey of the Magi’ (1927).

A specialist in 18th-century literature, Professor Mullan is also a broadcaster, journalist and host of the Guardian’s Book Club.

For more information about studying literature, visit the UCL English website: http://www.ucl.ac.uk/english

T.S. Eliot’s ‘Journey of the Magi’

For Valentine's Day, Professor Helen Hackett (UCL English) reads two love sonnets from Lady Mary Wroth's collection Pamphilia to Amphilanthus (1621). 

Wroth was the first Englishwoman to write a sequence of love sonnets, a prose romance (the Urania) and a tragicomedy (Love's Victory).

Professor Hackett is an expert on 16th and 17th century literature, with a special interest in women's writing.

Lady Mary Wroth's 'Pamphilia to Amphilanthus'

ANNI ALBERS AND THE MODERNIST TEXTILE
26-27 January 2019
University College London
www.annialbersmodernisttextile.com

DAY 1
1. Briony Fer, Introduction
2. Grant Watson, Bauhaus Imaginista: Learning From
3. Tanya Harrod, ‘the living texture’: British women weavers and modern textiles in the 1920s and 1930s
4. Gabriela García de Cortázar, Andean Anni, or what to do in Chile when you are not ill
5. Ana Elena Mallet, Modernist Women and Mexico as inspiration. Anni Albers + Clara Porset + Cynthia Sargent
6. Lynne Cooke, Lineage and Legacy
7. David Batchelor, The psychogeometry of triangular repeats
8. Tom McDonough, Knots and the fabric of architecture
9. Caroline Arscott, Morris: Weaving as Prophecy
10. Rye Holmboe, Anna Freud's Loom
11. Briony Fer in conversation with Helen Molesworth
12. Giulia Smith, Mary Martin’s Textiles
13. Cadence Kinsey, In formation: pattern, code and being
DAY 2
14. Briony Fer, Samples, experiments, prototypes
15. Karis Medina, Warp Families: The common threads of Anni Albers’s Pictorial Weavings
16. Mona Schieren, Transcultural Entanglements in Lenore Tawney’s Fiber Art
17. Marta Zboralska, 'As organic as nature itself': Władysław Strzemiński and Katarzyna Kobro’s Bauhaus
18. Meret Kaufmann, Pattern is a teacher
19. Freya Field-Donovan, Albers and Deren

This project was made possible through support from the Terra Foundation for American Art.

Briony Fer and Helen Molesworth in Conversation

by Terry Kurgan in conversation with Tamar Garb and Eva Hoffman

Terry Kurgan’s book begins with a family snapshot made by her Polish grandfather in 1939 on the eve of the war. Presenting this evocative image as a repository of multiple histories—public, private, domestic, familial and generational—she sets off on a series of meditations on photography that give us startling insights into how photographs work: what they conceal, how they mislead, what provocations they contain. Each essay takes up the thread of the story of her family’s epic journey across Europe as they flee—country by country—Nazi occupation, until they reach Cape Town, South Africa. But Kurgan takes detours, circles back, diverts attention elsewhere, enriching and also disrupting the narrative with digressions on the way Google has changed our relationship to photography, on her grandfather’s eloquent daily journals, on the shipboard flirtations of her fascinating grandmother, on vanity, on self representation, on loss and return, home and exile. Kurgan’s richly satisfying essays are part memoir, part travelogue, part analysis and they demonstrate her sophisticated understanding of a medium that has long engaged her as an artist.

Everyone is Present - Terry Kurgan in conversation with Tamar Garb and Eva Hoffman

by Anthony Gardner (University of Oxford), Magdalena Radomska (Art History Institute, Adam Mickiewicz University inPoznań), Marko Ilić (SSEES, UCL). Moderated by Maja and Reuben Fowkes (Post-socialist Art Centre, IAS, UCL)

This panel discussion brought together contributors to the special issue of Third Text on Actually Existing Artworlds of Socialism and guest respondents to debate the legacy of the socialist system for contemporary art and politics.

'Research into the institutional settings and practicalities of artistic production during the socialist period is giving rise to more nuanced accounts that complicate the distinctions made between the heroism of the neo-avant-garde and complicity of official artists, revealing an art system that was more variegated, flexible and generative than has been widely assumed. This panel examines the far-reaching implications of the understanding that artists from across the stylistic and ideological spectrum were productively imbricated in the calculated opacities and unlikely rapprochements of the ‘actually existing’ artworlds of socialism. Discussion of the specific traits of Eastern bloc artworlds and the key differences between art institutional landscapes across the Cold War divide opens onto the critical question as to what might be salvaged from the historical experience of art under socialism. Furthermore, if post-socialism is conceived not as a timeless category but as a specific historical period, then what are the prospects for the socialist project in the new social and political circumstances of unfolding global disorder?

IAS Book Launch: Another Artworld Was Possible - the Socialist Art System Revisited

by Avril Alba, Yasmin Khan, and Tom Lawson. Chaired by Tamar Garb.

This panel discussion was jointly organised by the IAS and the German Historical Institute London (GHIL), and was part of the GHIL's Contested Histories seminar series (summer term 2019). Please find the programme here and the poster here.

This panel asked how do colonial history, the Second World War, and the Holocaust intersect? As Britain embarks on the creation of a National Holocaust Memorial, calls have been made for a memorial to and a museum of Britain’s historical involvement in slavery, its colonial past, and their legacies. Meanwhile, scholarship such as Michael Rothberg’s Multidirectional Memory has argued that Holocaust remembrance also has the potential to open up routes for commemorating other contested national pasts. This panel enabled a dialogue between scholars of the Holocaust, colonialism, and the British Empire to reflect on national and transnational legacies.

Multidirectional Memory? National Holocaust Memorials and (Post-)Colonial Legacies

by Chris Knight (Anthropology, UCL)and Jackie Walker. Chaired by Tamar Garb (IAS)

With the publication of ‘The Responsibility of Intellectuals’ half a century ago, Noam Chomsky burst onto the US political scene as a leading critic of the war in Vietnam. Privilege, he argues, brings with it the responsibility to tell the truth and expose lies, but our intellectual culture only pays lip-service to this ideal. The essay has been described as ‘the single most influential piece of anti-war literature’ of the Vietnam war period.

Since then, Chomsky has continued to equip a growing international audience with the facts and arguments needed to understand – and change – our world. According to The New York Times, Chomsky ‘may be the most widely read American voice on foreign policy on the planet today.’

This book revisits ‘The Responsibility of Intellectuals’ half a century on. It includes six new essays written to celebrate Chomsky’s famous intervention and explore its relevance in today’s world. Nicholas Allott, Chris Knight, Milan Rai and Neil Smith have studied and written about Chomsky’s thought for many years, while Craig Murray and Jackie Walker describe the personal price they have paid for speaking out. The book finishes with Chomsky’s recollections of the background to the original publication of his essay, followed by extensive commentary from him on its 50th anniversary.

IAS Book Launch: The Responsibility of Intellectuals

Elisabeth Lebovici, art historian and art critic offers a response from the context of her book – ‘Being There – AIDS Activism at the end of Twentieth Century’. This is part of a Preview Seminar: Protest - Remembering Derek Jarman, that marked the 25th anniversary of Jarman’s death and reflects on What Jarman’s legacy is, as an artist and activist, today? Special guests come together to discuss the creative worlds, controversies and friendships that surround Jarman’s pioneering - interdisciplinary practice.

TRACK 7: Seminar Programme - Part Two / Protest, Outrage & Remembrance
Elisabeth Lebovici, art historian and art critic; Being There – AIDS Activism at the end of Twentieth Century.  Lebovici offers a wider perspective on the global struggles against HIV/AIDS, and its integration into art histories, discourses and practices - as an important framework to consider Jarman’s activist and artistic legacy.
About Speaker
Elisabeth Lebovici is an art historian and art critic, whose research, writings and lectures investigate the intersection of feminism, gender studies, queer politics, LGBTQ activism, and contemporary art. Among numerous publications, she is the author, of a new book Ce que le sida m’a fait: art et activisme à la fin du XXe siècle (What AIDS has done to me. Art and Activism at the End of the 20th Century) Zurich: JRP Ringier, 2017. The book restores the voices of friends in the fight against AIDS; articulating the “I” and the “we” of then and now; examining facts and affects little known to the French and European public; analysing the epidemic of representation which followed the emergence of AIDS: such is the agenda of this book, conceived by Lebovici as a “discourse on method” in which the personal is always political, and public and private spheres are closely intertwined. Engaged alongside French and American AIDS activists, Elisabeth Lebovici was a privileged observer, as an art historian and journalist, of the debates of the 1980s and 1990s.

Further Information
A range of iconic works were explored in the context of the highly anticipated IMMA exhibition, Derek Jarman, PROTEST! that opened on 15 November 2019. This significant retrospective offers the timely opportunity to explore many interdisciplinary aspects of Jarman’s life and work. Through Jarman’s work, the seminar traces key social, political and cultural shifts of the period 1960 – 1990s. Exploring many of the socially volatile topics that charged Jarman’s activities, his feelings of alienation, associations with the punk movement, and protests by intellectuals against the repressive totalitarian state of Thatcher England and Section 28 of the 1988 Local Government Act. Through the continuum of ‘Protest’ , topics of exploration include: Painting and Life; Memoir and Writing; the HIV / AIDS crisis; Stigma and Cultural memory; Protest and Personal Freedom and LGBTQ activism.

Speakers included: Sean Kissane (Curator, IMMA); Olivia Laing (author / writer, UK); Elisabeth Lebovici (art historian, critic, France): Dr Robert Mills (Professor, Medieval Studies, UCL, UK): Charlie Porter (writer, Turner Prize Juror, UK); Richard Porter (artist / Pilot Press, UK); Jon Savage (writer, broadcaster, UK); Dr Catherine Silverstone (Reader, Queen Mary University of London); Peter Tatchell (Human rights campaigner, UK), Karim White (Thames & Hudson Publishing, UK) and Tonie Walsh (LGBT rights activist, journalist, Ireland). Invited curators, artists, writers, educators and activists share their views on Jarman’s contemporary relevance and the precarious cycle of politics today.
This seminar took place on 14 November 2019 at IMMA. Return to the dedicated playlist ‘SEMINAR PROTEST - REMEMBERING DEREK JARMAN’, to listen back to other speaker’s responses and presentations.
Image Credits: Derek Jarman. Courtesy Basilisk Communications Ltd

SEMINAR: PROTEST - REMEMBERING DEREK JARMAN (7) / Elisabeth Lebovici

The IAS is a space dedicated to intellectual freedom where disruptive thinking is not only allowed but encouraged and supported. It is a centre of advanced research, debate and dialogue across any kind of boundary, intellectual or institutional. It’s a forum where difficult, even intractable, social questions can be exposed to the scrutiny of rigorous critical enquiry from a variety of perspectives

This Soundcloud channel showcases content produced by the Institute of Advanced Studies and its research centres.

Note on the logo: the blue and green background is a detail of a banner (300x120cm; oil paint, oil pastel and compressed charcoal on canvas) that artist Lucile Haefflinger produced for and which is on display at the IAS.

Briony Fer and Helen Molesworth in Conversation

UCL Institute of Advanced Studies

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