In celebration of the 20th anniversary of 93 'Til Infinity, Souls of Mischief graciously opened their vaults to give Gummy Soul the exclusive acapellas of their classic album, to remix for the first time ever. 

As the framework of the project, Gummy Soul’s Wally Clark, dug through his extensive record collection, and gathered all of the songs that were sampled to make hip-hop in 1993. Jazz, Funk and Soul songs, used to create classics from Digable Planets, Snoop Dogg and Black Moon, were then re-contextualized to provide familiar, yet updated versions of some of hip-hop’s most beloved material. 

"I wanted to take all of the records that people used back then, and create new compositions using the same techniques they were using – such as filtered bass lines, classic drum breaks, echo-y horns – to make an album that sounds like it could have been released in 1993," says Clark. "It was an amazing exercise trying to capture the essence of a sacred time in hip-hop. It also allowed me to playfully use samples that are normally deemed off-limits, because they are too well known." 

Be on the look out for Soul's of Mischief's new album "There Is Only Now," produced by Adrian Younge, as well as the 93 'Til documentary, featuring Questlove, Mos Def, 9th Wonder, Pete Rock and more. 

Check out the video here: 
www.youtube.com/watch?v=g0Zv4rPBgo0&feature=youtu.be

Gummy Soul - 93 Still - 04 What A Way To Go Out

A very funky mid 90's bounce  FREQNIK & WDRE Remix. These two Long Island DJ, producer, record diggers have been in the game since the early 90's! Now with their own productions & bootleg remixes gaining big fame on the scene, they went from dropping beats over classics to working with Lil Dap (Group Home) & now their 1st official remix. Watch out in 2014 for much more from this crate diggin duo!

Grind (feat. Sadat X) The Real Live Show Freqnik & WDRE Remix OUT NOW ON ITUNES

Dolla Bill Cosby

© 2015 WhoSampled
From 'Digging in the Vaults'

Purchase at Bandcamp:
http://bit.ly/1Dg7C6i

Read more at Wax Poetics:
http://bit.ly/1NAheMg

Chris Read & Phill Most Chill "Hands Up (They Still Shoot)"

Vibe Premiere: http://www.vibe.com/2016/07/premiere-torii-wolf-dj-premiere-shadows-crawl/

“Ya’ll Feel That”?  Insomnia is a bit*h…  While some suffer from it due to a persisting medical condition, creative types, those whose can’t keep their mind from racing due to the excessive thoughts and ideas that permeate (even in a dormant state) make it nearly impossible to unplug.  At least for the creative types outlets exist; consciously or unconsciously.  In Torii Wolf & DJ Premier’s case that’s creating dope music….

While Premier has previously collaborated with iconic female artists, in none of the aforementioned examples has the iconic producer/DJ entirely produced one of their projects. With a resume like Premier’s, it takes a lot to get his attention—and perhaps more importantly his respect. 

Enter Torii Wolf, a singer-songwriter and musician from Wantagh, New York who traded coasts–bouncing around West Coast cities and enhanced herself artistically; shunning categories, confinement, and convention.  Torii also just happens to be the first female artist to have her entire project (the forthcoming album entitled Flow Riiot) produced by Preemo.  “Torii has such a weird, wicked style,” Premier offers. “It’s just very left field—reminiscent of a Bjork or something like that. She is so unique and versatile; she writes, sings and is an accomplished guitarist and drummer.  But image-wise, there is no comparison. Subject-wise, Torii is in a whole different place.”

 “Shadows Crawl” is the only track I did not specifically create for Torii’s album” DJ Premier tells Vibe.  “I made it for Yuna’s new album, but she went for the second demo (which would go on to become the projects lead-single “Places To Go”).  When we finished recording Torii’s debut, Flow Riiot, I felt like we needed one more song and I played her this beat.  Torii wrote “Shadows Crawl” on the spot and cut the vocals.  I immediately knew that this should be the follow up to our first single “1st.” 

“Shadows Crawl” continues to display the musical symmetry and bond Torii developed with Premier; “Preem played me this beat he made for Yuna that she didn’t end up using and I instantly felt connected to it” Torii relayed to Vibe.  “I’ve never been a good sleeper, I sleep in tiny intervals, if at all, and when I do I alk in my sleep.  It’s such a vulnerable place, to be verbally expressive and not know what could creep out of your subconscious.  I love Preem’s vibe on this record, it brings me to that “Eldritch Place” (wondrous and curious places).  Performing “Shadows Crawl” together live has been unreal.” 

A hip-hop king who has a habit of contributing and producing historic projects behind the boards, mixed with Torii Wolf’s full clip of moods, range, and vast musical talent. What’s not to like?  Torii and Premier’s collaborative union bum-rushes the walls of genre, age, and expectations to let the world know there’s a Flow Riiot going on.

For More Information:
https://twitter.com/toriiwolf
https://twitter.com/REALDJPREMIER
http://www.toriiwolf.com/ 
http://premierwuzhere.com/
https://www.facebook.com/toriisound/?fref=ts
https://www.facebook.com/DJPremierOfficial
https://soundcloud.com/premier-wuz-here
https://www.instagram.com/toriiwolf/ 
http://instagram.com/djpremier#



Shadows Crawl (Produced by DJ Premier)

Pigeons And Planes Premiere: http://pigeonsandplanes.com/discover/2016/09/dj-premier-shadows-crawl-torii-wolf

While Premier has previously collaborated with iconic female artists, in none of the aforementioned examples has the iconic producer/DJ produced the entirety of one of their projects. With a resume like Premier’s, it takes a lot to get his attention—and perhaps more importantly his respect. 

Enter Torii Wolf, a singer-songwriter and musician from Wantagh, New York who traded coasts–bouncing around West Coast cities and enhanced herself artistically; shunning categories, confinement, and convention.  Torii also just happens to be the first female artist to have her entire project (the forthcoming album entitled Flow Riiot) produced by Preemo.  “Torii has such a weird, wicked style,” Premier offers. “It’s just very left field—reminiscent of a Bjork or something like that; image-wise, there is no comparison. Subject-wise, Torii is in a whole different place.”

“Shadows Crawl” inception has quite an interesting backdrop and it was the last track recorded for Flow Riiot; as it was the only track Preemo did not specifically create for Torii, the track was initially sent to Yuna who ended up picking another demo from Premier (that demo would later resurface as “Places To Go,” which was the lead-single from Yuna’s latest album).  Torii was the beneficiary and upon being played the instrumental, she wrote “Shadows Crawl” on the spot and cut the vocals. Premier immediately knew it was going to be the second single from their collaborative project.

Real DJ’s do real things and just as he did with Torii’s first single, the aptly-titled “1st,” by getting Dilated Peoples to hop on the remix, he and Torii have tapped another fast-rising star in Jamla/Roc Nation’s Rapsody for a remix of “Shadows Crawl.” “I felt Rapsody fit the picture perfectly” DJ Premier relayed to Pigeons & Planes.  “Of course to make it complete, I threw in some scratches in the intro for the underground DJ’s so we always have that representation.” In her comments to Pigeons & Planes, Torii was very eager to hear where Rapsody would take the remix “I was very excited to work with Rapsody and to hear what she could do with this and I couldn’t be happier with how it came out.  Rapsody adds an entirely new vibe to the record and fully emulated the concept of the song in her own unique way and voice.  Her flow tells a story so inline with what I wrote about.  I’m honored to be working with such incredible people and artists."

Rapsody obviously enjoyed playing with the concept of the track, as she stated “I had fun working on this.  I thought the concept was creative, so I just wanted to expand on the idea of having these inner secrets of loving someone else and that coming out in the middle of the night; talking in your sleep—laying next to your lover.  I love the song and really enjoyed working with Torii, her sound is so unique.  Her and Preemo sound so dope together. I was happy to be a part of it all.” 

A hip-hop king who has a habit of contributing and producing historic projects behind the boards, mixed with Torii Wolf’s full clip of moods, range, and vast musical talent. What’s not to like?  Torii and Premier’s collaborative union bum-rushes the walls of genre, age, and expectations to let the world know there’s a Flow Riiot going on.

For More Information:
https://twitter.com/toriiwolf
https://twitter.com/REALDJPREMIER
https://twitter.com/rapsody 
http://www.toriiwolf.com/ 
http://premierwuzhere.com/
https://www.facebook.com/toriisound/?fref=ts
https://www.facebook.com/DJPremierOfficial
https://soundcloud.com/premier-wuz-here
https://www.instagram.com/toriiwolf/ 
http://instagram.com/djpremier#

Torii Wolf f/ Rapsody 'Shadows Crawl (Open Eyes DJ Premier Remix)'

NOW available at www.origu.de

LIMITED EDITION 300 COPIES 7" Vinyl

Deep of Deep Breez returns under the 2 Hungry Bros banner, with a nasty piece of boom bap and mcee Likwuid brings her surgically sharp lyricism, to collaborate on "iLLfayted". Likwuid's commanding presence is inescapable as she delivers powerful messages between her similes, commonplace catchphrases, and cynicism. Dj Evil Dee of Da Beatminerz layers "iLLFAYTED" with some signature cuts to engage your Hip Hop senses! Though, don't be too distracted by those cuts and the hot 2HB beat, because Likwuid's rhymes are so precisely interwoven you might miss an comedic analogy or sociopolitical statement. illFayted is for the true lover of Hip Hop that appreciates all the fresh elements that make it classic and undying.

Likwuid & 2 Hungry Bros: IllFayted featuring DJ Evil Dee (Black Moon/Da Beatminerz)

Daddy-O
 "Played Out (45 Edit)"
ORIGU45-009
LIMITED EDITION 300 COPIES 
www.origu.de

ORIGU is very proud to present the legendary MC and producer DADDY-O of the original HipHop-Band STETSASONIC on with two vinyl-exclusives sides of brandnew HipHop music. “Drumma Man” will soon be a club-classic and a favourite with DJs and HipHop-purists alike. A soulful hook and a uplifting beat bring straight fire. “The drummer man, the drummer boy, all grown up. Hip Hop raised him, Hip Hop will assist him raising his own. He's in the band (Stetsasonic), he's got the upper hand” as Daddy-O describes it himself. This song will ONLY be available on this 45. No mP3s, no CD, just this piece of vinyl on ORIGU.
“Played Out (45 Edit)” is a special version of the latest single of his current album “No Tablecloths”. Here DADDY-O gives an extraclose look into “Played Out” trends and habits. It features a hypnotic piano-loop transcending into a classic breakbeat for verse two to then go back to the piano loop instrumental. This edit was done with an eye on the DJs that still do routines and backspins in their sets, giving them the extra round of the beat to mix, blend and redo the track live on stage, and for any MC who is looking for the perfect beat to freestyle to.

Daddy-O of Stetsasonic -Played Out (45 Edit) New 7" Vinyl

Already used this acapella but I'm just testing out an idea, please let me know if you guys like the sound :)

Guru's Myspace

Jazz Rap Experiment (Tribute to Guru's Jazzmatazz)

"NY Parigo" is a new collaboration between the Chicagoan F.Stokes and the Parisian Ugly Mac Beer.

A perfect meeting with F.Stokes's Lyrics and Ugly Mac Beer's production. F.Stokes's Lyrics do reference to Paris and New York City when Ugly Mac Beer's Production with scratch remembers famous duo like Gang Starr or Eric B and Rakim.

NY PARIGO by Ugly Mac Beer feat F.Stokes

Remix from Soulchef taken from the GOLDEN YEARS REMIX EP.
Ninety One 2013.

SOULCHEF - Loser Now Remix (FT. Rashid Hadee & Internal Quest)

Ugly Mac Beer fait ses débuts à la fin des années 90, en tant que DJ du Groupe La Formule, aux côtés de Wax Tailor. Au cours des années 2000, souhaitant développer ses propres projets, il entame une carrière solo.

Très vite, il s'impose comme un personnage incontournable de la scène turntablism / scratch music en France, en tant qu'artiste, mais également en tant que producteur indépendant prolifique avec son label Beatsqueeze Records.

Au milieu des années 2000, il commence à collaborer avec le digger/beatmaker Mister Modo. De cette alchimie va naitre une suite de projets jalonnés de nombreuses collaborations internationales avec des grands noms de cette culture comme MF Grimm, Kool Keith, Psycho Les (Beatnuts), Guilty Simpson, Mike Ladd, El Da Sensei, Dj D-Styles…

En 2009, la sortie de l'album Modonut reçoit une belle exposition médiatique et un vrai succès auprès d’un public plus large. Le titre "Not Afraid" (ft Jessica Fitoussi) aux accents soul 70' est largement programmé en radio et permet au duo d’être diffusé internationalement. Le deuxième opus du duo, sobrement intitulée "Modonut 2" sort en 2012 et donne naissance cette fois à un banger hip-hop « Diggin in the Crates » (ft F.Stokes) plébiscité par des DJ’s autant eu Europe qu’en Amérique du Nord

De plus en plus demandé du côté du monde de la publicité et du cinéma pour de la synchronisation à l’image, Ugly Mac Beer se découvre une passion pour l’audiovisuel. Inspiré depuis toujours par la télévision, la pop culture, le cinéma et la musique au sens large, il trouve sa place aujourd’hui comme compositeur à plein temps de musique à l’image.

NY PARIGO by Ugly Mac Beer feat F.Stokes

UGLYMACBEER

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