Car Crash Through Your Heart: Part 1

Tears In The Rain

Watch the exclusive video here: https://www.youtube.com/watch?v=DWIhCec1zx8 

Produced & Mixed by Louis Mattrs

Orignal Songs:
Tweet - Oops (Oh My)
PARTYNEXTDOOR - Wus Good

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Louis Mattrs - Oops x Wus Good

In My Room

In My Room (Hardcore Mix)

Out now: muki.lnk.to/IHYSMICC

Lyrics:
I don’t give a f*ck 
About whatever it is you’ve got left to say.
You don’t give a f*ck
Cause you blow up everything just like Pompeii.
You’ve got so many issues
You know how to play 
Telling me I’m just the bitch who’ll be taking the blame. 
Cause if it’s not about you 
Then you’ll make it about you. 
 
I think I hate you so much I could cry (I hate you)
I think I hate you so much I could cry (I hate you) 
You can see the tears on my face, but damn they look like lights, you know I 
I might hate you so much I could cry, 
I think I hate you so much I could cry. 

100 million bucks
I bet you’ll spin the same shit all over again. 
And You know what It sucks!
When my sister told me bout you 
You told me not to listen 
I let you in like a museum 
I’m so goddamn curated 
You shouldn’t have touched it
But if it’s not about you 
You’ll make it about you 
 
I think I hate you so much I could cry
I think I hate you so much I could cry  
You can see the tears on my face, but damn they look like lights, you know I,
I might hate you so much I could cry, 
I think I hate you so much I could cry. 
 
I think I hate you so much I could cry (I hate you)
I think I hate you so much I could cry (I hate you) 
You can see the tears on my face, but damn they look like lights, you know I,
I might hate you so much I could cry, 
I think I hate you so much I could cry. 
 
I hate you
I hate you 
I hate you

I HATE YOU SO MUCH I COULD CRY

In the Lens, Solo Andata’s fourth full-length album, was born from recordings found in the interstices of decades-old hard drives, lost email threads from disused accounts, and forgotten samples recorded on cassette dictaphones. These fragments were combined and re-worked with newer elements to create an album very much in the spirit of the band’s debut Fyris Swan (Hefty Records, 2006), an album touched by both folk and jazz and swathed in a dusty, narcotic haze.
Solo Andata’s Kane Ikin and Paul Fiocco have always pushed aside the digital studio in favor of a more haphazard and hands-on workshop vibe to their productions. They prefer near-broken acoustic instruments, cheap microphones and, as can be witnessed by their live performances, tend to turn anything they can get their hands on into a beautiful sound-making object.

While there is a raw and guileless nature to the duo’s sound it is precisely this that makes their music so powerful amidst the over-produced cliches of much modern music. The beauty of their work is how simple instruments and objects can be physically manipulated into creating such rich, layered sound. Dark, swaying, almost-looped melodies from piano, woodwinds and horns wrap themselves in smoky obscurity around remnants of percussion and warm beds of noise and the world around us.

In The Lens is very much a late-night record, reflected in the rain-soaked cover imagery, dripping with half-forgotten memories. Jittery yet calming, rhythmic, yet unhurried, it leads you down its dark corridors to a soft resting space. Ikin and Fiocco have created a new story around the chemistry of their creations that were taking place during the early days of their musical explorations.

In The Lens

Separate Lovers

Two Hearts

Written by Phebe Starr
Production by Rob Ellmore, JP FUNG

03/03/2017

Two Hearts

Join Fresh Hex for a molten hot party in the pits of hell 🔥

Stream on Spotify here:
https://open.spotify.com/track/6yiLLn3Dn5W3OWhcLkNP0M

Mixed by: Thomas Purcell & Randall Stagg
Mastered by: Thomas Purcell

Big Party

Purchase

future alien barbie superstar 👽

MGMT: jack@tribemgmt.eu

I HATE YOU SO MUCH I COULD CRY

Muki

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