J'marchais dans la rue, Paris était gris. J'pensais à toi, j'espèrais t'croiser en fait.  J'me souvenais plus exactement de ton visage, si ton nez était droit, si ta bouche était pleine. Mais j'me souvenais du goût de tes lèvres, j'espèrais te croiser à tous les coins de rues.  Tous les garçons de dos avaient ton allure, mais quand ils se retournaient ce n'était pas toi, personne n'était toi enfaite. On me disait que c'était un amour d'enfant, qu'il fallait oublier. On me disait que c'était bête, ou irrationnel, complètement infondé. Mais moi je m'en  foutais. Je savais que là où tu étais tu pensais la même chose.  J'marchais dans la rue, Paris restait gris. Les murs étaient les mêmes, les champs étaient les mêmes. Tout était pareil sauf toi. Tout était pareil mais toi t'étais pas là. Je savais que là où tu étais tu pensais la même chose.  J'marchais dans la rue, Paris restait gris. Les murs étaient les mêmes, les champs étaient les mêmes. Tout était pareil sauf toi. Tout était pareil 

Forever Dolphin Love

Mirror

Taken from the album 'DREAMER', released 28 April 2023 on Ninja Tune: https://nabihahiqbal.lnk.to/dreamerSo

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This World Couldn’t See Us

Shinkansen No.1 / New Ways is the second release from CC DUST, a new duo from Olympia, Washington featuring Maryjane Dunphe and David Jaques. Shinkansen No.1 introduces the record with a more industrial, harder edge than much of the group’s debut 12” (CC DUST – S/T), a fast paced, urgent song powered by by fast kick drums and Jaques’ bassline acrobatics. CC Dust opened every show on their recent European tour with this salvo, a dark energy that spirals upwards, with Dunphe’s vocal giving the production space to build into a crescendo.

New Ways on the other hand, is perhaps Dunphe’s finest moment yet set to disc. Dunphe is a performer who battles restraint, her every vocal performance a tour de force and New Ways is one of the most emotional and transcendent performances imaginable. With a terse retraint in the verses, the chorus here erupts into an anthem for doomed youth, with every crack in Dunphe’s voice hitting the listener square in the chest.

A light that casts shadow, CC Dust is doomed, romantic music anchored by Jaques’ live bass and the powerful performance values Dunphe has honed both in her punk group Vexx and in various film and performance projects. Musically, CC Dust’s precedents might be considered the European synth pop originators of the early 80s, there’s also an abundance of low-end hooks played on baritone and bass guitars that teases the ear like early New Order productions, but in Dunphe’s passionate vocal performances there’s a close-to-the- 
bone reality that bypasses cool detachment.

CC Dust play and write real songs lived. A desire for desire. What is it? How does it manifest? Is it all worth the tumult? CC Dust offer no answers as there are none, but they ask the right questions in a life-affirming way. Doomed, romantic, unanswerable and vital.

CC DUST: New Ways (from Shinkansen No. 1 /New Ways 7" LSSN043)

SUGAR

(the death of ruby) by Ruby Haunt

Arthur Russell - This Is How We Walk On The Moon

Babyyy

The One To Wait is taken from the CCFX EP.

Released by DFA worldwide October 20, 2017.

(the death of ruby) by Ruby Haunt

UGUMU

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