Voici le morceau "Voices of Stone" de mon album "Faces of Fire"
Bonne écoute !

Here's the track "Voices of Stone" from my album "Faces of Fire"
Enjoy!

Voices Of Stone

▪ ⤇ [Swine Dernière] @bademjan - „Seahorses“ (White Garden)

We have teamed up with a wonderful French label @white-garden to bring you a special, not première but a dernière ("the last one“) from Bademjan’s recent EP Between the Spectral Moons. 

This lightning and percussive 4-tracks EP was released one month ago and the track ”Seahorses” we are publishing now is a special addition to the artist’s project.

▪ You can read more and see the photos from the listening session here ➔ https://swinedaily.com/bademjan/

▪ ▪ ▪

[Swine Dernière] Bademjan - Seahorses (White Garden)

Camera Obscura - 17:07:2023 22.41

BRoTHER - 06:06:2023 20.01

Though I'm an ethno-ambient artist, a big fan of Steve Roach & Robert Rich, Klaus Schulze was the one who introduced me to space music and synthesizers  (shortly followed by Tangerine Dream) . It was a time when bands reigned over music, and Klaus Schulze was alone . It was possible to do some music alone . That was revolutionnary . Many years after I became myself a one man band . As Klaus Schulze went away in April 2022 I thought of a tribute album . Only composed on synth with no ethnic instrument . I thought first to emulate his style as do people like Laurent Schieber (aka Sequentia Legenda), but I remember that Klaus Schulze did not like the copycats, he would have like to find your own way, to express your own freewill. So in the end the tracks sounds still like Ujjaya than Klaus Schulze . As a live musician nearly all my shows present some new and unpublished tracks . If I did not record a new album since 2011, I have plenty of unreleased tracks, and enough synth tracks for a tribute album . But "Roaming" was composed specially for the occasion. I feel it will become my star track for the 20's, as "Au-dessus des arbres" was for the 2010's .

Roaming

Elegba is the trickster in the voodoo theology. It's the one who is disturbing plans.But it the end , it is the one who makes interesting things happens in life.
I found he has to do with Ganesh, who is also the lord of obstacles .As a malagasy, thus half african and half asian, I found that African gods were no strangers to me.
This track is still belong to my research phase (around 1996), trying to find a new language away from the rock/metal.Brian Eno of course was the big
influence.

Guitar,1 second sampler, Pitch-Shifter (Boss PS3, a magic pedal)



Elegba

Live at Academy Art and Frame 09-17-10

"Enchanted" is a song Sean Carroll and I performed regularly as Sampson - Carroll (Embracing the Glass). It appears on our album From Dust to Dusk. This version is solo, performed at Academy Art and Frame in Colorado Springs, CO, September 2010. My thanks to Sean for letting me use his guitar loop.

"Shamatha" has only been performed live with "Enchanted". There is no studio recording.

Jeff Sampson: Enchanted - Shamatha (live)

Version of a Betsileo tune from Madagascar, played on the lokanga voatavo -- a stick zither with a gourd resonator.

Lokanga voatavo

The Black Sabbath Covers

Snowblind

Un cri venu du font des âges, 
un Appel au changement, 
à ce qui gronde au dedans...

L'Appel

A track from my score to the site-specific dance performance Memory Score.

Commissioned and produced by Jewish art collective FestivALT, Memory Score explores how we form and deepen physical and emotional relationships to the Kraków Ghetto. Once a place of horrifying brutality, this area of Podgórze has been reclaimed by the ever-evolving city it lies within. But what traces of these violent stories remain and how do we experience them today? During the hour-long piece, dancers lead the audience through the district's streets past sites of historic significance – some of which have been officially commemorated while others are barely visible – attempting through this communal act to reconcile the neighbourhood's present with its past. The specially composed score, heard through headphones, incorporates field recordings from the sites as well as texts by Kraków-born poet Ewa Elżbieta Nowakowska and dramaturg Michael Rubenfeld.

This track accompanies a duet that takes place at the site where a Jewish orphanage used to exist. The directors of the orphanage, Anna Feurstein and David Kurzmann, took care of the children's education and upbringing despite obvious difficulties. On 28th October 1942, the Nazis liquidated the orphanage and its young inhabitants and their guardians were marched to the railway station, from where they were taken to their deaths in Belzec. Feurstein and Kurzmann refused to part with the children and were killed alongside them.

Photo by Klaudyna Schubert

Memory Score – site of former orphanage at 41 Józefińska

Ujjaya en concert / sieste (gongs, bols & électronique) le samedi 11 mai 2024 à 15h à l'espace Saad Abssi , Gennevilliers (M° Les Agnettes ligne 13)
Ujjaya is a french/malagasy ethno-ambient  musician , a spiritual seeker.
His tribal and experimental side is mainly influenced by Steve Roach,Robert Rich, Brian Eno and Jorge Reyes. 
Ujjaya  also play open tuned 6 and 12 strings folk guitar in a more new age way,reminiscent of Willam Ackerman.

Elegba

Ujjaya

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