Nyatiti rhythms for tapping sub-conscious mind

Mt.Suswa

Composed & Recorded by Udulele 
Arranged & Mixed by: @Udulele John

Image : @Pavel Chagochkin / Alamy Stock Photo

Dancing UFO'S

Lamu Tamu Instrumental

Koth Chwe

ካሳ ተሰማ > ፋኖ ፋኖ | Kassa Tessema > Fano Fano 

ፋኖ (Fano) - patriotic music Lyrics in Amharic 

ፋኖ ፋኖ ፣ ኧረ ፋኖ ፋኖ
ኧረ ፋኖ ፋኖ
ተኩሶ ሲነጉድ ፣ የፈሪ ልምደኛ
ፊትለፊት ተጋዳይ ፣ ፋኖ እንደ መጋኛ
ኧረ ተው በሉት ፣ ያን ባለ ቡሎ
ሰጠው ለነፋስ ፣ አንጓሎ አንጓሎ ፣ አንጓሎ አንጓሎ
እንደ ቆላ ወፍ ፣ እንደ ግሪሳ
እንደ ቆላ ወፍ ፣ እንደ ግሪሳ
ያረፈው ልቤ ፣ ደግሞ ተነሳ ፣ ደግሞ ተነሳ
ፋኖ ፋኖ ፣ ፋኖ ፋኖ
ጋር ተልጦ ፣ ደግሞ አይላጥም
ቁርጥ አልሽልኝ ፣ እንደ ውሃ ጥም ፣እንደ ውሃ ጥም
ፋኖ ፋኖ
ሐረር ለኦጋዴን ፣ ምን ያህል ይርቃል
ትዝ ባልሽኝ ግዜ ፣ እንባዬ ይመጣል
እልም ያለው ጫካ ፣ እልም ያለው ዱር
ሲነጋገር ያድራል ፣ ከመውዚሩ ጋር ፣ ከመውዚሩ ጋር
እንኳን ባልንጀራ ፣ ልብ አይታመንም
ፋኖ ፋኖ ፣ ፋኖ ፋኖ
ኧረ ፋኖ ፋኖ
ፋኖ ሀገሩ ገባ ፣ ሳይሰናበተኝ
ያ ጀግና ወታደር ፣ ሰውም አያደርገኝ
ሰውም አያደርገኝ
ፋኖ ፋኖ ፣ ፋኖ ፋኖ
እበላው በርጭቃ ፣ ልኳንዳው ምን ሆኖ
የልቤ አስታማሚ ፣ ና ፋኖ ና ፋኖ ፣ ና ፋኖ ና ፋኖ
ሆ ሆ
ተው ሳበው ሳበው
ሳበው መሸብህ ፣ ሳበው መሸብህ
የጆቢራ እራት ፣ ግብር አለብህ
ግብር አለብህ ፣ ግብር አለብህ
ፋኖ ፋኖ
የወንድ ልጅ እናት ፣ ታጠቂ በገመድ
የወንድ ልጅ እናት ፣ ታጠቂ በገመድ
ልጅሽን አሞራ እንጂ ፣ አይቀብረውም ዘመድ
አይቀብረውም ዘመድ
ፋኖ ፋኖ ፣ ፋኖ ፋኖ
ከባልንጀራው ፣ ማታ የተለየ
ከባልንጀራው ፣ ማታ የተለየ
እንደ አጥቢያ ኮኮብ ፣ ሲነጋ ታየ ፣ ሲነጋ ታየ
ፋኖ ፋኖ
ኧረ ተው በሉት
ኧረ ተው በሉት ፣ ያን ባለ ቡሎ
ሰጠው ለነፋስ ፣ አንጓሎ አንጓሎ ፣ አንጓሎ አንጓሎ
ፋኖ ፋኖ
ፋኖ ፋኖ አለችኝ ፣ ፍንን ያርጋትና ፣ ፍንን ያርጋትና
ግንድ አልብሱ መጣ ፣ ማለቷ ቀረና ፣ ማለቷ ቀረና
ፋኖ ፋኖ ፣ ፋኖ ፋኖ
የምር ተኳሹን ፣ እኛ ስናውቀው
ዝናር በእቅፌን ፣ ማን ደባለቀው ፣ ማን ደባለቀው
ፋኖ ፋኖ ፣ ፋኖ ፋኖ ፣ ፋኖ ፋኖ
ወዘት በይ ልቤ ፣ እንደ ጀበና ፣ እንደ ጀበና
አልወጣልሽም ፣ የጦር ባፈና ፣ የጦር ባፈና
የጦር ባፈና ፣ የጦር ባፈና

Artist: Kasa Tessema
Album: Fano (Ethiopian Contemporary patriotic Oldies Music)
Released: 2012
Some of his other publicly treasured music are: ሸጊቱ (Shegitu), ትዝታ (Tizita), ነጋ ደሞ (Nagedamu), ብርቱካኔ (Bertukane), ገለል (Gelele), አምባሰል (Ambasel), ሳተናው (Satenaw), ባቲ (Bati), እባክሽ ታረቂኝ (Ebakesh Tarekegne), ሙዚቃ (Musica)

Mastawesha was the first collection of traditional songs from Ethiopian sole-troubadour Kassa Tessema. Tessema sings in a gravel strained melancholy, plucked kora in the foreground captured with single microphone immediacy. An incredibly powerful, beautiful work pressed up on deluxe double vinyl for the Ethio heads. Born on Feb. 24, 1927 in the province of Shoa, Ethiopia. At the age of 17, he joined the military orchestra and played with them until he died of natural causes on Oct. 11, 1974. His music deserves this legacy.

ካሳ ተሰማ > ፋኖ ፋኖ | Kassa Tessema > Fano Fano

In the spring of 2007, musician and producer Paul ‘Mudd’ Murphy decided to launch his own label. Named after the house he grew up in, Claremont 56 would release beautiful music by friends, associates, collaborators and like-minded musicians.

In the 10 years that have passed since, Claremont 56 has more than surpassed Murphy’s modest expectations. It has built up a cult following around the world, with listeners responding positively to the label’s combination of magical music, beautiful artwork, and impeccable packaging.

To mark the label’s first decade, Murphy has put together a sumptuous vinyl box set of previously unheard material, produced and presented with the same attention to detail that listeners have come to expect.

Each copy of Claremont 56: 10 Years contains five weighty slabs of wax and a bespoke info sheet, housed in a specially designed, hand-numbered box with de-embossed logos on the front and rear. There is also a limited-edition run of 200 copies which come with an additional 12” containing exclusive remixes and a brand new Paqua track, ‘Dalas’.

However impressive the packaging, it’s the music that makes Claremont 56: 10 Years stand out. Featuring a mixture of unreleased tracks and brand new remixes of vintage label releases, the highlights come thick and fast.

As you’d expect, some of the most impressive contributions come from those artists you could describe as “legendary”, including Chicago deep house originators Larry Heard and Ron Trent. Can legend Holger Czukay kindly contributes one of the standout moments, the eccentric ‘Music To Be Murdered By’, from his own unreleased catalogue, while Afro-cosmic pioneer Daniele Baldelli joins forces with Marco Dionigi to deliver a typically spacey remix of Bison’s ‘Familiar Stranger’. There’s also an epic, Afro-tinged dub disco remix of Smith & Mudd’s ‘Nether’ by Norwegian scene founder Bjorn Torske.

Elsewhere, Good Timin’ man Jex Opolis turns an overlooked track by Paraiso into a samba-boogie killer, Sean P dubs out Zee Erf’s beautiful cover of ‘Southern Freeez’, and Phil Mison turns FreshRo’s laidback electrofunk cut ‘Pacific State’ into a breezy, Balearic gem. Look out too, for the emotion-rich beauty of Statues’ ‘River Darkness’ – a track arguably worth the cost of the box set on its own – and the deep space explorations of Almunia’s Leo Ceccanti.

We could go on, but we’re running out of space. Suffice to say, Claremont 56: 10 Years is a lovingly compiled, curated and presented celebration of the label’s first decade.

Statues - River Darkness Clip

Feiertag: Kaleidoscope(Slowz Remix)
ft. Colin Lee

http://listen.lt/FeiertagKaleidoscopeRemixes

Follow Feiertag: @iamfeiertag

Kaleidoscope (Slowz Remix)

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Feiertag: Kaleidoscope (Slowz Remix)

Lamu Tamu

Udulele John continues to spread the vibe of  Soulful Benga - through collaboration with  one  of Kenya's acclaimed folk & fusion singer-songwriter popularly known as Ayrosh.
Produced & Mixed by : Udulele John
Additional Production: Dj. Mura K.E
Mastering: Jobissa [INI MOVEMENT]

Nyambura(feat Ayrosh)

>> Spotify, Deezer, Bandcamp : https://kuronekoMedia.lnk.to/FoliKadi

Following up on their collaborative single with Colombian trio Ghetto Kumbé, released in November 2020, Parisian collective and record label Mawimbi unveils another extract from their debut album, to be released in June, 2021.

Although it definitely sounds like “afro electro”, a genre Mawimbi has been championing since their debuts as a DJ collective, “Fôli Kadi”, their second single in collaboration with Malian artist Fatim Kouyaté (Midnight Ravers), offers a more intimate and melodic profile, drawing in the inherent melancholy  of Mandingue music and the power of contemporary pop music.

"Fôli Kadi" has some of the essential features found in Mawimbi's debut album. In its musical content on the one hand, as it plays on a subtle balance between a dance beat and emotional melodic content, which gradually rises and ends in a cascade of kora and cymbals.

In its history too, because more than any other tracks on Mawimbi's LP, "Fôli Kadi" owes a lot to the meetings and opportunities gleaned by the collective over the last five years. Their collaboration with kora player Chérif Soumano and singer Fatim Kouyaté was made possible by Lyon-based producer Dom Peter, leader of Franco-Malian project Midnight Ravers and manager of Blanc Manioc. "Fôli Kadi" was made "here and there", through chance encounters and the sharing of musical vibes - for example, Soumano's kora line was recorded in one take as he was passing by the studio to send his greetings. 

"Fôli Kadi" translates to "music feels good" in bambara, a language widely spoken in Mali! 

Drums by Romain Vignaud, recorded at Red Bull Studios
Percussion by Yannick Van Ter Beek
Kora by Cherif Soumano
Vocals by Fatim Kouyaté
Bass, keys & production by Adrien Colle (Mawimbi)

Written by Adrien Colle, Chérif Soumano & Fatim Kouyaté.
Produced and arranged by Adrien Colle.
Mixed by Nicolas Taite.
Mastered by Cem Oral @ Jammin Masters.
Artwork by Michaël Sallit.

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Mawimbi - Fôli Kadi (feat. Fatim Kouyaté)

Singer|Songwriter|Guitarist|Music Producer

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Udulele

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