Name: attractive_Shrimp by uGly_attracti0n in nonirritating - Sets
Duration: 1 h 30 min 2 s
Description: uGly_attracti0n @ Shrimps @ ifz 27-12-2024

nonirritating - Sets

The room was vast and cold, decked with floor to ceiling mirrors that reflected the hazy light streaming through the dusty windows. It was clear that this house had once been a spectacle, owned by people with far more money than sense. But now it lay derelict and abandoned, forgotten by its owners who'd left it in a complete state of disarray. Like those who'd once owned this grand house, its history had been completely wiped out; lost in time and space...

London-based imprint Pseudonym Records entered the world at the end of last year with the first V/A release in their Corporeal series, bringing together several emerging producers operating in the spaces between broken club music, UK Techno and DnB. Now they're returning for the second release in the series, tasking a new line up of artists—Sputnik One, FoxMind, Palf, Big Hands and Thodén—with cooking up another EP rife with percussive, breaks-driven and bass-heavy sounds.

PSEU002 - Corporeal Vol. 2 mp3's

PREMIERE: FoxMind - Mirror Bounce [Pseudonym Records]

FOLLOW INNER CURRENTS
https://linktr.ee/inner_currents

INNER CURRENTS / Digital Acid Rain Mix for ROOT RADIO / May 2022

Animistic Beliefs - MERDEKA

With their profound take on electronic music, Animistic Beliefs have steadily solidified their spot in the global underground. Influenced by cultural concepts such as ancestry, animism and mythology, as well as the languages of political techno, punk, bubbling and IDM, Linh Luu and Marvin Lalihatu consistently translate their visions into sensitive productions as well as high-octane live performances. On their new record, MERDEKA, the artists explore and embrace their cultural heritage in all of its pride, pain and complexity. MERDEKA symbolizes Animistic Beliefs’ breaking free, coming to terms with their changing selves and letting go of external expectations. The record rethinks childhood memories, confronts the generational trauma left by (post-)colonialism, and re-connects Linh and Marvin – respectively of Vietnamese-Chinese and Dutch-Moluccan descent – with their formative cultures. 

MERDEKA marks their first step in an overall departure from western club music. For its layered sound, Animistic Beliefs once again draw from the past, present and future of global club music, creating a sonic space where fast techno, warped breakbeats and ambient soundscapes make way for the augmented influence of (Southeast Asian) tribal music. 
The record incorporates Indonesian scales and recordings of 
the Tahuri (a wind instrument made out of a conch shell), Totobuang (Gamelan-like gongs) and Tifa drums, known as ‘the Moluccan heartbeat’. 
There is no audible distinction between old and new, between organic and digital, between instrumentation and voice. 
It is through words that the artists further touch on their experience; To Dream About Water opens with a stirring spoken word fragment by Marvin, marking the first time his voice is recognizably featured, whereas Khi Minh Gap Lai (‘Until We Meet Again’) centres on a Vietnamese poem by Linh, in which she beseeches her ancestors and finds a safe haven for unanswered questions. 

In true Animistic Beliefs fashion, MERDEKA will set fire to sweltering clubs and (sleepless) dreams. Yet, for the artists, it is essential to amplify the stories that spark that flame and keep it burning. 
The release of MERDEKA follows CACHE/SPIRIT, their ongoing collaboration with visual artist Jeisson Drenth, which extensively explores the artists’ intersectional identities. As such, the latest album is the next step within a bigger, introspective investigation. More unapologetic than ever, MERDEKA embodies a turning point on Animistic Beliefs’ ongoing journey towards self-acceptance – fuelled by the sound of urgency. 
credits
released August 26, 2022 

Written and produced by: Marvin Lalihatu and Linh Luu 
Artwork by: Don Elektro 
Mastered by: Rashad Becker

To Dream About Water

NHD006 - Henzo - Stretford Blues

https://henzo.bandcamp.com/album/stretford-blues-ep

Finishing off Henzo’s banner 2022 that has seen releases on YCO and Peder Mannerfelt Produktion, the Manchester based producer dials back the tempo into 5 cuts of gloom-ridden dancefloor damagers for his Nervous Horizon debut. Running the gamut of Dancehall, Techno and Drum & Bass, the EP’s refined palette is laser-guided in its intention of favouring groove and atmosphere over melody and hooks.

The opening track, 'Survivorship Bias', rolls out a lurching and smudged drum break over an equally sketchy Donk and vocal sample in a Bolton-meets-Belgium chug affair. 'It’s Ours and Hours Alone' and 'Writhing' lean more towards a typical Dancehall rhythm, smattered with the reticulated percussion that Nervous Horizon have been known for, saturated and growling. 'His Troublesome Knees' sees a variation on the theme of the opener, with the addition of harrowing, gnarly strings that posit drama in the riff that runs almost throughout; An inescapable tension that juxtaposes the highly danceable groove. Rounding out Stretford Blues, 'A Pocket You Didn’t Expect' feels like 3 tempos at once: 82, 164 and 328BPM. The battering, unrelenting kicks laced over taut breaks and hats hark to Jungle Techno and Tech Step in their composition, but the drawn out and bleak orchestral breakdown, coupled with a barking, irate bassline, suggest that Henzo shows no allegiance to nostalgia and is moving intently into the future.

Henzo - His Troublesome Knees

Part of one of my 2023 DJ Set I played in Doksy!

DJ IN DOKSY (dj set)

GUESTMIX#95: @sueuga
Conflict Areas EP [PNMTU009] is out on February 16th, 2024!
[paynomindtous.bandcamp.com/album/conflict-areas]

***

Sueuga (she/her) @sueuga is a Mexican artist, DJ, and producer known for her releases on pivotal labels such as NAAFI, Hiedrah, Salviatek, Sacrilejio, Soul Feeder, Arboretum, and Precious Metals among others. Now based in Amsterdam but raised in Oakland, California where she started her music career by collaborating with artists from the Neoperreo scene, Sueuga has been an important actress in the contemporary scene thanks to her experimental, mutant club outings primarily inspired by industrial music and dominated by unsettling atmospheres, ferocious drums, and abrasive textures. We’re very excited to announce the release of her new “Conflict Areas” EP which will be out on Friday, February 16th.

***

TRACKLIST
@sueuga - Crawling into the Abyss (Linkin Park x Aperly High/@jjjacob)
@ratsection - Chuggus [@halcyon-veil]
@katnzingha & @skylaurr_rauthkeaux - Eternal Violence
@10r3n - larvae first vibrations 蛰虫始振 [@g_sv]
Sueuga - Hidden Fees feat @bedoublensound
Only Now & Sueuga - BloodFreeze
@ice_eyes & Sueuga - Crecer / pudrir
@talpah feat @falseprpht, @28082 - FEIND  [@hundebiss-records]
@voronhil - Hard Crash
@e_death - if i was an angel x @teyalogos - To Fall Into The Pit

PAYNOMINDTOUS GUESTMIX#95: Sueuga ["Conflict Areas" EP out on February 16th!]

'Morphers' is a rattling 3 tunes split that was forged between French producer Flore and San Francisco’s Only Now. The release represents the unwritten language shared between both friends over the past 7 years, with their affinity for propulsive percussion workouts and livewire bass music. After releasing on the POLAAR label for years, Only Now and Flore finally met in person for a collab long awaited.

“Collaborating with someone on the production side is not something I’m used to “- says Flore. “It is like a non-verbal communication and its interplay of perspectives. But I think that Kush and I share a same sonic language and this new experience pushed us to embrace the unpredictability and subjectivity inherent in this new creative process.”

The story began in Paris when Flore invited Only Now to come play at her POLAAR night at la Station. A couple of days later they met again at Tim Karbon’s studio, and sketched out ideas. It shaped into a tune made by their 4 hands (« Morphers ») and « Cut & Run », a tune revisited in 2 versions, with their own slant, but trying to keep an even balance between each producer.

Flore’s take on « Cut & Run » encapsulates the essence of big sound system influence. Dub-infused rhythms morph seamlessly into widescreen sound design elements, creating a unique dialect that invites you to decipher its ethereal symbols.

https://soundcloud.com/flore
https://www.instagram.com/FloreMusic/

Premiere: Flore - Cut and Run (Flore version)

Live show I played in February in Leipzig!

LIVE PERFORMANCE MOTION (live show)

OMB x CLM w/ LUJIACHI & BUNGALOVV - 14/02/2024

MixSeries 17 // @alejandro-santos-61. Un mix cargado de energía, blends buena onda y tracks elevados hechos por amigues. 

Alejandro Santos es un artista audiovisual que ha dedicado su trabajo a explorar la relación entre la música y la imagen desde una perspectiva documental y experimental… 

más info en nuestra web : https://www.hypersonicss.com/ 

Tracklist >> https://www.instagram.com/p/C30y6YPulDt/?img_index=1

TRACKLIST

MIX SERIES_17 // S4NTOS

8M/2024 @ibero909 En ocasión de la publicación @contingentsounds
Switched On: The Dawn of Electronic Sound by Latin American Women 🔊 Investigación sobre las mujeres en la experimentación y electroacústica en #latinoamérica 💡Colegas y amigas como @susancamposfonseca #anamariaromano @ale_hophop @almalaprida @paolatorresnunezdelprado y + forman parte de esta publicación increíble , en honor a esta labor por documentar y gritar muy fuerte que las mujeres hemos sido visionarías, brillantes y también invisibilizadas desde .. siempre 🙏🏼✨🔊💻🦾les invito mucho a fascinarse en el sonido y voz de nuestras pioneras 💜 en este collage.

--- Creación de la Tierra  -  Jacqueline Nova Sondag (COL)
--- Entrevista Beatriz Ferreira (ARG) para La casa encendida
---- When we are all minerals - CNDSD (MX)
---- Mi música es sonido, sonido y nada mas que sonido - palabras
      de Carmen Barradas(UY), voz Malitzin Cortes, Field and ASMR recordings 
---- Echos -- Beatriz Ferreira
--- Fragmento de banda sonora , película 1971 " La muerte viviente " por Alicia Urreta(MX)
--- Flatten the grass with the sinusoidal  --- CNDSD
 --- A spell for the present moment (spell by Adrienne Maree Brown) Beverly Glenn-Copeland (EU)
--- Traducción español CNDSD


------------

8M/2024 @ibero909 “The depths of sound call us like a home” on the occasion of the publication @contingentsounds
Switched On: The Dawn of Electronic Sound by Latin American Women 🔊 research on women in experimentation and electroacoustics in #latinamerica 💡Colleagues and friends like @susancamposfonseca #anamariaromano @ale_hophop @almalaprida @paolatorresnunezdelprado and + are part of this incredible publication, in honor this work for documenting and shouting very loudly that women have been visionary, brilliant and also invisible since... always 🙏🏼✨🔊💻🦾I very much invite you to be fascinated by the sound and voice of our pioneers 💜 in this collage

🔊 #8M #iberoradio #artesonoro #musicacontemporanea #experimentalmusic #avantgarde

Las profundidades del sonido nos llaman como a un hogar

XAN w/ Cika Koo - 20/03/2024

bass bounce @ transit chemnitz 𓆩♡𓆪 16 03 2024

Big up, big love to @ELELCA for creating this amazing mix for us! <3

MANA MIX 003 - ELCA

uGly_attracti0n @ Shrimps @ ifz 27-12-2024 

attractive_Shrimp

geilefun, spas
(electrodroppop -> good music)

The multimedia collective nonirritating is in the process of expanding and blurring the genre boundaries piece by piece across the entire spectrum of electronic dance music. This includes countless live and DJ sets as well as a constantly growing release catalog on the label of the same name.
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demos & booking requests:
nonirritating@gmail.com
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attractive_Shrimp

uGly_attracti0n

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